- |
Earth (1999) |
Click here to see the review. |
Joe Baltake |
- |
East Is East (1999) |
Click here to see the review. |
Joe Baltake |
- |
East Side Story (1997) |
Click here to see the review. |
Joe Baltake |
- |
East-West (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Eastern Promises (2007) |
"Even though Eastern Promises inhabits a creepy world, Cronenberg fans still might be reluctant to leave it." |
Carla Meyer |
- |
Ed (1996) |
Click here to see the review. |
Joe Baltake |
- |
Ed's Next Move (1996) |
Click here to see the review. |
Joe Baltake |
Splat 1/4 |
The Edge (1997) |
"...even less intelligent than your average action flick." |
Joe Baltake |
- |
Edge of Seventeen (1998) |
Click here to see the review. |
Joe Baltake |
- |
EdTV (1999) |
Click here to see the review. |
Joe Baltake |
- |
The Eel (1997) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Eight Below (2006) |
"Emotive, great-looking and physically nimble, the principal actors in Eight Below are born movie stars. The human actors are ok, too." |
Carla Meyer |
Tomato |
Election (1999) |
"Reese Witherspoon in a performance that could become legendary!" |
Joe Baltake |
Tomato 3/4 |
Elegy (2008) |
"A moving character study and romance based on the novel The Dying Animal by Philip Roth." |
Carla Meyer |
Splat 2/4 |
Elektra (2005) |
"Can't decide if it wants to be an action-packed, martial-arts romp or a dark and sensitive allegory about love and loss. The film attempts both approaches and succeeds at neither." |
Rachel Leibrock |
Tomato 4/4 |
Elephant (2003) |
"Too specialized an item to be flat-out declared the best film of the year, but from where I sit, it is inarguably the finest cinematic achievement of 2003 so far." |
Joe Baltake |
Tomato 3/4 |
Elf (2003) |
"The film works not only as an innocuous family movie, but also as something of a hipster's pipe dream." |
Joe Baltake |
- |
Elizabeth (1998) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
Elizabethtown (2005) |
"It's pretentious as well as sappy, despite some nice moments." |
Carla Meyer |
- |
Emma (1996) |
Click here to see the review. |
Joe Baltake |
- |
The Emperor and the Assassin (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
The Emperor's Club (2002) |
"Its valuable message makes it a must-see for children and teenagers, and even more so for those callous adults who have become casually corrupt in their efforts to simply get through life." |
Joe Baltake |
Splat 2.5/4 |
The Emperor's New Clothes (2002) |
"To build a feel-good fantasy around a vain dictator-madman is off-putting, to say the least, not to mention inappropriate and wildly undeserved." |
Joe Baltake |
- |
The Emperor's Shadow (1999) |
Click here to see the review. |
Joe Baltake |
Tomato |
The Empire Strikes Back (1980) |
"Genuinely powerful!" |
Joe Baltake |
- |
End of Days (1999) |
Click here to see the review. |
Joe Baltake |
- |
The End of the Affair (1999) |
Click here to see the review. |
Joe Baltake |
- |
The End of Violence (1997) |
Click here to see the review. |
Joe Baltake |
Tomato |
The Endurance: Shackleton's Legendary Antarctic Expedition (2001) |
"Hands-down, the most stirring and pertinent documentary of 2001." |
Joe Baltake |
Tomato 3/4 |
Enigma (2002) |
"It's dense, intricate and convoluted in its tight interweaving of love, loyalty, duty, betrayal and intrigue." |
Joe Baltake |
- |
Enlightenment Guaranteed (2001) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Enough (2002) |
"Perhaps the guiltiest guilty pleasure in a long time." |
Joe Baltake |
- |
Entertaining Angels: The Dorothy Day Story (1996) |
Click here to see the review. |
Joe Baltake |
- |
Entrapment (1999) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
Equilibrium (2002) |
"A dull, somnambulant exercise in pretension whose pervasive quiet is broken by frequent outbursts of violence and noise." |
Joe Baltake |
- |
Erin Brockovich (2000) |
Click here to see the review. |
Joe Baltake |
- |
Ernesto Che Guevara: The Bolivian Diary (1994) |
Click here to see the review. |
Joe Baltake |
Tomato 2.5/4 |
Escaflowne The Movie (2000) |
"The idea of an ordinary slacker kid being a savior for another world may not be anything new, but Escaflowne literally gives it a new paint job." |
Joe Baltake |
Splat 2/4 |
Escape From L.A. (1996) |
"A hilariously unstable film and the latest apocalyptic vision to work on our nerves like a torturer extracting a confession -- or a dentist extracting a tooth." |
Joe Baltake |
Tomato 4/4 |
Eternal Sunshine of the Spotless Mind (2004) |
"Carrey is essentially the straight man, yet he's rarely been funnier. And Winslet is perfect as the model of an unstable woman who's bad news but irresistible." |
Joe Baltake |
Splat 2/4 |
Evan Almighty (2007) |
"A few scenes involving animals are irresistibly cute. But mostly we get gags starring bird droppings -- messages from the sky that are neither divine nor inspired." |
Carla Meyer |
Tomato 3/4 |
Evelyn (2002) |
"Beresford's direction makes sure that grit and a certain ugliness get equal screen time with the requisite heartwarming qualities." |
Joe Baltake |
Splat 2.5/4 |
Evening (2007) |
"The tone, in turn, moves from arch to soapy to poignant. Yet it's the story that one can never quite get one's arms around." |
Carla Meyer |
Tomato |
Ever After: A Cinderella Story (1998) |
"Doesn't quite make sense, but that's part of its charm." |
Joe Baltake |
- |
Everyone Says I Love You (1997) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Everything is Illuminated (2005) |
"A sometimes funny, largely heartbreaking look at how tragic events can resonate through generations." |
Carla Meyer |
Splat 1/4 |
Everything Relative (1997) |
"With no distinct storyline or one strong individual character to lead the way, the film comes to feel patched together." |
Joe Baltake |
- |
Evita (1996) |
Click here to see the review. |
Joe Baltake |
Tomato |
Evolution (2001) |
"Evolution has just the right kind of mild hilarity for a warm summer afternoon at the movies." |
Joe Baltake |
Splat 2/4 |
The Ex (2007) |
"Few filmmakers can successfully mix true outrageousness and warmheartedness. Or rather, two filmmakers: the Farrelly brothers, whose talent shines brighter when others try and fail to do what they do." |
Carla Meyer |
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