Tomato 3/4 |
A Scanner Darkly (2006) |
"Embedded in the visionary headtrip of A Scanner Darkly is a hotly political call to arms." |
Peter Travers |
Tomato 4/5 |
ABCD (2001) |
"In this funny, touching and haunting film, Patel cuts through stereotypes to show the hard truths of straddling two cultures." |
Peter Travers |
Tomato 3.5/5 |
About a Boy (2002) |
"The acid comedy of Grant's performance carries the film." |
Peter Travers |
Tomato 4/5 |
About Adam (2001) |
"Stembridge keeps the amoral laughs bubbling." |
Peter Travers |
Tomato 4/4 |
About Schmidt (2002) |
"Nicholson's acting sets a new gold standard, making Schmidt a movie you won't forget." |
Peter Travers |
Tomato |
' Above the Rim (1994) |
"It's Shakur who steals the show. The rapper's offscreen legal problems are well known, but there's no denying his power as an actor." |
Peter Travers |
Tomato |
The Abyss (1989) |
"Anyone looking for a discouraging word about this stupendously exciting and emotionally engulfing film should read no further. The Abyss confirms James Cameron as a world-class filmmaker." |
Peter Travers |
Tomato 2.5/4 |
Across the Universe (2007) |
"[A] visionary attempt to wed a story of young love and 1960s war protest to the Lennon-McCartney catalog." |
Peter Travers |
Tomato 4/4 |
Adaptation (2002) |
"Few scripts toss more challenging balls in the air, and Jonze juggles them all with artful, light-stepping ease. It's magic." |
Peter Travers |
Tomato |
The Addiction (1995) |
"Abel Ferrara, working from a rabidly ambitious script by Nicholas St. John, gives the genre a provocative and perversely funny snap that Anne Rice might envy." |
Peter Travers |
Tomato |
The Adventures of Priscilla, Queen of the Desert (1994) |
"In this roaringly comic and powerfully affecting road movie, Terence Stamp gives one of the year's best performances." |
Peter Travers |
Tomato |
After Dark, My Sweet (1990) |
"The film is a hot-wired crime thriller that captures [Jim] Thompson's flair for hard action, malicious wit and fevered eroticism." |
Peter Travers |
Tomato 3/4 |
Aileen: The Life and Death of a Serial Killer (2003) |
"Digs into the soul of this abused child, who never got the treatment she needed. Her eyes, radiating madness, will haunt your dreams." |
Peter Travers |
Tomato 3.5/4 |
Air Force One (1997) |
"Air Force One doesn't insult the audience. It is crafted by a film-maker who takes pride in the thrills and sly fun he packs into every frame." |
Peter Travers |
Tomato |
Airheads (1994) |
"Fraser and Buscemi are deadpan delights. And Sandler, Opera Man on SNL, is a red-hot screen find." |
Peter Travers |
Tomato |
Aladdin (1992) |
"So funny and scrappy you don't need to drag a kid along." |
Peter Travers |
Tomato 4.5/5 |
Ali (2001) |
"Mann and Smith deliver this powerhouse with the urgency of a champ's left hook." |
Peter Travers |
Tomato |
Alice (1990) |
"Alice may be a minor work in the Allen canon, but when its grace notes manage to be heard above the whimsy, they ring true." |
Peter Travers |
Tomato |
Alien 3 (1992) |
"Bold and haunting" |
Peter Travers |
Tomato 4/5 |
All Access: Front Row. Backstage. Live! (2001) |
Click here to see the review. |
Peter Travers |
Tomato 3/4 |
All or Nothing (2002) |
"Leigh isn't breaking new ground, but he knows how a daily grind can kill love." |
Peter Travers |
Tomato 5/5 |
Almost Famous (2000) |
"A winner because Crowe dares to wear his heart on his sleeve. For this movie at least, he's with the band." |
Peter Travers |
Tomato 3/4 |
The Amateurs (2007) |
"You'll notice that the actors are way overqualified for this nonsense. But the kick they get out of one another is what pulls you in." |
Peter Travers |
Tomato 5/5 |
American Beauty (1999) |
"The kind of artful defiance that Hollywood is usually too timid to deliver: a jolting comedy that makes you laugh till it hurts." |
Peter Travers |
