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A Scanner Darkly (2006) |
"[Linklater] has made the first close adaptation of a Dick novel." |
Richard Corliss |
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4/5 |
A.I. Artificial Intelligence (2001) |
"Spielberg laid the burden of the film on Osment like a backpack, and the young trouper carries it." |
Richard Corliss |
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4/4 |
About Schmidt (2002) |
"Payne also understands what it has taken me most of a lifetime to comprehend: that the Schmidts of this world are not to be easily dismissed." |
Richard Schickel |
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Absence of Malice (1981) |
"Absence of Malice does not invalidate All the President's Men. But with entertainment values -- and a moral sense -- every bit as high as that film's, it observes that there is an underside to journalistic gallantry." |
Richard Schickel |
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Absolute Power (1997) |
"The plot is a doomsday version of Bill Clinton's Paula Jones problem, but the theme is impending mortality--settling scores before time's up." |
Richard Corliss |
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Across the Universe (2007) |
"Even those resistant to or unmoved by the story can appreciate Taymor's settings of the songs, and the arrangements by T-Bone Burnett and other studio masters." |
Richard Corliss |
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Addams Family Values (1993) |
"Like the first of the Addams chronicles, this is an essentially lazy movie, too often settling for easy gags and special effects that don't come to any really funny point." |
Richard Schickel |
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The Adventures of Buckaroo Banzai Across the 8th Dimension (1984) |
"A state-of-the-art spaceship flying at the speed of light without narrative coordinates, Buckaroo Banzai is the very oddest good movie in many a full moon." |
Richard Corliss |
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After The Wedding (2007) |
"It speaks the universal language of high romance in the distinctly unromantic Danish tongue. But don't be put off by that. It is a kind of treat we are only rarely offered these days." |
Richard Schickel |
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Air Force One (1997) |
"The stalking struggle between reason and unreason that precedes it is much more gripping--and fun." |
Richard Schickel |
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Akira (1988) |
"The movie, even at 124 minutes, has the densely packed sweep and go-for-it pep of a pop epic." |
Jay Cocks |
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Aladdin (1992) |
"It juggles a '90s impudence with the old Disney swank and heart." |
Richard Corliss |
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Alexander (2004) |
"A long, lumpy trip with a charismatic guide and some brilliant detours." |
Richard Corliss |
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Alice's Restaurant (1969) |
"[Penn] has transformed a charming shaggy-dog story into a melancholy epitaph for an entire era." |
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Alien Resurrection (1997) |
"Less frightening, but as much fun as ever." |
Richard Schickel |
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Aliens (1986) |
"The trouble Ripley has found this time is exponentially bigger and scarier than anything she encountered in Ridley Scott's memorably minimalist, eerily elegant 1979 film." |
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All About My Mother (1999) |
"It brims with life." |
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All That Jazz (1979) |
"Though Scheider is a wry, sensitive actor, he soon gets lost in the vulgar theatrics." |
Frank Rich |
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All The King's Men (2006) |
"Zaillian's movie is much more a reimagining than a remake, and it's much more faithful to the tone of the novel, which is by no means easy to duplicate." |
Richard Schickel |
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All the Right Moves (1983) |
"his naive little movie hopes to prove itself the Flashdance of football." |
Richard Corliss |
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Almost Famous (2000) |
"The movie's so clever and endearing, you can forget the almost." |
Richard Corliss |
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American Gangster (2007) |
"An intelligent, well-made and seductive movie." |
Richard Schickel |
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3/5 |
American History X (1998) |
"A confused, randomly compelling family melodrama." |
Richard Corliss |
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The American President (1995) |
"As bustling and impassioned as the best Sturges and Capra movies." |
Richard Corliss |
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American Teen (2008) |
"It's hard not to root for these teens." |
Richard Corliss |
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5/5 |
Amores Perros (2001) |
"[The] sense that even hair-trigger lives, always poised on the edge of self-destructive lunacy, deserve to be sympathetically understood is Amores Perros' redeeming grace." |
Richard Schickel |
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Angel Eyes (2001) |
"The movie works because Lopez gives such a terrific performance." |
Richard Schickel |
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Anger Management (2003) |
"Even a longtime Adamophobe has to admit that Sandler is an agreeable presence here, and that the film has some funny filigree work to offset the oppressive schematics." |
Richard Corliss |
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Antz (1998) |
"Kids may be puzzled by rebellious worker ants chanting Marxist slogans, but their parental guides may welcome the relief from the prevailing blandness of family films." |
Richard Schickel |
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Any Given Sunday (1999) |
"Almost three hours of this jitter deteriorates from bravura filmmaking to annoying mannerism, and Any Given Sunday ends up less than the sum of its many, often interesting parts." |
Richard Schickel |
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Apocalypto (2006) |
"Gibson is a primitive all right, but so were Cecil B. DeMille and D.W. Griffith, and somehow we survived their idiocies. Doubtless there will come a day when he joins them in the Valhalla of the vacuous." |
Richard Schickel |
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Apollo 13 (1995) |
"From lift-off to splashdown, Apollo 13 gives one hell of a ride." |
Richard Corliss |
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The Aristocrats (2005) |
"A master class in comedy, in all its cruel, larkish, obsessive creativity." |
Richard Corliss |
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Armageddon (1998) |
"...doesn't give a hoot about making a deep, humanistic impact on us." |
Richard Schickel |
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Arthur (1981) |
"Moviegoers are hereby alerted to some good fun." |
Richard Schickel |
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Australia (2008) |
"Australia delivers with real panache." |
Richard Schickel |
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