Tomato 3/4 |
P.O.V. - What I Want My Words to Do to You (2003) |
"This film is one bitter pill, but a hugely rewarding one." |
Jeffrey M. Anderson |
Tomato 2.5/4 |
P.S. Your Cat is Dead! (2002) |
"Guttenberg's Jimmy is such a natural extension of the actor himself, which adds a dimension the original playwright never could have imagined." |
Jeffrey M. Anderson |
Tomato 3/4 |
P2 (2007) |
"It's lurid and overblown, relying on its lionhearted heroine never to play her most obvious escape card, but for those with a taste for such silliness, it makes for a harrowing night at the movies." |
Rossiter Drake |
- |
The Pallbearer (1996) |
Click here to see the review. |
Barbara Shulgasser |
- |
Palmetto (1998) |
Click here to see the review. |
Barbara Shulgasser |
- |
Palookaville (1995) |
Click here to see the review. |
Walter V. Addiego |
Tomato |
Pandora's Box (1928) |
"It would be impossible to name all the artists who have been touched by Pandora's Box, but novelist Vladimir Nabokov, filmmakers Rainer Werner Fassbinder and Quentin Tarantino, and pop singers Madonna and Siouxsie Sioux are but an obvious few." |
Barry Walters |
Tomato 3/4 |
Panic Room (2002) |
"Style dominates content, even when it comes to such niceties as continuity and establishing shots." |
Joe Leydon |
- |
Paperback Romance (1994) |
Click here to see the review. |
Barbara Shulgasser |
Tomato 3/5 |
The Paradine Case (1947) |
"This universally despised Hitchcock is actually a pretty good little courtroom drama." |
Jeffrey M. Anderson |
- |
Paradise Lost: The Child Murders at Robin Hood Hills (1996) |
Click here to see the review. |
Walter V. Addiego |
- |
Paradise Road (1997) |
Click here to see the review. |
Edvins Beitiks |
Tomato 3/4 |
Paranoid Park (2008) |
"In a film where dialogue comes at a premium, Van Sant allows his camera to do the talking, and when it rests too long on one subject, the commentary feels like overstatement. Elsewhere, 'Paranoid Park' is eloquent in its terseness." |
Rossiter Drake |
Splat 2.5/4 |
Paranormal Activity (2009) |
"There are few surprises in 'Paranormal Activity,' from its beginning to its ho-hum ending. But there are enough jolts in the night to keep you alert, and otherworldly intrusions that make the skin crawl." |
Rossiter Drake |
- |
The Parent Trap (1998) |
Click here to see the review. |
Barbara Shulgasser |
Splat 0/5 |
Parenthood (1989) |
"One-dimensional characters and 1st grade humor combine to make a self-important film that takes itself seriously. Horrible." |
Jeffrey M. Anderson |
- |
Paris France (1993) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
Party Girl (1995) |
"When Party Girl isn't being silly, it tries to be endearing and socially redeeming, and to a good degree succeeds." |
Barbara Shulgasser |
- |
Passion in the Desert (1997) |
Click here to see the review. |
Barbara Shulgasser |
- |
Passion of Mind (1999) |
Click here to see the review. |
Wesley Morris |
- |
Patch Adams (1998) |
Click here to see the review. |
Edvins Beitiks |
Splat |
The Patriot (2000) |
"So the result -- in spite of the puffy white shirts, mussed ponytails, 13-starred American flags and nameless slaves -- feels more like 1996." |
Wesley Morris |
Tomato 3/4 |
Paulie (1998) |
"Director John Roberts is abetted by some good acting, particularly from the always outstanding Rowlands." |
Walter V. Addiego |
- |
Paulina (1998) |
Click here to see the review. |
Walter V. Addiego |
Tomato 3/4 |
Pauline and Paulette (2002) |
"That director Lieven Debrauwer has presented, in only 78 minutes, such richly drawn characters at such a leisurely pace seems like a minor miracle." |
Jeffrey M. Anderson |
Splat |
Pay It Forward (2000) |
"Instead of nuclear weapons or a deadly comet to blow us away, there's the world-alteringly scary possibility that [Leder] might be trying to kill us with a star-studded 'After School Special.'" |
Wesley Morris |
Splat |
Payback (1999) |
"Strictly a Mel Gibson vehicle, and one that doesn't really know what to do with the star's easygoing, audience-pleasing charm." |
Walter V. Addiego |
- |
Paycheck (2003) |
Click here to see the review. |
David Germain |
- |
The Peacemaker (1997) |
Click here to see the review. |
Barbara Shulgasser |
Tomato |
Pearl Harbor (2001) |
"An unabashedly old-fashioned and irony-free wartime romance infused with gee-whiz pyrotechnics and rah-rah patriotism." |
Joe Leydon |
- |
Pecker (1998) |
Click here to see the review. |
Edvins Beitiks |
Splat 2/5 |
The Pelican Brief (1993) |
"Bland, bloodless thriller." |
Jeffrey M. Anderson |
Tomato 3/4 |
The People Vs. Larry Flynt (1996) |
"Boyish and straightforward, Norton's lawyer seems the last person who would be attracted to Flynt's dramatic style. But he's perfect because he's just like us: appalled, dazzled and utterly entertained." |
Barbara Shulgasser |
Tomato 3.5/4 |
Pepe Le Moko (1937) |
"An irresistibly entertaining drama of dreamy, doom-laden romantic fatalism, a vividly atmospheric film noir years before noir was cool." |
Joe Leydon |
- |
The Perez Family (1995) |
Click here to see the review. |
Barbara Shulgasser |
- |
Perfect Blue (1997) |
Click here to see the review. |
Wesley Morris |
Splat |
A Perfect Candidate (1996) |
"The film dwells a bit too much on North's unpleasant campaign strategist, Mark Goodin." |
Barbara Shulgasser |
Tomato 3/4 |
A Perfect Getaway (2009) |
"While hardly a film for the ages, it is exceptionally effective at what it sets out to achieve - namely, pumping up the tension, tossing us a few red herrings, then blindsiding us with the Big Surprise." |
Rossiter Drake |
Splat 2/4 |
A Perfect Murder (1998) |
"Paltrow, too, is generally a good actress but there is a paint-by-numbers quality to her work here." |
Barbara Shulgasser |
- |
The Perfect Score (2004) |
Click here to see the review. |
Christy Lemire |
Splat |
The Perfect Storm (2000) |
"The film's story trades that it in for a ride whose memory evaporates the minute you turn your back to the screen" |
Wesley Morris |
- |
Permanent Midnight (1998) |
Click here to see the review. |
David Armstrong |
Tomato 3/4 |
Personal Velocity (2002) |
"Each individual, self-contained segment serves as testament to Miller's strengths as a storyteller." |
Joe Leydon |
Splat C- |
Persuasion (1995) |
"Austen was always fun to read, and known for her candid insight into human affairs, but somehow Michell and Dear seem to have left these basic ingredients out." |
Barbara Shulgasser |
- |
Peter Pan (2003) |
Click here to see the review. |
David Germain |
Splat 1/4 |
The Phantom (1996) |
"A spiritless affair likely to vanish quickly from first-run screens." |
Walter V. Addiego |
- |
Phantoms (1998) |
Click here to see the review. |
Walter V. Addiego |
Tomato 5/5 |
Phenomena (1985) |
"Beautifully gory." |
Jeffrey M. Anderson |
- |
Phenomenon (1996) |
Click here to see the review. |
Barbara Shulgasser |
Tomato 4/5 |
The Philadelphia Story (1940) |
No article available. |
Jeffrey M. Anderson |
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