- |
D3: The Mighty Ducks (1996) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Dan in Real Life (2007) |
"Hedges imparts, in the space of an hour and a half, a real sense of this family's history -- its rituals and its resilience." |
Carla Meyer |
- |
Dancemaker (1998) |
Click here to see the review. |
Joe Baltake |
- |
Dancer in the Dark (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
The Dancer Upstairs (2003) |
"While The Dancer Upstairs may have nothing else to remind us of [Malkovich], it does have a certain mystique itself." |
Joe Baltake |
- |
Dancer, Texas (1998) |
Click here to see the review. |
Joe Baltake |
- |
Dancing at Lughnasa (1998) |
Click here to see the review. |
Joe Baltake |
- |
Dangerous Beauty (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
The Dangerous Lives of Altar Boys (2002) |
"Works as pretty contagious fun." |
Joe Baltake |
Tomato 3/4 |
Dangerous Minds (1995) |
"A no-frills, single-minded drama driven by Pfeiffer's totally committed performance." |
Joe Baltake |
- |
Dante's Peak (1997) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
Daredevil (2003) |
"Daredevil might have worked if Johnson had gone all out and made a truly adult superhero movie, embracing an R rating." |
Joe Baltake |
Tomato 3/4 |
The Darjeeling Limited (2007) |
"Though light on revelations, this well-acted film offers entertaining and touching moments." |
Carla Meyer |
Tomato 4/4 |
Dark Blue (2003) |
"Shelton tackles every New York cop-film cliche here and gives them a bracing West Coast spin, capturing L.A. with the same breathless rapture others have brought to New York." |
Joe Baltake |
Tomato 3/4 |
Dark Blue World (2001) |
"More bleak and certainly more hushed than the relatively bombastic Pearl Harbor, but they both tell a war-movie plot staple in approximately the same way." |
Joe Baltake |
Tomato 3/4 |
The Dark Knight (2008) |
"Quite good. Nolan's visually sophisticated and well-acted sequel engages and even wows for about two hours of its 2 1/2 -hour run time." |
Carla Meyer |
Tomato 3/4 |
Dark Water (2005) |
"[A] skillfully crafted psychological thriller." |
Carla Meyer |
Splat 2.5/4 |
The Day After Tomorrow (2004) |
"Expensive cheese." |
Joe Baltake |
- |
Daylight (1996) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
De-Lovely (2004) |
"It is stiff, lifeless and incomprehensibly dull." |
Joe Baltake |
Tomato 3/4 |
The Dead Girl (2006) |
"Growing less lurid and more poignant as it builds its story through a series of linked vignettes, this film by Karen Moncrieff provides a showcase for its predominantly female cast." |
Carla Meyer |
- |
Dead Man (1996) |
Click here to see the review. |
Joe Baltake |
Tomato |
Dead Man Walking (1995) |
"Its objectivity is what makes it so controversial and fascinating." |
Joe Baltake |
Tomato |
The Debut (2000) |
"A smart, engaging demonstration of how the conventions of the coming-of-age comedy-drama can be adapted and given new meaning." |
Joe Baltake |
- |
Deceiver (1997) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
December Boys (2007) |
"A story line involving a crusty fisherman and a giant, fabled fish plays as unintentionally comic. Other moments are visually excessive." |
Carla Meyer |
Splat 1.5/4 |
Deception (2008) |
"High in gloss and light on brains." |
Carla Meyer |
- |
The Decline of Western Civilization III (1998) |
Click here to see the review. |
Joe Baltake |
- |
Deconstructing Harry (1997) |
Click here to see the review. |
Joe Baltake |
- |
Deep Blue Sea (1999) |
Click here to see the review. |
Joe Baltake |
- |
Deep Crimson (1996) |
Click here to see the review. |
Joe Baltake |
Tomato |
The Deep End (2001) |
"Takes the quiet, nonviolent approach to conjuring up thrills." |
Joe Baltake |
- |
The Deep End of the Ocean (1999) |
Click here to see the review. |
Joe Baltake |
- |
Deep Impact (1998) |
Click here to see the review. |
Joe Baltake |
- |
Deep Rising (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
Deep Sea (IMAX) (2006) |
"Deep Sea 3D really is a marvel of filmmaking." |
Jim Carnes |
- |
Deja Vu (1997) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Deja Vu (2006) |
"Cheesy at moments, but also well-crafted and elevated by Washington's singular blend of charisma, intelligence and tenacity." |
Carla Meyer |
Splat 2.5/4 |
Deliver Us From Eva (2003) |
"It's too bad that Union and Cool's scenes couldn't have been separated from the rest of the movie, which is predictable, flat and badly acted by the supporting cast." |
Joe Baltake |
Tomato 3.5/4 |
Deliver Us From Evil (2006) |
"The wrenching documentary Deliver Us From Evil explores the mind of a pedophile as it accuses the Catholic Church of failing to protect children." |
Carla Meyer |
Tomato 3.5/4 |
Denise Calls Up (1996) |
"An alert, funny antisocial comedy." |
Joe Baltake |
Splat 1.5/4 |
Derailed (2005) |
"Derailed is ugly and predictable when it should be sexy and sophisticated." |
Carla Meyer |
- |
Desperate Measures (1998) |
Click here to see the review. |
Joe Baltake |
Splat |
Deterrence (1998) |
"A nostalgic throwback to the all-male talkathons of the 1950s and '60s." |
Joe Baltake |
- |
Detroit Rock City (1999) |
Click here to see the review. |
Joe Baltake |
Splat 1/4 |
Deuce Bigalow: European Gigolo (2005) |
"It casts such a wide net that the best way to avoid getting offended is not to go." |
Carla Meyer |
- |
Deuce Bigalow: Male Gigolo (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
Devil in a Blue Dress (1995) |
"The fascinating bits of racial history that director Carl Franklin has folded into the vibrant milieu of a post-World War II Los Angeles pushes his Devil in a Blue Dress somewhat beyond the usual nostalgia/noir status." |
Joe Baltake |
Tomato |
The Devil's Backbone (2001) |
"Let's just say [Del Toro] knows how to create tension." |
Joe Baltake |
- |
The Devil's Own (1997) |
Click here to see the review. |
Joe Baltake |
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