- |
U-571 (2000) |
Click here to see the review. |
Joe Baltake |
- |
U-Turn (1997) |
Click here to see the review. |
Joe Baltake |
- |
U.S. Marshals (1998) |
Click here to see the review. |
Joe Baltake |
Tomato 4/4 |
Un Air de Famille (1996) |
"A nostalgic reminder of why some of us fell in love with French films in the first place." |
Joe Baltake |
Tomato |
Un Secret (2008) |
"In Un Secret, French filmmaker Claude Miller expertly weaves together a family history, merging the personal and political, the celebratory and the tragic, while incorporating three distinct time periods." |
Carla Meyer |
Tomato |
Unbreakable (2000) |
"Even with its flaws and misses, Unbreakable is fairly unforgettable." |
Joe Baltake |
Tomato |
Under the Same Moon (2008) |
"Though its smaller story of a mother and son will elicit tears, Under the Same Moon is clear-eyed in its larger examination of the cycle of poverty that persists for immigrants on this side of the border." |
Carla Meyer |
Tomato |
Under the Sand (2001) |
"[Rampling] provides us with moments that you won't easily shake." |
Joe Baltake |
Tomato 3.5/4 |
Under the Skin (1997) |
"It isn't often that a film offers a heroine who is this aggressive, angry and self-punishing, and the filmmaker and her star work in perfect harmony to get at all the complexity behind it." |
Joe Baltake |
Tomato 4/4 |
Underground (1995) |
"For anyone who's an aficionado of film, this is pure, unadulterated bliss." |
Joe Baltake |
Tomato 3/4 |
Undertow (2004) |
"A crackling good, low-down noir thriller." |
Joe Baltake |
Tomato 3.5/4 |
Undisputed (2002) |
"A first-class, thoroughly involving B movie that effectively combines two surefire, beloved genres -- the prison flick and the fight film." |
Joe Baltake |
Tomato 3/4 |
Unfaithful (2002) |
"Comes close to being a genuine hothouse sex film for mature audiences." |
Joe Baltake |
Splat 2.5/4 |
An Unfinished Life (2005) |
"The chief issue, however, is the inability of Redford, Lopez and Freeman to fully inhabit their characters. They are always watchable and often engaging, but they bring elements to their roles that keep us from completely believing them." |
Carla Meyer |
Tomato 3.5/4 |
United 93 (2006) |
"Reverent yet provocative ..." |
Carla Meyer |
Splat 2/4 |
The United States of Leland (2004) |
"The entire film is like that -- moments of good actors giving halfhearted performances." |
Joe Baltake |
- |
Unstrung Heroes (1995) |
Click here to see the review. |
Joe Baltake |
Splat 1.5/4 |
Untraceable (2008) |
"Technology is the film's only hook. Otherwise, it's a standard B-movie thriller featuring basement torture chambers and an FBI agent-single mom who tracks a killer before becoming a target herself." |
Carla Meyer |
- |
Unzipped (1995) |
Click here to see the review. |
Joe Baltake |
Tomato 4/4 |
Up (2009) |
"With Ratatouille, WALL-E and now Up, Pixar Animation Studios has graduated from moviedom's finest animation house to its most consistent producer of great cinematic art, period." |
Carla Meyer |
- |
Up at the Villa (2000) |
Click here to see the review. |
Joe Baltake |
- |
Up Close and Personal (1996) |
Click here to see the review. |
Joe Baltake |
Tomato 2.5/4 |
Up for Grabs (2005) |
"Rather enjoyable." |
Carla Meyer |
Splat 1/4 |
Uptown Girls (2003) |
"It's excruciating, a film of forced humor and fake, grating sentimentality, featuring two lead performances that elicit neither affection nor empathy." |
Joe Baltake |
- |
Urban Legend (1998) |
Click here to see the review. |
Joe Baltake |
- |
Urbania (2000) |
Click here to see the review. |
Joe Baltake |
Tomato |
The Usual Suspects (1995) |
"Nothing is what it seems in this layered, velvety movie (which was shot in handsome wide-screen format) -- the truth keeps shifting -- and nothing matters either." |
Joe Baltake |