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Pandaemonium (2001) |
Click here to see the review. |
Alexander Walker |
Splat 2/5 |
Paper Heart (2009) |
"Either you will find this cheaply made American independent docudrama charming or faintly irritating." |
Derek Malcolm |
Tomato 3/5 |
Paranoid Park (2008) |
"Van Sant manages to make a small elegy about adolescence out of a film which in other hands might have become a slightly grisly thriller." |
Derek Malcolm |
Tomato 3/5 |
Paranormal Activity (2009) |
"If Paranormal Activity is not quite as scary as the publicity would have us believe, it is at least witty, thought-provoking and —in a woozy, stark sort of way — beautiful." |
Charlotte O'Sullivan |
Splat 2/5 |
Paris (2009) |
"Not a great deal happens and there is a lot of talk." |
Derek Malcolm |
Tomato 3/5 |
Partition (2007) |
"It is, however, watchable throughout as a document about the individual human tragedies that the advent of Partition threw up." |
Derek Malcolm |
- |
Pauline and Paulette (2002) |
Click here to see the review. |
Alexander Walker |
- |
Pay It Forward (2000) |
Click here to see the review. |
Alexander Walker |
- |
Peaches (2000) |
Click here to see the review. |
Alexander Walker |
- |
People I Know (2003) |
Click here to see the review. |
Antonia Quirke |
Splat 2/5 |
A Perfect Getaway (2009) |
"There’s a lot of blood and little logic but the actors scream nicely." |
Derek Malcolm |
- |
Personal Velocity (2002) |
Click here to see the review. |
|
- |
Phone Booth (2003) |
Click here to see the review. |
Alexander Walker |
- |
The Pianist (2002) |
Click here to see the review. |
|
- |
The Piano Teacher (2002) |
Click here to see the review. |
Alexander Walker |
Splat 2/5 |
Pineapple Express (2008) |
"Apatow’s former confidence about not underestimating the intelligence of his audiences seems to have largely disappeared." |
Derek Malcolm |
Splat 2/5 |
The Pink Panther 2 (2009) |
"Possibly the most excruciating comedy of the year." |
Charlotte O'Sullivan |
- |
Planet of the Apes (2001) |
Click here to see the review. |
Alexander Walker |
- |
Platform (2000) |
Click here to see the review. |
Alexander Walker |
- |
The Pledge (2001) |
Click here to see the review. |
Alexander Walker |
- |
Pollock (2000) |
Click here to see the review. |
Sarah Dunant |
Tomato 3/5 |
Pontypool (2009) |
"An original take on genre movies of its kind." |
Derek Malcolm |
Tomato 4/5 |
The Pope's Toilet (2007) |
"It’s charming in a proper way, entirely avoiding sentiment and can be counted one of the best films in town." |
Derek Malcolm |
- |
The Pornographer (2000) |
Click here to see the review. |
Alexander Walker |
- |
Possession (2002) |
Click here to see the review. |
|
Splat 2/5 |
Pride and Glory (2008) |
"However skilful Gavin O’Connor is as a film-maker — and there are some striking sequences here — we’ve seen this corrupt cop thriller a hundred times before." |
Derek Malcolm |
- |
The Princess and The Warrior (2001) |
Click here to see the review. |
Alexander Walker |
Tomato 4/5 |
Private Fears in Public Places (2007) |
"Private Fears is so fluently made that its edginess only gradually becomes evident. It's both funny and sad, without underlining anything, and the playing is as good as you would expect from Resnais's regulars." |
Derek Malcolm |
Tomato 3/5 |
The Private Lives of Pippa Lee (2009) |
"The Private Lives of Pippa Lee proves that The Ballad of Jack and Rose was no fluke and that Miller can produce work just as good as the best of recent American independent cinema." |
Derek Malcolm |
Splat 2/5 |
The Proposal (2009) |
"This turns out to be another bad choice for Bullock who, without playing badly, sinks in the general morass." |
Derek Malcolm |
Tomato 3/5 |
Public Enemies (2009) |
"Michael Mann may not succeed with Public Enemies but the attempt is compelling enough." |
Andrew O'Hagan |
- |
Puckoon (2002) |
Click here to see the review. |
Alexander Walker |
- |
Pure (2005) |
Click here to see the review. |
|
Splat 2/5 |
The Pursuit of Happyness (2006) |
"Plays like an unravelling of the Eighties comedy hit Trading Places. Instead of a smart-Alec street hustler who turns the tables on his seemingly benign patrons, we have a smart saint who simply wants to join the club." |
Charlotte O'Sullivan |