- |
G.I. Jane (1997) |
Click here to see the review. |
Barbara Shulgasser |
Splat |
Gabbeh (1996) |
"The conceit is sweet but the execution is meandering." |
Barbara Shulgasser |
Tomato 5/5 |
Gabriel Over the White House (1933) |
"An odd, earnest comedy with soapbox leanings." |
Jeffrey M. Anderson |
- |
Gabriela (2001) |
Click here to see the review. |
Jodi Paper |
Tomato 3.5/4 |
Galaxy Quest (1999) |
"An exceptionally funny science-fiction comedy." |
Bob Stephens |
- |
The Gambler (1997) |
Click here to see the review. |
Wesley Morris |
- |
The Game (1997) |
Click here to see the review. |
Barbara Shulgasser |
- |
Gang Related (1997) |
Click here to see the review. |
Walter V. Addiego |
Tomato 4/4 |
Gangs of New York (2002) |
"A blood-and-thunder American epic, audacious in its ambition and awesome in its achievement." |
Joe Leydon |
Splat 1.5/4 |
Garage Days (2003) |
"Absolutely the wussiest rock 'n' roll movie since Rick Springfield's Hard to Hold (1984)." |
Jeffrey M. Anderson |
Tomato 3/4 |
Gattaca (1997) |
"Overall Niccol has done a fine, restrained job in a genre for which many of us have lowered our expectations." |
Walter V. Addiego |
- |
Gendernauts (1999) |
Click here to see the review. |
Wesley Morris |
- |
Genealogies of a Crime (1998) |
Click here to see the review. |
Barbara Shulgasser |
- |
The General (1998) |
Click here to see the review. |
G. Allen Johnson |
Splat |
The General's Daughter (1999) |
"A sucker-punching tour de force of offensiveness." |
Wesley Morris |
Tomato |
Gentlemen Prefer Blondes (1953) |
"Hawks uses the rich colors to make a kind of cartoon out of the proceedings, emphasizing unreality and the diametric opposites of Monroe's blonde and Russell's brunette." |
Jeffrey M. Anderson |
Splat 2.5/4 |
George A. Romero's Diary of the Dead (2008) |
"The results are about what you might expect from a student filmmaker operating without a budget or a script - crude and amateurish, with occasional (and possibly unintentional) flashes of brilliance. 'Diary' is no different." |
Rossiter Drake |
Tomato 3/4 |
George A. Romero's Land of the Dead (2005) |
"While it's hardly Romero's scariest achievement, it is a thrilling, disturbing commentary on a man-eat-man world that hits just close enough to home to give viewers an uncomfortable pause." |
Rossiter Drake |
- |
Georgia (1995) |
Click here to see the review. |
Barbara Shulgasser |
- |
Geri's Game (1997) |
Click here to see the review. |
Walter V. Addiego |
Tomato 5/5 |
Germany, Year Zero (1947) |
"Quickly makes you forget its soapbox agenda and delves into a deeply felt story so powerful it hurts." |
Jeffrey M. Anderson |
Tomato 5/5 |
Get A Life (1990) |
"Classic cult television show." |
Jeffrey M. Anderson |
- |
Get Bruce! (1999) |
Click here to see the review. |
Wesley Morris |
- |
Get on the Bus (1996) |
"Get on the Bus might just be Spike Lee's best work yet." |
Barbara Shulgasser |
Tomato |
Get Real (1999) |
"When the film's poised tone and occasional staginess threaten to intrude on the moving, sincere, recognizably true drama, the fact that the source material comes from a recent work, not some 400-year-old play, keeps it real." |
Wesley Morris |
Tomato 3.5/4 |
Get Shorty (1995) |
"This movie is charming the way so few movies are anymore. It's brimming with personality." |
Barbara Shulgasser |
- |
Getting Away With Murder (1996) |
Click here to see the review. |
Craig Marine |
Splat 1/4 |
The Ghost and the Darkness (1996) |
"The main failure of the script is a complete lack of tension." |
Barbara Shulgasser |
Splat |
Ghost Dog: The Way of the Samurai (1999) |
"Jarmusch, with his noble sincerity and real affection, can't begin to give this grisly, somnambulant essay on the cross-cultural matrix of violence born of over-stimulation and numbness a life of its own." |
Wesley Morris |
Tomato 3/4 |
Ghost in the Shell (1995) |
"If you try focusing on the plot particulars, Ghost is frustrating and, despite the gunfire, not entirely dramatic. But as a piece of dark art, it's substantial and successful." |
Barry Walters |
- |
Ghosts of Mississippi (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
Giant (1956) |
"For [Dean's] fans, it's a joy to watch him employ the Method to create a character that's both vulnerable and hard-edged." |
Walter V. Addiego |
- |
Gigantics (1999) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat 0/4 |
Gigli (2003) |
"Gigli is so unrelentingly bad that people may want to see it just as a bonding experience; viewers (read: victims) will want to talk and comfort each other afterwards." |
Jeffrey M. Anderson |
Splat |
The Girl (2001) |
"The Girl was released after two years in the can. Maybe it should have stayed there." |
Jeffrey M. Anderson |
- |
The Girl Next Door (1999) |
Click here to see the review. |
Wesley Morris |
Tomato |
Girl, Interrupted (1999) |
"In Winona Ryder's case, Girl Interrupted is a showcase in which her brittle, angry portrait shows she has graduated from ingenue to actress." |
Wesley Morris |
Tomato |
Girlfight (2000) |
"It's a classic case of a film transcending its material." |
Walter V. Addiego |
Tomato |
Gladiator (2000) |
"Gladiator is a foaming beast." |
Wesley Morris |
- |
The Glass Shield (1995) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
The Gleaners and I (2001) |
"It not only informs and educates, it enlightens, and does all this with supreme enchantment and poetry." |
Jeffrey M. Anderson |
Splat |
Glitter (2001) |
"If Glitter were just a little worse, it might be a lot better. Or a least much more fun." |
Joe Leydon |
Tomato |
Gloria (1980) |
"It's an obvious setup and most directors would have made sentimental hash out of it, but Cassavetes keeps it strong and smooth." |
Jeffrey M. Anderson |
- |
Glory Daze (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
Go (1999) |
"It's the sagest, most invigorated spawn o' Pulp Fiction in a junkyard littered with knockoffs." |
Wesley Morris |
Tomato |
The Godfather (1972) |
"Unlike many of its imitators made during the 25 years since its release, The Godfather is a handbook on cinematic lucidity." |
Barbara Shulgasser |
Tomato |
The Godfather Part II (1974) |
"Has an even broader scope than the original, but does not fail in its depiction of small, intimate moments and surprising emotional reveals." |
Jeffrey M. Anderson |
Splat 1/4 |
Gods and Generals (2003) |
"A stiff and stilted historical pageant that somehow manages to make the savage tumult of thousands pitched against thousands seem not so much dreadul as dreadfully dull." |
Joe Leydon |
- |
Gods and Monsters (1998) |
Click here to see the review. |
Bob Stephens |
- |
Godzilla (1998) |
Click here to see the review. |
Barbara Shulgasser |
IGN RSS Feeds
