Splat 0/4 |
Alone in the Dark (2005) |
"Director Uwe Boll (is) a latter-day Ed Wood who fancies himself a cross between action-sytlish John Woo and B-movie horror-ific John Carpenter." |
Rob Blackwelder |
Splat 1.5/4 |
Along Came a Spider (2001) |
"The kind of movie with so many suspension of disbelief high hurdles that any police officer, federal agent or audience member with a stitch of common sense would likely snicker all the way through." |
Rob Blackwelder |
Splat 2/4 |
Along Came Polly (2004) |
"It's a pity that Woody Allen couldn't have gotten his hands on Polly to lift it above its baser instincts and give it some insightful sophistication and wily wit." |
Rob Blackwelder |
Tomato 3/4 |
An Amazing Couple (2002) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/5 |
Amazon Women on the Moon (1987) |
No article available. |
Rob Blackwelder |
Tomato 4/4 |
Amelie (2001) |
"(The director's) commentary track is fascinating from beginning to end, especially for Jeunet fans." |
Rob Blackwelder |
Tomato 4/4 |
Amelie (2001) |
"This delight of whimsical wonderment is a feat of light-hearted genius." |
Rob Blackwelder |
Tomato 2.5/4 |
Amen (2003) |
"Relentlessly heavy-handed but quite compelling nonetheless." |
Rob Blackwelder |
Splat 2.5/4 |
America's Sweethearts (2001) |
"Disappointingly pedestrian for a movie with such ripe and easy targets for much sharper satire." |
Rob Blackwelder |
Tomato 4/4 |
American Beauty (1999) |
"Astounding." |
Rob Blackwelder |
Tomato 3/4 |
American History X (1998) |
"[Kaye] employs some audacious and creative storytelling." |
Rob Blackwelder |
Tomato 3/5 |
American Movie (1999) |
No article available. |
Rob Blackwelder |
Splat 2/4 |
American Outlaws (2001) |
"Narrative techniques are so fundamentally flawed, choppy and uncreative that Outlaws plays like a ESPN highlights reel and not like a movie at all." |
Rob Blackwelder |
Splat 5/10 |
American Pie (1999) |
"It's the regrettable return of the high-profile, low-brow sex comedy, aimed at idiots and hormone-driven teenage boys." |
Rob Blackwelder |
Splat 1.5/4 |
American Pie 2 (2001) |
"...the entire cast seems to have phoned in their parts, embarrassed to still be tethered to this pubescent rubbish..." |
Rob Blackwelder |
Tomato 8/10 |
American Pimp (1999) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/5 |
The American President (1995) |
No article available. |
Rob Blackwelder |
Splat 2.5/4 |
American Psycho (2000) |
"As it nears a conclusion, the picture becomes almost as empty as the title character." |
Rob Blackwelder |
Tomato 3.5/4 |
An American Rhapsody (2001) |
"Film doesn't get any more passionately personal than writer-director Eva Gardos' semi-autobiographical An American Rhapsody"" |
Rob Blackwelder |
Tomato 3/4 |
American Splendor (2003) |
"Inventive and blessed with uncommonly human-yet-cartoony performances, this film is one of a kind." |
Rob Blackwelder |
Splat 1.5/4 |
American Wedding (2003) |
"As with the first two American Pie flicks, this is the kind of movie you see again 10 years later and wonder why you liked it back when you were young and dumb." |
Rob Blackwelder |
Splat 2/4 |
An American Werewolf in Paris (1997) |
Click here to see the review. |
Rob Blackwelder |
Tomato 7/10 |
American Women (2000) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/4 |
Amistad (1997) |
"Amistad tells a compelling story and it tells it well." |
Rob Blackwelder |
Tomato 3/4 |
Among Giants (1998) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3.5/4 |
Amores Perros (2001) |
"Inventively restless and relentlessly potent." |
Rob Blackwelder |
Splat 2/4 |
Anaconda (1997) |
Click here to see the review. |
Rob Blackwelder |
Splat 1/4 |
Analyze That (2002) |
