Tomato 3.5/4 |
Wag the Dog (1997) |
"The most ingenious and wicked political satire since Dr. Strangelove." |
Rob Blackwelder |
Tomato 3/4 |
Waiting for Guffman (1997) |
"It often equals and sometimes surpasses the deadpan humor of [Spinal Tap] (save the grinding guitars and leather pants, of course)." |
Rob Blackwelder |
Tomato 3.5/4 |
Waking Life (2001) |
"Like eavesdropping on a theoretical discourse between Kierkegaard & Kerouac, while standing in a modern art museum as the paintings come to life & melt into your visual cortex" |
Rob Blackwelder |
Tomato 3/4 |
Waking the Dead (2000) |
"Absolutely gripping from its very first frame." |
Rob Blackwelder |
Splat 2/4 |
A Walk in the Clouds (1995) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/4 |
A Walk On the Moon (1998) |
Click here to see the review. |
Rob Blackwelder |
Splat 2/4 |
Walk on Water (2005) |
Click here to see the review. |
Jeffrey M. Anderson |
Splat 1.5/4 |
A Walk to Remember (2002) |
"...lacks a single moment of emotional sincerity or even a hint of chemistry between its leads." |
Rob Blackwelder |
- |
A Walk to Remember (2002) |
"Mandy Moore interview & interview photo gallery" |
Rob Blackwelder |
Tomato 4/4 |
Walking and Talking (1996) |
Click here to see the review. |
Rob Blackwelder |
Tomato 2.5/4 |
Walking Tall (2004) |
"Walking Tall works only because The Rock can carry it on his absurdly broad shoulders. Whether or not that's good enough to spend money on is up to you." |
Rob Blackwelder |
Tomato 5/5 |
Wallace & Gromit - A Grand Day Out (1990) |
No article available. |
Rob Blackwelder |
Tomato 5/5 |
Wallace & Gromit - The Wrong Trousers (1993) |
No article available. |
Rob Blackwelder |
Tomato 5/5 |
Wallace & Gromit Gift Set (1990) |
No article available. |
Rob Blackwelder |
Splat 2.5/4 |
War of the Worlds (2005) |
"A problematic blockbuster with one essential saving grace: It's profoundly frightening in a way that few directors have the talent to capture." |
Rob Blackwelder |
Tomato 10/10 |
The War Zone (1999) |
Click here to see the review. |
Rob Blackwelder |
Tomato 3/5 |
WarGames (1983) |
No article available. |
Rob Blackwelder |
Splat 2.5/4 |
Washington Square (1997) |
Click here to see the review. |
Rob Blackwelder |
Splat 1/4 |
The Watcher (2000) |
"Keanu Reeves may very well be the least convincing, least frightening serial killer in the history of the psycho-thriller genre in The Watcher." |
Rob Blackwelder |
Splat 2/4 |
Water Drops on Burning Rocks (2000) |
"The kind of exaggerated, elitist Euro-farce that cinema snobs enjoy just because they know the unwashed masses wouldn't." |
Rob Blackwelder |
Splat 1.5/4 |
The Waterboy (1998) |
"This picture is almost entirely unintelligible three- or four-minute set pieces loosely held together by the football theme." |
Rob Blackwelder |
Splat 2/5 |
Waterworld (1995) |
No article available. |
Rob Blackwelder |
Splat 2/4 |
The Way of the Gun (2000) |
"In The Usual Suspects, McQuarrie's manifold plot of collective collusion all came together in the shocker finale. But in here the complexities never congeal. They just serve as a backdrop for an exercise in vacant movie cool." |
Rob Blackwelder |
Tomato 3.5/4 |
Waydowntown (2002) |
Click here to see the review. |
Rob Blackwelder |
- |
We Were Soldiers (2002) |
"WALLACE 'SOLDIERS' ON: SPLICEDwire interviews director Randall Wallace" |
Rob Blackwelder |
Tomato 3/4 |
We Were Soldiers (2002) |
"captures the chaos..., the grave danger breathing down the neck of every combatant, and especially the heroism that resulted." |
Rob Blackwelder |
Tomato 3/5 |
The Wedding Banquet (1993) |
No article available. |
Rob Blackwelder |
Tomato 3/4 |
Wedding Crashers (2005) |
"The Vaughn-Wilson chemistry makes Wedding Crashers sing with consistant laughter, but it crosses the finish line with a pronounced limp." |
Rob Blackwelder |
Splat 2/4 |
