Splat 2/4 |
Cabin Fever (2003) |
"A half-witted knock-off." |
Jeffrey M. Anderson |
Tomato 3/5 |
The Cabinet of Dr. Caligari (1919) |
"A cinema landmark, alternately dull and shocking." |
Jeffrey M. Anderson |
Tomato 3/4 |
The Cable Guy (1996) |
"Broderick is perfectly adorable here. His outstanding normality is the only possible counterpoint to Carrey's hypervolubility." |
Barbara Shulgasser |
Tomato 4/5 |
The Cable Guy (1996) |
"Very dark, hugely underrated comedy; Carrey's best role." |
Jeffrey M. Anderson |
- |
Calendar Girls (2003) |
Click here to see the review. |
Anthony Breznican |
- |
Camilla (1994) |
Click here to see the review. |
Barbara Shulgasser |
- |
Canadian Bacon (1994) |
Click here to see the review. |
Barbara Shulgasser |
Splat |
Candy (1968) |
"Just about one of the worst things I've ever seen." |
Jeffrey M. Anderson |
- |
Cannibal! The Musical (1996) |
Click here to see the review. |
Allan Ulrich |
Tomato |
Captain Corelli's Mandolin (2001) |
"Cage refrains from pumping up the volume, and actually underplays the character's soulful gusto, making Corelli all the more affecting." |
Joe Leydon |
- |
Career Girls (1997) |
Click here to see the review. |
Walter V. Addiego |
Tomato 3/5 |
Career Opportunities (1991) |
"Tolerable only for Jennifer Connelly." |
Jeffrey M. Anderson |
- |
Carmen Miranda: Bananas Is My Business (1995) |
Click here to see the review. |
Barry Walters |
Tomato 3/4 |
Carnage (2003) |
"Similar to the recent Dog Days and Divine Intervention, Carnage fares much better than both." |
Jeffrey M. Anderson |
- |
Carrington (1995) |
Click here to see the review. |
Barbara Shulgasser |
Splat 2/5 |
Carrington (1995) |
"Cowardly and dull." |
Jeffrey M. Anderson |
- |
Casa de los Babys (2003) |
"Interview with Lili Taylor." |
Jeffrey M. Anderson |
Tomato |
Casa de los Babys (2003) |
"Strong performances." |
Jeffrey M. Anderson |
Tomato 3/4 |
Casino Royale (2006) |
"Gone are the clichés of recent Bond adventures - the too-clever quips, the loveless conquests, the gaudy gadgetry and the BMW-sponsored sports cars. 'Casino Royale' ambitiously explores the origins of the character's pathos, stripping him of all the" |
Rossiter Drake |
Splat 1/4 |
Casper (1995) |
"The movie is downright sappy." |
Barbara Shulgasser |
- |
The Castle (1997) |
Click here to see the review. |
Edvins Beitiks |
- |
Catfish in Black Bean Sauce (2000) |
Click here to see the review. |
Wesley Morris |
Tomato |
Cats & Dogs (2001) |
"Grown-ups and children alike will find much to laugh about." |
Joe Leydon |
- |
Catwalk (1996) |
Click here to see the review. |
Cynthia Robins |
- |
Caught (1996) |
Click here to see the review. |
Walter V. Addiego |
- |
The Caveman's Valentine (2001) |
Click here to see the review. |
Joe Leydon |
Tomato |
Cecil B. Demented (2000) |
"The shenanigans have been pared into 84 minutes of transgressive, potty-minded farce, that is often Waters at his most cheerful and most thematically focused." |
Wesley Morris |
- |
The Celebration (1998) |
Click here to see the review. |
Allan Ulrich |
- |
Celebrity (1998) |
Click here to see the review. |
Walter V. Addiego |
Splat |
The Cell (2000) |
"[Singh has] made a schlocky dud for the ages, one that seems preoccupied with subverting megaplex expectations." |
Wesley Morris |
- |
Cemetery Man (1994) |
Click here to see the review. |
Bob Stephens |
- |
Cemetery Man (1996) |
Click here to see the review. |
Bob Stephens |
Tomato |
Center Stage (2000) |
"To watch it is to be transported to your living room sofa on the laziest, rainiest Sunday afternoon, saying 'thank you USA television' between Wendys commercials." |
Wesley Morris |
Tomato |
Central Station (1998) |
"There is a lot of dimension and depth to this gentle, sometimes painful portrait of two wanderers." |
G. Allen Johnson |
Tomato |
La Ceremonie (1996) |
"In spite of the fact that I am obviously not operating on French director Claude Chabrol's wavelength, I enjoyed the film nevertheless." |
Barbara Shulgasser |
- |
Chac: The Rain God (1975) |
Click here to see the review. |
Wesley Morris |
- |
Chain Reaction (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
Chalk (1996) |
"An impressive low-whistle, hardscrabble look at the world of pool sharks and the people who crisscross their lives." |
Edvins Beitiks |
- |
The Chamber (1996) |
Click here to see the review. |
Barbara Shulgasser |
- |
The Chambermaid on the Titanic (1998) |
Click here to see the review. |
Walter V. Addiego |
Tomato 3/4 |
Changeling (2008) |
"There is considerable anguish in Eastwood's storytelling, and an almost palpable sense of moral outrage - understandable, given the indignities Christine Collins was made to suffer." |
Rossiter Drake |
Tomato 3.5/4 |
Changing Lanes (2002) |
"Time and again, however, Changing Lanes subversively upends expectations." |
Joe Leydon |
Tomato 3.5/4 |
Chaos (1999) |
"Nakata brilliantly uses interior and exterior light, and plants little visual cues -- like rain spattering on a flooded surface -- that tie the jumbled story bits together." |
Jeffrey M. Anderson |
Tomato 5/5 |
Chaplin (1992) |
"Robert Downey Jr. is brilliant in this guilty pleasure." |
Jeffrey M. Anderson |
- |
Chappaqua (1966) |
Click here to see the review. |
Craig Marine |
- |
Character (1997) |
Click here to see the review. |
G. Allen Johnson |
- |
Charles Mingus - Triumph of the Underdog (1997) |
Click here to see the review. |
Philip Elwood |
Tomato 5/5 |
Charley Varrick (1973) |
"A pulp classic with a crackerjack ending." |
Jeffrey M. Anderson |
Tomato |
Charlie's Angels (2000) |
"Finally: a movie the entire fraternity house can watch with mom. At last: something Britney fiends can watch alongside their fathers without feeling totally skeeved." |
Wesley Morris |
Tomato 3/4 |
Charlie's Angels: Full Throttle (2003) |
"Unlike many of Hollywood’s other recent action movies, McG seems to know how to handle his. He gives us a sense of clarity and speed, and only uses CGI at the edges of the frame instead of dead center where it gives itself away (see The Hulk)." |
Jeffrey M. Anderson |
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