Tomato |
The Tailor of Panama (2001) |
"Seems diligently assembled." |
Stanley Kauffmann |
Splat |
The Taking of Pelham 1 2 3 (2009) |
"Pelham is not merely a film that may induce seizures in those who are susceptible; it is a film that seems engineered to approximate the experience of a seizure for those who are not." |
Christopher Orr |
- |
Taking Sides (2003) |
Click here to see the review. |
Stanley Kauffmann |
- |
Tape (2001) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Taste of Cherry (1997) |
"As the film's design becomes clear to us, a quiet spaciousness begins to inhabit it." |
Stanley Kauffmann |
Tomato |
The Taste of Others (2001) |
"Jaoui's directing and sympathy are what hold us from the start." |
Stanley Kauffmann |
- |
Tea With Mussolini (1999) |
Click here to see the review. |
Stanley Kauffmann |
Splat |
Terminator Salvation (2009) |
"Intensity need not be the enemy of personality, but in Bale's work it too often has been." |
Christopher Orr |
- |
Terrorists in Retirement (2001) |
Click here to see the review. |
Stanley Kauffmann |
Splat |
The Day the Earth Stood Still (2008) |
"One can only hope that in the future [Reeves] will devote himself to playing androids, less-self-aware species of undead, stylish pieces of contemporary furniture, and other roles that do not require the exhibition of any recognizably human traits." |
Christopher Orr |
Tomato |
There Will Be Blood (2007) |
"There Will Be Blood establishes itself as a film of Darwinian ferocity, a stark and pitiless parable of American capitalism." |
Christopher Orr |
Tomato |
The Thief (1997) |
"[A] pleasant romantic drama." |
Stanley Kauffmann |
- |
The Thin Red Line (1998) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Thirst (1979) |
"[U]nlike most exercises in hematic excess--Richard Rodriguez's Planet Terror, for instance, or Tarantino's Kill Bill--Thirst offers not the consolations of camp but the intensity of opera." |
Christopher Orr |
Tomato |
Thirst (2009) |
"[U]nlike most exercises in hematic excess--Richard Rodriguez's Planet Terror, for instance, or Tarantino's Kill Bill--Thirst offers not the consolations of camp but the intensity of opera." |
Christopher Orr |
Tomato |
Three Kings (1999) |
"Russell does so well by his sub-text that the flaws in the text itself become less bothersome. What he is after fundamentally is ... war is insane." |
Stanley Kauffmann |
Tomato |
Titanic (1997) |
"Bursting through gaps in the hull, rushing down corridors, licking at rooms, triumphing over great ballrooms and tiny closets, down stairways and into elevators, the sea, in the hands of Cameron and his technical associates, becomes hungry, vindictive." |
Stanley Kauffmann |
- |
To Be and To Have (2003) |
Click here to see the review. |
Stanley Kauffmann |
- |
Tom & Viv (1994) |
Click here to see the review. |
Stanley Kauffmann |
Splat |
Touch of Evil (1958) |
"It's a flurry of pressure-cooker baroque, an extreme example of the exhibitionistic hijinks in which Welles could sometimes indulge, apparently intensified here because he wasn't doing what he really wanted to be doing." |
Stanley Kauffmann |
Tomato |
Touching the Void (2004) |
"A wondrous recreation of that physical adventure." |
Stanley Kauffmann |
Splat |
Towelhead (2008) |
"For a film that presents itself as a broadside against prejudice, Towelhead spends an awful lot of time flattering the prejudices of its audience." |
Christopher Orr |
- |
The Tracker (2002) |
Click here to see the review. |
Stanley Kauffmann |
Splat |
Trainspotting (1995) |
"A few patches are subtitled, but the general effect is of watching an opera without having read the libretto." |
Stanley Kauffmann |
Splat |
Transformers: Revenge of the Fallen (2009) |
"If it sounds as though the script (credited to Ehren Kruger, Robert Orci, and Alex Kurtzman) was written in serial-novel form during an all-night mescaline bender, well, I have no evidence that it was not." |
Christopher Orr |
- |
Traveller (1997) |
Click here to see the review. |
Stanley Kauffmann |
- |
Trekkies (1996) |
Click here to see the review. |
Stanley Kauffmann |
- |
A Trial in Prague (2001) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Tropic Thunder (2008) |
"For years now, onscreen and off, [Tom] Cruise has seemed like a bottle of barely contained crazy; now we know what happens when the cork comes out." |
Christopher Orr |
- |
Troublesome Creek: A Midwestern (1995) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Troy (2004) |
"The latest in a very long line of films made to give us those things that other mediums could not provide." |
Stanley Kauffmann |
Splat |
The Truce (1998) |
"Despite all that Rosi and Turturro can do, the Levi we look at and listen to is not near the Levi we know." |
Stanley Kauffmann |
- |
True Crime (1999) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
The Truman Show (1998) |
"It keeps striking home ferociously." |
Stanley Kauffmann |
Tomato |
Trumbo (2008) |
"It is oddly pleasant to know that such a man once existed." |
Stanley Kauffmann |
Tomato |
Tully (2002) |
"The people in this picture live and work and eat like people I once knew." |
Stanley Kauffmann |
Tomato |
The Turandot Project (2001) |
"Miller has gone from relatively small-scale subjects into immensity with a delight called The Turandot Project." |
Stanley Kauffmann |
- |
Twilight (1998) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Twilight (2008) |
"Twilight is silly and melodramatic and hard to dislike in much the same way as its target audience, with a distinctly teenage sense of tragedy." |
Christopher Orr |
Splat |
The Twilight Saga: New Moon (2009) |
"A landmark cinematic event in 280 words, or one for every $500,000 of weekend box office." |
Christopher Orr |
Tomato |
Twilight Samurai (2004) |
"Welcome to Yoji Yamada. After decades of comedies, he arrives -- in this country, at least -- with a uniquely touching samurai film." |
Stanley Kauffmann |
- |
Two Deaths (1994) |
Click here to see the review. |
Stanley Kauffmann |
Tomato |
Two Lovers (2009) |
"[A] film full of simple scenes brimming with unspoken complications." |
Christopher Orr |
- |
Two Much (1996) |
Click here to see the review. |
Stanley Kauffmann |
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