"Worst of all (it) actually tries to jerk some tears with...maudlin soft-focus flashbacks of a happy childhood for De Niro’s mafioso. Oh, puh-leaze!" |
Rob Blackwelder |
Splat 2/4 |
Analyze This (1998) |
"Degrades so dramatically that in the last act Crystal is reduced to ad libbing through an over-long mock-wise guy schtick." |
Rob Blackwelder |
Splat 2.5/4 |
Anastasia (1997) |
"Having something for everyone seems to be a driving force for this film." |
Rob Blackwelder |
Splat 2/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Good dumb fun can be lowbrow without being lazy, but bite-sized episodes of creative lunacy are not enough to qualify Anchorman as the kind of dumb worth paying to see." |
Rob Blackwelder |
Tomato 3/4 |
And Starring Pancho Villa as Himself (2003) |
Click here to see the review. |
Rob Blackwelder |
Splat 1/4 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"Just remember this picture is made with hell-bent gusto by the guy who put nipples on Batman's superhero costume. So consider yourself warned." |
Rob Blackwelder |
Tomato 3/4 |
Angel Eyes (2001) |
"An emotionally layered, grown-up drama about two battered souls finding a blossoming but tentative solace together." |
Rob Blackwelder |
Tomato 3/4 |
Angela's Ashes (1999) |
"A moving, passionate drama that echoes with McCourt's distinctive character and glimmers with obstinate hope." |
Rob Blackwelder |
Tomato 3.5/4 |
Angels & Insects (1995) |
Click here to see the review. |
Rob Blackwelder |
Splat 0.5/4 |
Anger Management (2003) |
"It's nothing short of a comedy catastrophe and a criminal waste of talent." |
Rob Blackwelder |
Splat 2/4 |
The Animal (2001) |
"Just not funny enough to bother paying for." |
Rob Blackwelder |
Tomato 8/10 |
Anna and the King (1999) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/4 |
The Anniversary Party (2001) |
"A candid and compelling, character-driven ensemble piece." |
Rob Blackwelder |
Splat 2/4 |
Antitrust (2001) |
"This picture is never even tense because the audience is already 10 steps ahead by the time the opening credits are over." |
Rob Blackwelder |
Tomato 3.5/4 |
Antwone Fisher (2002) |
"Fisher has bared his soul and confronted his own shortcomings here in a way...that feels very human and very true to life." |
Rob Blackwelder |
Tomato 3.5/4 |
Antz (1998) |
"A Woody Allen movie, with all the adult laughs, esteem issues and other accouterments that come with it, and a great kiddie flick, complete with the requisite warm and fuzzy character-building lessons." |
Rob Blackwelder |
Tomato 8/10 |
Any Given Sunday (1999) |
"Watching this film, you get an overwhelming sense of exactly what it's like to be staring up at 6-foot-6, 300 lb. linebacker (for emphasis Stone sneaks a few tiger growls into the audio) while 80,000 people roar in the stands." |
Rob Blackwelder |
Splat 2/4 |
Anything Else (2003) |
"Biggs may have the comically compulsive anxiety thing down pat, but he just doesn't have the screen presence to make it compelling — especially when breaking the fourth wall to talk to the audience." |
Rob Blackwelder |
Tomato 8/10 |
Anywhere But Here (1999) |
"Sarandon lends history and intricacy to the barely-veiled neuroses of her falsely chipper, ego-battered single mom, who projects all her unfulfilled ambitions onto her irked offspring." |
Rob Blackwelder |
Splat 2.5/4 |
Apt Pupil (1998) |
Click here to see the review. |
Rob Blackwelder |
Splat 2.5/4 |
Ararat (2002) |
"The impact of the Armenian genocide is diluted by too much stage business in the modern day." |
Rob Blackwelder |
Splat 2/4 |
Are We There Yet? (2005) |
Click here to see the review. |
Jeffrey M. Anderson |
Tomato 8/10 |
Arlington Road (1999) |
Click here to see the review. |
Rob Blackwelder |
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