Tomato 3/4 |
The Machinist (2004) |
"Anderson tightens the screws of suspense, but it's Bale's gripping, beyond-the- call-of-duty performance that holds you in thrall." |
Peter Travers |
Tomato 3/4 |
Mad Hot Ballroom (2005) |
"Listening to the kids talk is a treat in itself, but watching them strut their stuff in the final competition is enough to make you stand up and cheer." |
Peter Travers |
Splat 2/4 |
Madagascar (2005) |
"The movie sadly runs aground on old gags that no amount of eye-popping color and frenzied action can spin into gold." |
Peter Travers |
- |
Madame Bovary (1992) |
Click here to see the review. |
Peter Travers |
Tomato 3.5/5 |
Made (2001) |
"The kind of crime comedy that you root for even as it grows progressively more irritating." |
Peter Travers |
Tomato 3/4 |
Made-Up (2004) |
"It's hard to resist this family affair." |
Peter Travers |
Tomato |
The Madness of King George (1995) |
"The thrill of Hawthorne's astounding performance is not something you want to miss." |
Peter Travers |
- |
Madonna - Truth or Dare (1991) |
Click here to see the review. |
|
Tomato 3/4 |
The Magdalene Sisters (2003) |
"The film gets to you; it's a powerhouse." |
Peter Travers |
Tomato 4.5/5 |
Magnolia (1999) |
"Magnolia makes it three-for-three for writer and director Paul Thomas Anderson" |
Peter Travers |
Tomato 3/4 |
Mail Order Wife (2005) |
"It looks like a documentary, but filmmakers Huck Botko and Andrew Gurland are hunting something fierce and darkly funny." |
Peter Travers |
Tomato 3.5/5 |
Maléna (2000) |
Click here to see the review. |
Peter Travers |
- |
Malice (1993) |
Click here to see the review. |
Peter Travers |
- |
The Mambo Kings (1992) |
Click here to see the review. |
Peter Travers |
Splat 2/4 |
Mamma Mia! (2008) |
"When Streep, Walters and Baranski share the screen, Mamma Mia! comes alive and earns its exclamation point. The rest is forced gaiety pushed to the breaking point." |
Peter Travers |
Splat 1/4 |
A Man Apart (2003) |
"With more movies like A Man Apart, it'll be kaput to Diesel's acting future." |
Peter Travers |
Tomato 3/4 |
The Man from Elysian Fields (2002) |
"Jagger the actor is someone you want to see again." |
Peter Travers |
Splat 2/5 |
The Man Who Cried (2001) |
"Potter gets the period details right (heads up, Michael Bay), but the film itself has long since flown off the rails, miring good intentions in rank soap opera." |
Peter Travers |
Tomato 4.5/5 |
The Man Who Wasn't There (2001) |
"For all its lapses, Man is steadily engrossing and devilishly funny, and, o brother, does it look sharp." |
Peter Travers |
- |
The Man Without a Face (1993) |
Click here to see the review. |
Peter Travers |
Tomato 3.5/4 |
The Man Without a Past (2003) |
"A delicious blend of hilarity and heartbreak." |
Peter Travers |
Splat 2/4 |
Management (2009) |
"Playwright Stephen Belber, in his directing debut, comes close to the sweet spot. He's not there yet. But he'll be worth watching next time." |
Peter Travers |
Tomato 3/4 |
The Manchurian Candidate (2004) |
"It's a mesmerizing mind-teaser that finds its own way into the material, adapted from Richard Condon's 1959 novel." |
Peter Travers |
Tomato 2.5/4 |
Manderlay (2006) |
"Von Trier's hand isn't as sure in Manderlay as it was in Dogville. His film exasperates and illuminates in equal measure. But no film addict will want to miss his cinematic brilliance." |
Peter Travers |
- |
Manhattan Murder Mystery (1993) |
Click here to see the review. |
Peter Travers |
Tomato 4/4 |
The Manson Family (2004) |
Click here to see the review. |
Peter Travers |
Tomato 3/4 |
March of the Penguins (2005) |