The Wedding Date (2005) |
"What good is a uniquely photographed dance scene if the characters dancing together are barely two-dimensional?" |
Rob Blackwelder |
Splat 1/4 |
The Wedding Planner (2001) |
"This review is one of the harshest I've ever written and I can feel myself only getting meaner." |
Rob Blackwelder |
Splat 2/4 |
The Wedding Singer (1998) |
"All the movie's tender moments ring false, especially since Sandler always looks like he's on the verge of cracking up, and ultimately the movie has less flavor than a supermarket wedding cake." |
Rob Blackwelder |
Splat 0/5 |
Weekend at Bernie's II (1993) |
No article available. |
Rob Blackwelder |
Tomato 3/4 |
The Weight of Water (2002) |
"Bigelow may produce broad, middling big-budget fare when (working for) a studio...But left to her own devices, she's capable of creating fine layers of intimacy and intensity." |
Rob Blackwelder |
Splat 2/5 |
Weird Science (1985) |
No article available. |
Rob Blackwelder |
Splat 2.5/4 |
Welcome to Collinwood (2002) |
"Amusing but otherwise forgettable...having a good time took precedent over making anything more than a insubstantial romp designed to entertain (the cast)." |
Rob Blackwelder |
Splat 1.5/4 |
Welcome to Mooseport (2004) |
"Once you get past the screenplay's fresh paint, these two guys are the same stale, odious, infantile jerks (as in) every other ill-conceived comedy from the last 20 years." |
Rob Blackwelder |
Tomato 3/4 |
Welcome to the Dollhouse (1996) |
Click here to see the review. |
Rob Blackwelder |
Splat 1.5/4 |
Welcome to Woop Woop (1997) |
Click here to see the review. |
Rob Blackwelder |
Splat 1.5/4 |
Wet Hot American Summer (2001) |
"Never before have I seen a movie try so hard to be deliberately awful -- and succeed so wildly." |
Rob Blackwelder |
Splat 2/4 |
What a Girl Wants (2003) |
"(Director Dennie) Gordon doesn't seem to care about character consistency, smart dialogue, natural narrative flow or anything beyond the most counterfeit kind of charm." |
Rob Blackwelder |
Tomato 3/4 |
What Alice Found (2003) |
Click here to see the review. |
Rob Blackwelder |
Splat 2.5/4 |
What Dreams May Come (1998) |
Click here to see the review. |
Rob Blackwelder |
Splat 2/4 |
What Lies Beneath (2000) |
"Robert Zemeckis' self-indulgent direction hangs like an albatross around the celluloid neck of What Lies Beneath." |
Rob Blackwelder |
Splat 1.5/4 |
What Planet Are You From? (2000) |
"A vulgar, sci-fi rehashing of the same old Mars vs. Venus material that's been visited before in 10,000 romantic comedies." |
Rob Blackwelder |
Tomato 3/4 |
What the Bleep Do We Know? (2004) |
"So thick with provocative, often profound, food for thought that the film feels like an intellectual all-you-can-eat buffet." |
Rob Blackwelder |
Splat 2.5/4 |
What Time Is It There? (2002) |
"Often lingers just as long on the irrelevant as on the engaging, which gradually turns What Time Is It There? into How Long Is This Movie?" |
Rob Blackwelder |
Splat 2/4 |
What Women Want (2000) |
"When the movie gets heavy-handed about how [Gibson's] becoming a better person, all the comedy disappears and what's left is swimming in mawkishness and bogus sentimentality." |
Rob Blackwelder |
Tomato 2.5/4 |
What's Cooking? (2000) |
"It would take up too much space here to go through the huge cast trying to single out actors who deserve praise for the expressive details that bring such truth to the picture." |
Rob Blackwelder |
Tomato 2.5/4 |
What's The Worst That Could Happen? (2001) |
"Isn't a great comedy by any stretch of the imagination, and it keeps going long after it runs out of story. But it definitely has five bucks worth of matinee mirth for a lazy summer afternoon." |
Rob Blackwelder |
Tomato 3/4 |
Whatever (1998) |
Click here to see the review. |
Rob Blackwelder |
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