Tomato |
A.I. Artificial Intelligence (2001) |
"A boldly challenging and abundantly rewarding masterwork." |
Joe Leydon |
Tomato 3.5/4 |
About a Boy (2002) |
"It's all the more amusing and affecting because of the spot-on perfect casting of Hugh Grant and newcomer Nicholas Hoult." |
Joe Leydon |
Tomato 3/4 |
Absolute Power (1997) |
"Eastwood is perfect as the bad guy you root for because he isn't nearly as bad as the other bad guys." |
Barbara Shulgasser |
Splat 2/5 |
The Accidental Tourist (1988) |
"Stiff and boring, with only Davis giving it a burst of life." |
Jeffrey M. Anderson |
- |
Ace Ventura: When Nature Calls (1995) |
Click here to see the review. |
Barry Walters |
- |
The Acid House (1998) |
Click here to see the review. |
Wesley Morris |
Splat 2/4 |
Across the Universe (2007) |
"'Across the Universe' is whimsical silliness, imaginatively constructed but precious and gratingly excessive." |
Rossiter Drake |
- |
Addicted to Love (1997) |
Click here to see the review. |
Barbara Shulgasser |
Splat 2/4 |
The Addiction (1995) |
"The film works better as straight horror -- it's quite gory and the inky black-and-white photography adds intensely to the mood -- than as a meditation on morality." |
Walter V. Addiego |
Tomato 4/4 |
Adventureland (2009) |
"Those expecting another 'Superbad' may be surprised to discover that 'Adventureland' is nothing of the sort. It's far more grounded, populated by thoughtful, unaffected characters whose misadventures ring true. It is also, to date, the year's best film." |
Rossiter Drake |
- |
The Adventures of Pinocchio (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato 2.5/4 |
The Adventures of Pluto Nash (2002) |
"May be the most undeserving victim of critical overkill since Town and Country." |
Joe Leydon |
- |
Adventures of Prince Achmed (1927) |
Click here to see the review. |
Wesley Morris |
Splat |
The Adventures of Rocky and Bullwinkle (2000) |
"A cheap, plotless satire." |
Wesley Morris |
- |
The Adventures of Sebastian Cole (1999) |
Click here to see the review. |
Wesley Morris |
- |
Affliction (1997) |
Click here to see the review. |
Walter V. Addiego |
Tomato 4/5 |
Africa Screams (1949) |
"Not a great Abott and Costello, but a favorite nonetheless." |
Jeffrey M. Anderson |
Tomato 5/5 |
After Hours (1985) |
No article available. |
Jeffrey M. Anderson |
- |
After Life (1998) |
Click here to see the review. |
G. Allen Johnson |
Splat |
After Sex (1997) |
"There's never a sense that anything's at stake for Diane; there don't seem to be any dire consequences of her actions." |
G. Allen Johnson |
Tomato 4/5 |
After the Thin Man (1936) |
"A strong sequel with a most unusual villain." |
Jeffrey M. Anderson |
- |
Afterglow (1997) |
Click here to see the review. |
Walter V. Addiego |
Splat 2/4 |
Against the Ropes (2003) |
"Ryan's Kallen is painfully two-dimensional." |
Edith Alderette |
- |
Agent Cody Banks (2003) |
Click here to see the review. |
Ben Nuckols |
Tomato 2.5/4 |
Agent Cody Banks 2: Destination London (2004) |
"It's harmless, albeit cliché riddled, fun for youngsters, and it doesn't make grown-ups wish they had two hours of their life back." |
Edith Alderette |
- |
Agnes Browne (1999) |
Click here to see the review. |
Walter V. Addiego |
Tomato |
Aguirre, the Wrath of God (1973) |
"Herzog's all-time great masterpiece." |
Jeffrey M. Anderson |
- |
Aileen: The Life and Death of a Serial Killer (2003) |
Click here to see the review. |
Anita Katz |
- |
Air Bud 2: Golden Receiver (1998) |
Click here to see the review. |
Walter V. Addiego |
Tomato |
Air Force One (1997) |
"Just think of this as "Die Hard" in a suit, with an election coming up." |
Barbara Shulgasser |
- |
Aladdin and the King of Thieves (1996) |
Click here to see the review. |
Barbara Shulgasser |
- |
Alaska (1996) |
Click here to see the review. |
Barbara Shulgasser |
- |
Albino Alligator (1996) |
Click here to see the review. |
Barbara Shulgasser |
Splat 1/4 |
Alexander (2004) |
"It's possible that the most optimistic viewers will find camp value from among the film's rubble." |
Jeffrey M. Anderson |
Splat |
Ali (2001) |
"Plays more like a celebration than an examination, emphasizing hagiography over history." |
Joe Leydon |
Tomato 5/5 |
Ali: Fear Eats the Soul (1974) |
"One of Fassbinder's loosest and most powerful films." |
Jeffrey M. Anderson |
Tomato 5/5 |
Aliens (1986) |
"Unquestionably the greatest sci-fi roller coaster ride ever." |
Jeffrey M. Anderson |
- |
Alive and Kicking (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
All About Eve (1950) |
"A home run all the way." |
Jeffrey M. Anderson |
Tomato |
All About My Mother (1999) |
"[Almodovar's] expressionism and his screenwriting have always had fun together, but now there is a kind of faith and spirituality that sexcapades like Laws of Desire and Kika only laughed at." |
Wesley Morris |
Tomato 3/4 |
All About the Benjamins (2002) |
"A slam-bang extravaganza that is all about a wild-and-woolly, wall-to-wall good time." |
Joe Leydon |
- |
All Dogs Go to Heaven 2 (1996) |
Click here to see the review. |
Barry Walters |
Tomato 4/5 |
All of Me (1984) |
"One of Steve Martin's best performances." |
Jeffrey M. Anderson |
Tomato |
All Over Me (1997) |
"I do think the Sichels got right much of the awkwardness of teenage transitions into adulthood and of the comfort girls find in the company of other equally confused and hormonally distressed girls." |
Barbara Shulgasser |
Tomato |
All That Heaven Allows (1955) |
"Underneath the gloss and phony surfaces, these films explore the most disturbing aspects of human behavior, especially around chemical attraction and sex." |
Jeffrey M. Anderson |
- |
All the Pretty Horses (2000) |
Click here to see the review. |
Joe Leydon |
Tomato 3/5 |
Allegro Non Troppo (1979) |
"Fun, but chintzy-looking compared to Fantasia, which it claims to spoof." |
Jeffrey M. Anderson |
Tomato |
Almost Famous (2000) |
"[Crowe] makes irony seem ridiculous, which itself is beautifully ironic for someone trying to keep rock alive." |
Wesley Morris |
Splat .5/4 |
Alone in the Dark (2005) |
"The late Gene Siskel once devised a simple method of measuring a film's worth: 'Is this film more interesting than a documentary of the same actors having lunch?' 'Alone in the Dark' doesn't come close to matching that standard." |
Rossiter Drake |
Splat 2.5/4 |
Along Came Polly (2004) |
"Stiller anchors the movie in neurotic tension, literally squelching the laughs and snuffing them out." |
Jeffrey M. Anderson |
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