Splat 2/5 |
Eagle Eye (2008) |
"But do we care? This is a disastrous mess." |
Derek Malcolm |
Splat 2/5 |
Eagle Vs. Shark (2007) |
"If you're going to make fun of awkward chavs, even with the best will in the world, you have to avoid simply laughing at them." |
Derek Malcolm |
Tomato 3/5 |
Eastern Promises (2007) |
"Its subtext, which is about sex and violence and the way one often dovetails with the other, and the skill of its making, render it gripping enough." |
Derek Malcolm |
Splat 2/5 |
Easy Virtue (2009) |
"It amounts to much ado about almost nothing. But that may be the result of Elliott’s attempt to make it entertaining rather than plausible." |
Derek Malcolm |
- |
Ed Gein (2001) |
Click here to see the review. |
Alexander Walker |
Tomato 3/5 |
Eden Lake (2008) |
"It is impossible not to admire the way Watkins ratchets up the tension in his debut as director (he wrote My Little Eye) and keeps his tale strictly to 90 minutes." |
Derek Malcolm |
Tomato 4/5 |
Edmond (2006) |
"This is a small film with a big payback, like a series of tableaux that illustrate how a mildmannered Mr Everyman can become viciously untamed." |
Derek Malcolm |
Tomato 3/5 |
Elegy (2008) |
"Whether in trying to reach out for a wider audience here she has diluted her talent in favour of a richer, more stylish surface is a matter for argument. The smoother this kind of film gets, the easier it is to think it." |
Derek Malcolm |
Splat 2/5 |
Elite Squad (2008) |
"A film that simply doesn’t have enough cinematic flair to make it a better than average cops and robbers thriller." |
Derek Malcolm |
Tomato 4/5 |
Elizabeth: The Golden Age (2007) |
"If this is a film that irritates nearly as much as it pleases, we do get a sense of the times, and of the lady in question. The eyes, if not the brain, are certainly given a workout that they will remember." |
Derek Malcolm |
- |
Elling (2002) |
Click here to see the review. |
|
Tomato 3/5 |
Embodiment of Evil (2008) |
"Much demented laughter and lavish screams of terror decorate José Mojica Marins’s outré Brazilian horror." |
Derek Malcolm |
- |
Empty Days (1999) |
Click here to see the review. |
Alexander Walker |
Tomato 3/5 |
Encounters At the End of the World (2007) |
"The film is beautifully shot both under the ice, where creatures roam in a place that would rival any sci-fi horror." |
|
Tomato 3/5 |
The End of the Line (2009) |
"The End of the Line understates its case. If what it says is true, it does not seem angry enough. And does it really provide enough facts to underline its argument?" |
Derek Malcolm |
- |
Enigma (2002) |
Click here to see the review. |
Alexander Walker |
- |
Enough (2002) |
Click here to see the review. |
Alexander Walker |
- |
Equilibrium (2002) |
Click here to see the review. |
|
Tomato 4/5 |
Eraserhead (1976) |
"David Lynch’s remarkable first film, made in 1976, still looks like a minor masterpiece, mixing Gothic horror, surrealism and darkly expressionist mise-en-scène." |
Derek Malcolm |
- |
Esther Kahn (2002) |
Click here to see the review. |
Alexander Walker |
- |
Eureka (2001) |
Click here to see the review. |
Alexander Walker |
Splat |
Evan Almighty (2007) |
"Should have been a lot more amusing than it turns out." |
Derek Malcolm |
- |
Evelyn (2002) |
Click here to see the review. |
Neil Norman |
Splat 2/5 |
Evening (2007) |
"The performances are oddly muted, as if the screenplay refuses to allow a fine cast full rein. But those who loved the book can be assured that it has been translated faithfully enough to the screen." |
Derek Malcolm |
Tomato 3/5 |
Everlasting Moments (2009) |
"The film is exquisitely shot. Yet something’s missing. The figures in Maria’s photographs are uncannily substantial. The characters in the film, by comparison, seem like fragrant ghosts." |
Charlotte O'Sullivan |
- |
An Everlasting Piece (2000) |
Click here to see the review. |
Alexander Walker |
- |
Everything Put Together (2001) |
Click here to see the review. |
Alexander Walker |
- |
Evolution (2001) |
Click here to see the review. |
Alexander Walker |
Splat 2/5 |
Ex Drummer (2007) |
"Hard to watch, and even harder to enjoy unless the music and almost pathological eccentricity takes your fancy." |
Derek Malcolm |
- |
Exit Wounds (2001) |
Click here to see the review. |
Alexander Walker |
- |
The Experiment (2002) |
Click here to see the review. |
Alexander Walker |
- |
Eye See You (2002) |
Click here to see the review. |
Alexander Walker |
Tomato |
Eyes Wide Shut (1999) |
"This valedictory production is a victory for its maker's unending quest to make his reach exceed his grasp." |
Neil Norman |
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