Tomato 3.5/4 |
American Gangster (2007) |
"Call it the black Scarface or the Harlem Godfather or just one hell of an exciting movie, but the fact-based, 1970s-era American Gangster is already looking like a major awards contender." |
Peter Travers |
Tomato 3/4 |
American Hardcore (2006) |
"Based on the 2001 book by Steven Blush, Paul Rachman's raw and riveting documentary traces the rise of of hardcore punk through Los Angeles, Boston, D.C. and the Big Apple." |
Peter Travers |
Tomato |
American Pie (1999) |
"Paul Weitz, who never directed before; Chris Weitz - his brother - who never produced before; and Adam Herz, who never wrote a screenplay before, have cooked up two hilarious hours of impure pow." |
Peter Travers |
Tomato 4.5/5 |
American Psycho (2000) |
"An uneven movie that nonetheless bristles with stinging wit and exerts a perverse fascination." |
Peter Travers |
Tomato 3.5/4 |
American Splendor (2003) |
"You're in for a scrappy, free-form blast." |
Peter Travers |
Tomato 3/4 |
American Teen (2008) |
"You'll be totally riveted." |
Peter Travers |
Tomato 3.5/4 |
An Education (2009) |
"A quiet miracle of a movie that quickly disabuses you of the idea that you've seen it all before." |
Peter Travers |
Tomato 4.5/5 |
Analyze This (1998) |
"It's a treat to watch Robert De Niro -- the goodfella supreme -- tweak every gangster role he's ever played." |
Peter Travers |
Tomato 3/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Slaps a goofy smile on your face." |
Peter Travers |
Tomato 3/4 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"A rapturous spectacle." |
Peter Travers |
Tomato 3/4 |
Angel Heart (1987) |
Click here to see the review. |
Peter Travers |
Tomato 2.5/4 |
Angels & Demons (2009) |
"Without pretensions to profundity, the movie can be enjoyed for the hell-raising hooey it is." |
Peter Travers |
Tomato 3/4 |
Anger Management (2003) |
"Has its moments." |
Peter Travers |
Tomato 3/4 |
Animatrix (2003) |
Click here to see the review. |
Peter Travers |
Tomato 3.5/5 |
The Anniversary Party (2001) |
"They turn what could have been an acting stunt into an intimate and compelling study of bruised emotions." |
Peter Travers |
Tomato 3/4 |
Antwone Fisher (2002) |
"Washington, in his debut as a director, delivers a solid piece of craftsmanship." |
Peter Travers |
Tomato |
Antz (1998) |
"Antz is refreshingly naughty and nice." |
Peter Travers |
Tomato 3.5/4 |
Anvil! The Story of Anvil (2009) |
"Sacha Gervasi's powerhouse doc brings humor and fervent focus to Toronto musicians, supporting their families with day jobs, who won't give up the dream." |
Peter Travers |
Tomato 3/4 |
Anything Else (2003) |
"Because Allen hasn't lost his knack for slapstick with a sting, Anything Else hits its mark more often than not." |
Peter Travers |
Tomato |
Apocalypse Now (1979) |
" The opening, with the whirling sound of choppers intercut with Willard sweating angst in his Saigon hotel bed, a jungle burning with napalm...remains a visual and aural wonder." |
Peter Travers |
Tomato 5/5 |
Apocalypse Now Redux (2001) |
"One for the ages when it comes to the moral battles of war." |
Peter Travers |
Tomato 3.5/4 |
Apocalypto (2006) |
"Gibson has made a film of blunt provocation and bruising beauty." |
Peter Travers |
Tomato |
Apollo 13 (1995) |
"It's easily Howard's best film." |
Peter Travers |
Tomato 3.5/4 |
Appaloosa (2008) |
"Appaloosa is gripping entertainment that keeps springing surprises." |
Peter Travers |
Tomato 2.5/4 |
Aqua Teen Hunger Force Colon Movie Film For Theatres (2007) |
"Succeed[s] enough of the time to make a perversely entertaining movie." |
Peter Travers |
Tomato 3/4 |
The Aristocrats (2005) |
"This killer-funny documentary from Paul Provenza produces more laughs than any hundred jokes you ever heard." |
Peter Travers |
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