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101 Dalmatians (1996) |
Click here to see the review. |
Joe Baltake |
Tomato |
102 Dalmatians (2000) |
"This is one of those rare occasions when a sequel is better than the movie that inspired it." |
Joe Baltake |
Tomato |
12 Monkeys (1995) |
"This is action movie-making at its most suave." |
Joe Baltake |
Tomato 3/4 |
13 Going on 30 (2004) |
"Disarming fun as it trails a little girl who almost learns too late what's important in life and tries to correct mistakes that her older self made." |
Joe Baltake |
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The 13th Floor (1999) |
Click here to see the review. |
Joe Baltake |
Splat 2.5/4 |
1408 (2007) |
"Handsomely shot and well-acted but only modestly involving for much of its length, 1408 doesn't perk up until its final half-hour. By then it's too late." |
Carla Meyer |
Tomato |
15 Minutes (2001) |
"You have to love the film's passion and its colorful sense of self-righteousness." |
Joe Baltake |
Splat 2.5/4 |
16 Blocks (2006) |
"When a 97-minute film seems protracted, there are script problems." |
Carla Meyer |
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1997 Year-in-Review (1997) |
Click here to see the review. |
Joe Baltake |
- |
1998 Year-in-Review (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
2 Days In Paris (2007) |
"There's great honesty in her portrayal of rocky romance, especially toward the end of the film, when Delpy explores the heartbreak of serial monogamy and its endless cycle of the not-forever." |
Carla Meyer |
Tomato 3/4 |
2 Fast 2 Furious (2003) |
"It's fun. That's all." |
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200 Cigarettes (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
21 Grams (2003) |
"Dripping with cinematic style." |
Joe Baltake |
Splat 2.5/4 |
24 Hour Party People (2002) |
"Fun for a spell but becomes repetitive and monotonous. It leaves you in a haze." |
Joe Baltake |
Tomato 3.5/4 |
25th Hour (2002) |
"Sorrowful and thoughtful at the same time, 25th Hour is about how a single situation can jolt us out of our comfortable complacency and threaten us with the harsh fact that nothing will ever be the same again." |
Joe Baltake |
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28 Days (2000) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
28 Days Later (2003) |
"To each his own apocalypse, so to speak, but Danny Boyle has come up with a whopper." |
Joe Baltake |
Tomato 3/4 |
28 Weeks Later (2007) |
"Most affecting are moments of quietude that stand in contrast to the loud, busy horror scenes. Fresnadillo and cinematographer Enrique Chediak find intriguing angles to highlight the eeriness of the setting." |
Carla Meyer |
Splat 2.5/4 |
300 (2007) |
"Once the Spartans start cracking jokes while finishing off opponents with spears, 300 starts to wobble." |
Carla Meyer |
Splat |
3000 Miles to Graceland (2001) |
"This latest example of violent amorality in contemporary movies is just too cluttered, disorganized and messy." |
Joe Baltake |
Tomato 3.5/4 |
3:10 to Yuma (1957) |
"The new 3:10 to Yuma will have to be quite a film to stand up to the original." |
Bruce Dancis |
Tomato 3.5/4 |
3:10 to Yuma (2007) |
"3:10 to Yuma offers plenty of guns-blazing, pulse-pounding action, but it's the excellent lead performances that stay with you." |
Carla Meyer |
Splat 1.5/4 |
40 Days and 40 Nights (2002) |
"It's the filmic equivalent of the young men it represents -- guys who think, talk and brag about sex without ever really getting any." |
Joe Baltake |
Tomato 3/4 |
The 40-Year-Old Virgin (2005) |
"The 40 Year-Old Virgin is the thinking person's raunchy comedy." |
Carla Meyer |
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42 Up (1998) |
Click here to see the review. |
Joe Baltake |
Tomato |
The 6th Day (2000) |
"Essentially Schwarzenegger Lite, definitely a new flavor -- but it still gets the job done. For lack of a better word, it's pleasing." |
Joe Baltake |
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8 Heads in a Duffel Bag (1997) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
8 Mile (2002) |
"The film is emotionally charged, almost naturally so, with Hanson's direction stressing the pop rapture that music can provide in a world that's dirty and ugly." |
Joe Baltake |
Tomato 3.5/4 |
8 Women (2002) |
"There are any number of moments that fans of French cinema could only have dreamed of ever happening." |
Joe Baltake |
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