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About Adam (2001) |
Click here to see the review. |
Alexander Walker |
- |
The Actors (2003) |
Click here to see the review. |
Alexander Walker |
- |
After the Hole (2001) |
Click here to see the review. |
Alexander Walker |
- |
Aimee & Jaguar (2000) |
Click here to see the review. |
Alexander Walker |
- |
Ali G Indahouse: The Movie (2002) |
Click here to see the review. |
Alexander Walker |
- |
Alias Betty (2002) |
Click here to see the review. |
Alexander Walker |
- |
All or Nothing (2002) |
Click here to see the review. |
Alexander Walker |
- |
All the Pretty Horses (2000) |
Click here to see the review. |
Alexander Walker |
- |
Along Came a Spider (2001) |
Click here to see the review. |
Alexander Walker |
- |
Amelie (2001) |
Click here to see the review. |
Alexander Walker |
- |
American Outlaws (2001) |
Click here to see the review. |
Alexander Walker |
- |
American Pie 2 (2001) |
Click here to see the review. |
Alexander Walker |
- |
Analyze That (2002) |
Click here to see the review. |
Alexander Walker |
- |
Anita & Me (2002) |
Click here to see the review. |
Alexander Walker |
- |
Antitrust (2001) |
Click here to see the review. |
Alexander Walker |
Tomato |
Arlington Road (1999) |
"The film's at its best before the convoluted plot kicks in, as neighbourliness gives way to suspiciousness and the men test each other's credentials." |
Alexander Walker |
- |
Asoka (2001) |
Click here to see the review. |
Alexander Walker |
- |
Austin Powers in Goldmember (2002) |
Click here to see the review. |
Alexander Walker |
- |
Autumn in New York (2000) |
Click here to see the review. |
Alexander Walker |
Splat 2/5 |
Adam (2009) |
"A film with so many designs on your affections could never be found surprising, but believe me, it won’t stop it from trying and it won’t stop you from feeling guilty the moment you realise it isn’t working." |
Andrew O'Hagan |
Tomato 4/5 |
An Education (2009) |
"The skill of it is in allowing you to see not only how a girl’s sense of herself might be hanging in the balance, but to feel how the values of an era can be drama personified." |
Andrew O'Hagan |
Splat 2/5 |
Angels & Demons (2009) |
"Angels & Demons, the fantastic ongoing saga of Brownism might make us feel short of breath in the company of something that is beyond belief. That’s Dan Brown I’m talking about." |
Andrew O'Hagan |
Splat 1/5 |
Antichrist (2009) |
"The film can expose you to nothing about life, nothing about film, while telling you more than you ever wanted to know about the director’s malicious vanity." |
Andrew O'Hagan |
- |
Atlantis: The Lost Empire (2001) |
Click here to see the review. |
Angie Errigo |
Tomato 3/5 |
Año Uña (2008) |
"Año Uña feels like a calling card from a promising talent — but, as with a summer romance, it’s not built to last." |
Charlotte O'Sullivan |
Splat 3/5 |
Away We Go (2009) |
"The more the film insists that we see Verona and Burt as perfect, the more smug and unreal they appear. The messy mix of twee maundering and frat-boy slapstick might work if one thing were added: a caption at the end that read: “... and then Burt woke up”" |
Charlotte O'Sullivan |
Tomato 3/5 |
Awaydays (2009) |
"There’s no shortage of movies about Britain’s mean streets and, for the most part, Awaydays runs with the pack." |
Charlotte O'Sullivan |
Splat 2/5 |
A Crude Awakening: The Oil Crash (2006) |
"All sorts of experts testify with some conviction, but the film's jerky structure and lack of complexity don't help." |
Derek Malcolm |
Splat 1/5 |
The Accidental Husband (2009) |
"Words almost fail me after watching this terrible romantic comedy from Griffin Dunne which is perilously described as a "sort of Carole Lombard screwball comedy". Would that it were." |
Derek Malcolm |
Splat 2/5 |
Across the Universe (2007) |
"You feel, after two hours and a bit, that the Beatles deserve better and the Sixties a more defiant touch." |
Derek Malcolm |
Tomato 3/5 |
Afro Saxons (2008) |
