G-Force (2009)

"G-Force represents an inconceivably tragic waste of a brilliant idea. Frankly, if you can’t squeeze a decent movie out of talking 3-D superagent guinea pigs, you may as well throw in the towel and consider a career in insurance."

Gabrielle (2005)

"Scenes from a Marriage was twice as devastating with none of the stylistic folderol."

Game 6 (2006)

"To put it in words a Sox fan would understand, the movie hurts good."

Game Over - Kasparov and the Machine (2003)

"Teases us into believing it's interested in global questions and hard-to-find answers, when really all it wants is to dazzle us with brute force, then dump us before we realize we've been had."

Gamer (2009)

"The game sequences are all familiar flash, and zero tension."

Gangs of New York (2002)

"Like many operas, this is long, overwrought, sprawling, and more than frequently brilliant. It also hits just enough discordant notes to keep it from greatness."

Garcon Stupide (2006)

"Garçon Stupide is the rare piece of European sexual realism centered completely on a boy's awakening. Young women have dominated the genre in the last 10 years, especially in France. So the film is a welcome, though inferior changeup."

Garden State (2004)

"A standard issue, first-movie navel-gaze whose cobwebs Braff meticulously sweeps away by directing the bejesus out of it."

Garfield: A Tail of Two Kitties (2006)

"You'll only be attracted to Garfield: A Tail of Two Kitties if you're very young, you're very easily entertained, or you just can't get enough of Jim Davis's lasagna-scarfing cartoon cat."

The Gates (2007)

Click here to see the review.

George A. Romero's Land of the Dead (2005)

"This new movie looks and feels like someone else's better-made schlock."

Gerry (2003)

"The best way to approach Gerry -- perhaps the only way -- is to treat it as a sanctuary, a film to be visited the way you would a Buddhist temple or a piece of ambient music."

Get Over It (2001)

"Comes off more like a series of painful cliches than a comedy or a love story."

Get Smart (2008)

"Get Smart, version 2008, surrounds skilled, likable players, and a handful of solid belly laughs with $80 million worth of formulaic summer-movie mediocrity. A lot of things explode, but the movie never detonates."

Ghost Rider (2007)

"Ghost Rider is the kind of movie that's great stupid fun as long as someone else is buying the tickets."

Ghost Town (2008)

"Someone once said about W.C. Fields that he had the rare ability to despise amusingly. I can imagine no greater compliment than to say that Ricky Gervais seems, at his best, like a young Fields."

Ghosts of Girlfriends Past (2009)

"Ghosts is better-than-average McConaughey swill, but not by much -- that's its pleasure and its curse."

The Gift (2001)

"A solidly crafted, suspensefully written, powerfully acted little juggernaut."

Gigantic (A Tale of Two Johns) (2003)

"Generous helpings of performance footage and band interviews will gratify the group's die-hard cult of fans. But there's stuff of interest here for general audiences, too."

The Girl (2001)

"Its ambition and beauty ultimately triumph over pretense."

The Girl From Monaco (2009)

"The Girl From Monaco doesn’t seem to know whether it wants to be a sprightly sex comedy or an enigmatic little thriller. Unfortunately, it’s neither very funny nor very thrilling."

The Girl Next Door (2004)

"Seems mainly about ripping off 1983's Risky Business without attribution."

Girl with a Pearl Earring (2003)

"Dancing on the edge of dullness, Girl is continually saved by the look of things."

Girlfight (2000)

"[Rodriguez] and this film that respects her by rendering her and her world in unadorned realistic terms, bypassing cheap prefab myths, are twin blasts of fresh air."

Girlhood (2003)

"The trajectories of Shanae's and Megan's lives speak volumes for themselves."