- |
Painted Hero (1996) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
The Painted Veil (2006) |
"This adaptation of the W. Somerset Maugham novel contains more anger and sexuality -- altogether more passion -- than other beautifully appointed period films of its class." |
Carla Meyer |
- |
The Pallbearer (1996) |
Click here to see the review. |
Joe Baltake |
- |
Palmetto (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 4/4 |
Pan's Labyrinth (2006) |
"Technically magnificent and flawlessly acted, the picture incorporates 20th century Spanish history and classic fairy-tale elements in a way that seems completely new." |
Carla Meyer |
Tomato |
Panic (2000) |
"A witty little film." |
Joe Baltake |
Tomato 3/4 |
Panic Room (2002) |
"The star of this movie is Fincher, who has filmed it in a grand style that manages to avoid showy excesses." |
Joe Baltake |
- |
Paperback Romance (1994) |
Click here to see the review. |
Joe Baltake |
- |
Paradise Road (1997) |
Click here to see the review. |
Joe Baltake |
- |
The Parent Trap (1998) |
Click here to see the review. |
Joe Baltake |
- |
Pariah (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Paris, Je T'aime (2007) |
"Its 18 vignettes show Paris as a big city like any other, with the attendant street crime and disparity between haves and have-nots. It's just that the architecture, clothes and people are more handsome than in most cities." |
Carla Meyer |
Tomato 2.5/4 |
Party Girl (1995) |
"Parker Posey will either grate on your nerves or charm the daylights out of you -- or both." |
Joe Baltake |
Splat 2.5/4 |
Party Monster (2003) |
"It's a cinematic party, one long, strung-out bash that starts out as a novelty and turns into something resembling forced fun before morphing into a bummer." |
Joe Baltake |
- |
Passion in the Desert (1997) |
Click here to see the review. |
Joe Baltake |
- |
Passion of Mind (1999) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
The Passion of the Christ (2004) |
"Working with premier cinematographer Caleb Deschanel, Gibson effectively hurls us into Christ's living nightmare, creating a mesmerizing twilight zone that is creepy and utterly unforgettable." |
Joe Baltake |
Tomato 3/4 |
Passionada (2003) |
"Ireland ... keeps matters small and intimate here, wisely focusing almost exclusively on his attractive two stars." |
Joe Baltake |
- |
Patch Adams (1998) |
Click here to see the review. |
Joe Baltake |
Splat |
The Patriot (2000) |
"Its makers and star have produced a hackneyed piece of patriotic gore." |
Bruce Dancis |
Tomato 2.5/4 |
Pauly Shore is Dead (2004) |
"It works as a throwaway joke -- occasionally funny and often shamelessly tasteless. And it also helps if you like Shore." |
Joe Baltake |
Tomato |
Pay It Forward (2000) |
"Works beautifully as a figment of someone's idealism and goodwill." |
Joe Baltake |
- |
The Peacemaker (1997) |
Click here to see the review. |
Joe Baltake |
Tomato |
Pearl Harbor (2001) |
"Bursting with American patriotism and an avid, shamelessly old-fashioned romantic spirit, Michael Bay's Pearl Harbor comes on like the Marines to save what's been a moribund movie year so far." |
Joe Baltake |
- |
Perfect Blue (1997) |
Click here to see the review. |
Joe Baltake |
Splat 1/4 |
The Perfect Man (2005) |
"The film's execution is as bad as its conception. Scenes just lie there until the family does something hackneyed like erupt into song and dance in their living room." |
Carla Meyer |
Tomato 3/4 |
A Perfect Murder (1998) |
"What Andrew Davis has essentially done is to take one three-star movie and turn it into another three-star movie." |
Joe Baltake |
- |
The Perfect Storm (2000) |
Click here to see the review. |
Joe Baltake |
Splat 2/4 |
Perfect Stranger (2007) |
"Willis and Berry's joint star power makes their exchanges at least moderately interesting. But their characters' supposed banter never reaches wittiness, and the cat-and-mouse angle is too mild." |
Carla Meyer |
- |
Permanent Midnight (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
Persepolis (2007) |
"With poignancy, humor and evocative animation, Satrapi and Vincent Paronnaud, who co-wrote and co-directed, detail a coming of age that coincided with the deterioration of a nation." |
Carla Meyer |
Tomato 4/4 |
Personal Velocity (2002) |
"Very psychoanalytical -- provocatively so -- and also refreshingly literary." |
Joe Baltake |
- |
Persuasion (1995) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
Peter Pan (2003) |
"Hurd-Wood, a newcomer, brings an earnest charm to Wendy. She's letter-perfect in the role." |
Joe Baltake |
- |
Phantoms (1998) |
Click here to see the review. |
Joe Baltake |
- |
Phat Beach (1996) |
Click here to see the review. |
Joe Baltake |
- |
Phenomenon (1996) |
Click here to see the review. |
Joe Baltake |
- |
Phish - Bittersweet Motel (2000) |
Click here to see the review. |
Joe Baltake |
Tomato 3.5/4 |
Phone Booth (2003) |
"Its plot ... not only fully exploits Schumacher's strengths as a filmmaker but also has encouraged the director to keep things atypically simple." |
Joe Baltake |
Tomato 3.5/4 |
The Pianist (2002) |
"This material means something to Polanski and, because of this, he brings personal details that might have evaded another filmmaker." |
Joe Baltake |
Tomato 3.5/4 |
The Piano Teacher (2002) |
"This demanding, disturbing work is an extreme example of special-interest filmmaking." |
Joe Baltake |
- |
Picnic at Hanging Rock (1975) |
Click here to see the review. |
Joe Baltake |
- |
Picture Perfect (1997) |
Click here to see the review. |
Joe Baltake |
Tomato 3/4 |
Pieces of April (2003) |
"Hedges brings some refreshing new wrinkles to a familiar plot, and he further spices it up by having the meal in question being prepared by the daughter, not the mother." |
Joe Baltake |
Tomato 3/4 |
Pineapple Express (2008) |
"Never much of a scene-stealer before now, the delightful Franco runs away with Pineapple Express." |
Carla Meyer |
Tomato 3/4 |
Piņero (2001) |
"Bratt ... takes a giant step forward in terms of credibility." |
Joe Baltake |
Tomato 3/4 |
Pink Flamingos (1972) |
"While the film now looks primitive and even more amateurish, it is laudable, if that's the right word, because unlike most movies being made these days, almost everything that happens in it is absolutely, horrifyingly real." |
Joe Baltake |
Splat 2/4 |
Pink Panther (2006) |
"With so much resting on Martin, Pink Panther falls prey to the great equalizer of all star-over-substance comedies: the 45-minute mark." |
Carla Meyer |
- |
Pippi Longstocking (1997) |
Click here to see the review. |
Joe Baltake |
Splat |
Pirates of the Caribbean: At World's End (2007) |
"As the filmmakers try to wrap up some story lines while introducing others, At World's End buckles from a decided lack of swash." |
Carla Meyer |
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