"This documentary from Rachel Wang and Mark Currie about the stylists at the Black Beauty and Hair Awards is sharp and often funny." |
Derek Malcolm |
Tomato 3/5 |
Afterschool (2009) |
"This is certainly an original work, but not entirely successful in saying anything new about the way we watch “reality” today at second hand." |
Derek Malcolm |
Splat 2/6 |
Air Guitar Nation (2007) |
"There must be better, more useful ways of amusing themselves but obviously none which would allow them to strut the stage to the plaudits of a baying crowd like latter-day rock stars." |
Derek Malcolm |
Tomato 4/5 |
Alexandra (2008) |
"Sokurov is able to say things about the terrible conflict without obvious polemic but to the maximum possible effect. That’s largely why he is one of the most audacious and original directors in the world today." |
Derek Malcolm |
Tomato 4/5 |
Alice in the Cities |
"Touching but never sentimental." |
Derek Malcolm |
Splat 2/5 |
Aliens in the Attic (2009) |
"The aliens look like cast-offs from a bad Spielberg film and the whole family are boring examples of Hollywood’s ordinary Americans." |
Derek Malcolm |
Tomato 3/5 |
Alpha Dog (2007) |
"Its originality lies in the fact that it depicts white middle-class kids on the loose, calling their women bitches and listening endlessly to violent, misogynist and homophobic black rap." |
Derek Malcolm |
Splat 2/5 |
Alvin and the Chipmunks (2007) |
"It's one of those movies where the wretched actors have to pretend to know what's going on as the CG effects take place beside and around them. They do their best. But it's Alvin and co that toddlers will appreciate." |
Derek Malcolm |
Splat 1/5 |
Alvin and the Chipmunks: The Squeakquel (2009) |
"They call this the “squeakquel” and that’s about all you’ll want to know about a film that remorselessly pulls all the levers of the first highly successful box-office attraction." |
Derek Malcolm |
Splat 2/5 |
Am I Black Enough For You |
"There’s not enough about the conflicts between Paul and those who controlled his records but this is a fan-like yet not too oleaginous tribute." |
Derek Malcolm |
Splat 2/5 |
Amelia (2009) |
"Nowhere is there any sign of the passion that Amelia must have had." |
Derek Malcolm |
Tomato 4/5 |
American Gangster (2007) |
"Sharp, observant and true to the period, the film-making is, on the whole, less determined to show its virtuosity than in Scott's other work." |
Derek Malcolm |
Tomato 3/5 |
American Teen (2008) |
"Burstein orchestrates their passage through school with some sympathy and no real revelations — except for the fact that she guesses, probably correctly, that most teenagers are nothing like as dangerous and bolshie as a lot of adults believe." |
Derek Malcolm |
Splat 2/5 |
Angel (2007) |
"François Ozon is a Gallic Michael Winterbottom, if not in style then at least in his determination to do something different every time. As with Winterbottom, sometimes the result is great and sometimes not." |
Derek Malcolm |
Tomato 3/5 |
Angus, Thongs and Perfect Snogging (2008) |
"This is all pleasant enough, but I can't quite believe it." |
Derek Malcolm |
Tomato 4/5 |
Anna M. (2007) |
"Spinosa's film is stylish and careful not to over-dramatise." |
Derek Malcolm |
Tomato 3/5 |
Anvil! The Story of Anvil (2009) |
"Even if you don’t like metal, this is a movie to enjoy almost as much as Cut Loose and Mad Dog, their most faithful fans, undoubtedly will." |
Derek Malcolm |
Tomato 3/5 |
Anything for Her (2008) |
"There’s nothing exceptional about any of this but it is well made, decently acted (Kruger is clearly a star in the making) and rachets up the tension with some skill." |
Derek Malcolm |
Tomato 4/5 |
Appaloosa (2008) |
"This, though, is not so much a comedy as a western with the ironic undertones that someone like Hawks would appreciate while telling a story such as Rio Bravo." |
Derek Malcolm |
Tomato 3/5 |
The Army of Crime (2009) |
"It is a tragic story that deserves to be remembered and has rarely been told on film." |
Derek Malcolm |
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