"Documentaries are the surprise hits of the summer, and none is scoring bigger than Luc Jacquet's wondrous look at the emperor penguins of Antarctica." |
Peter Travers |
Tomato 3.5/4 |
Margot at the Wedding (2007) |
"It's the people, not the plot, driving this comedy of appalling manners. And Baumbach, with acute intelligence and annihilating wit, writes people with flaws we can (if we're honest) recognize as our own." |
Peter Travers |
Tomato 3/4 |
Maria Full of Grace (2004) |
"Marston builds incredible tension. But it's the human drama etched on Moreno's young, weary face that gives Maria its potent punch." |
Peter Travers |
Tomato 3.5/4 |
Marie Antoinette (2006) |
"With lyrical intelligence and scrappy wit, Coppola creates a luscious world to get lost in. It's a pleasure." |
Peter Travers |
Splat 1.5/4 |
Marley & Me (2008) |
"Watching the stars try to out-cutesy the mutt is one for the puke bucket." |
Peter Travers |
- |
The Marrying Man (1991) |
Click here to see the review. |
Peter Travers |
Tomato |
The Mask (1994) |
"Carrey is the ultimate party dude, and like the masked man says, this party is smokin'." |
Peter Travers |
- |
The Mask of Zorro (1998) |
Click here to see the review. |
Peter Travers |
Splat 0/4 |
Masked and Anonymous (2003) |
"Dylan just stares in mute incomprehension. I know the feeling." |
Peter Travers |
Tomato 3.5/4 |
Master and Commander: The Far Side of the World (2003) |
"A rousing high-seas adventure that sweeps you into another world." |
Peter Travers |
Splat |
The Master of Disguise (2002) |
"In just over a minute you can see everything that's wrong with this one-joke farce." |
Peter Travers |
Tomato 3/4 |
The Matador (2005) |
"Just sit back and enjoy the fun." |
Peter Travers |
Tomato 3.5/4 |
Match Point (2005) |
"Allen evokes Dostoevsky and Dreiser, but don't expect justice from a shocker ending that manages to be devilishly clever and morally repugnant. It's been a long time since a Woody Allen film sparked juicy debate. Savor it." |
Peter Travers |
Tomato 3/4 |
Matchstick Men (2003) |
"Cage and Rockwell play off each other with devilish finesse." |
Peter Travers |
- |
Matinee (1993) |
Click here to see the review. |
Peter Travers |
Splat |
The Matrix (1999) |
"The Matrix soars with its feet in the air -- the rest crash-lands." |
Peter Travers |
Tomato 3/4 |
The Matrix Reloaded (2003) |
"Eyes will pop, nerves will jangle, thoughts will be provoked and other summer blockbusters will shrink in comparison. But to quote from one of the few cultural touchstones not referenced in this film: 'Houston, we've got a problem.'" |
Peter Travers |
Splat 2/4 |
The Matrix Revolutions (2003) |
"The Matrix Revolutions sucks." |
Peter Travers |
Splat 1/4 |
Max (2002) |
"It's a big idea, but the film itself is small and shriveled." |
Peter Travers |
Splat 1/4 |
Max Payne (2008) |
"Max just drags on as it drags you down. If you stay and watch the endless end credits, there's a short scene that hints a sequel is coming. That's what I call real pain." |
Peter Travers |
Tomato 3/4 |
Me and Orson Welles (2009) |
"What do you say about a movie that proves Zac Efron can act, introduces a master thespian in Christian McKay and launches a charm assault that is damn near irresistible?" |
Peter Travers |
Tomato 3.5/4 |
Me and You and Everyone We Know (2005) |
"Performance artist Miranda July hits a grand slam as the writer, director and star of her first film." |
Peter Travers |
Tomato 4.5/5 |
Me, Myself & Irene (2000) |
Click here to see the review. |
Peter Travers |
Splat 2/4 |
Mean Creek (2004) |
Click here to see the review. |
Peter Travers |
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