Tomato 3/5 |
R-Xmas (2002) |
"Assured, glossy and shot through with brittle desperation." |
Maitland McDonagh |
Splat 0/4 |
R.P.M. (1970) |
"Pathetic attempt by Kramer to examine the difficulties hard-working college administrators faced during the 1960s when radicals tried to take over schools." |
|
Tomato 4/5 |
Rabbit-Proof Fence (2002) |
"Thrilling, heart-wrenching tale." |
Ken Fox |
Splat 2/4 |
Rabid (1977) |
"While Chambers does add some resonance to the film as a sexual icon, her acting ability is decidedly limited." |
|
Splat 2/4 |
Race You to the Bottom (2007) |
"Brown is never clear enough on how he feels about his own characters." |
Ken Fox |
Splat 2.5/4 |
Racing With the Moon (1984) |
"Everyone tries hard, but the movie is essentially superficial and has difficulty sustaining audience interest." |
|
Tomato 4/4 |
The Racket (1951) |
"[A] hard-hitting melodrama." |
|
Tomato 3/4 |
Radiant City (2006) |
"[A] sublimely slippery, slightly surreal and not entirely 'just the facts, ma'am' documentary." |
Maitland McDonagh |
Splat 2/5 |
Radio (2003) |
"The heavy-handed score by notoriously heavy-handed James Horner is often the only indication that there's supposed to be a point to this showcase for Gooding's relentlessly adorable mugging." |
Sabrina Rojas Weiss |
Splat 1.5/4 |
Radio Flyer (1992) |
"The resulting film is like a travesty of a Spielberg paean to childhood innocence -- an uplifting fantasy about child abuse and suicide." |
|
Tomato 5/5 |
Raging Bull (1980) |
"Often unpleasant and painful to watch, the film is a no-holds-barred look at a violent man in a brutal sport, in which, amazingly, the wholly unsympathetic LaMotta attains a state of grace at the end that is inspiring." |
|
Tomato 4.5/5 |
Raiders of the Lost Ark (1981) |
"Most viewers are powerless to resist the kinetic pleasures of this endlessly inventive action adventure." |
|
Splat 1/4 |
Rails & Ties (2007) |
"Alison Eastwood makes her directing debut with this ludicrous melodrama, in which a troubled couple and a newly orphaned boy heal each others' emotional wounds against a backdrop of blunt metaphors." |
Maitland McDonagh |
Tomato 3.5/5 |
Rain (2002) |
"Jeff's debut feature is a small masterpiece of atmosphere." |
Ken Fox |
Tomato 3.5/4 |
Rain Man (1988) |
"Well written, smartly directed, and sensitively performed." |
|
Tomato 3/4 |
The Rain People (1969) |
"This odd odyssey was not a hit, even though over the years it has been regarded as one of Coppola's more personal pictures and has attained a limited following." |
|
Tomato 5/5 |
Raise the Red Lantern (1991) |
"A masterpiece." |
|
Splat 1.5/5 |
Raise Your Voice (2004) |
"To be fair, the normally likeable Duff gives an adequate performance, but the poorly executed scenes in which Duff's singing voice was clearly post-dubbed and her own lack of emotional range keep the film from rising to whatever potential it may have had." |
Angel Cohn |
Tomato 4/4 |
A Raisin in the Sun (1961) |
"The performances are uniformly excellent." |
|
Tomato 3/4 |
Raising Arizona (1987) |
"An entertaining, energetic, and stylish comedy about a simple but loving couple who long to be parents." |
|
Splat 2/5 |
Raising Helen (2004) |
"The adorable Hudson's onscreen transformation from party girl to supermom seems forced, and Marshall's efforts to pass her off as the next Julia Roberts-style every girl are irritating." |
Angel Cohn |
Tomato 4/5 |
Raising Victor Vargas (2003) |
"With a casual brilliance reminiscent of the young Truffaut, writer-director Peter Sollett expanded his award-winning short 'Five Feet High and Rising' into one of the most welcome debut features in ages." |
Ken Fox |
Splat 2/4 |
Rally 'Round the Flag, Boys! (1958) |
"Newman's first comedy should have been his last. Gratuitous and dubious sexuality makes this a poor bet for youngsters." |
|
Tomato 3.5/5 |
Ram Dass Fierce Grace (2002) |
"The heart of the film is a touching reflection on aging, suffering and the prospect of death." |
Ken Fox |
Tomato 4/5 |
Rambling Rose (1991) |
Click here to see the review. |
|
Tomato 2.5/4 |
Rambo (2008) |
"A brutal, insanely excessive successor to grindhouse pictures of yore." |
Maitland McDonagh |
Splat 1/4 |
Rambo - First Blood Pt. 2 (1985) |
"All in all, it's a pretty offensive movie, especially to the Americans who fought in Vietnam." |
|
Splat 1.5/4 |
Rambo III (1988) |
"A mindless and uninspired effort." |
|
Tomato 5/5 |
Ran (1985) |
"Ran is a visually stunning epic, containing some of the most beautiful, colorful, breathtaking imagery ever committed to celluloid." |
|
Tomato 3/5 |
Rana's Wedding (2002) |
"Khoury may be a few years too old to play a minor still squirming under her father's thumb, but her performance as a timid young woman who finds strength while looking for a husband is quite affecting." |
Ken Fox |
Tomato 3.5/4 |
Rancho Deluxe (1975) |
"An underrated anti-western about modern-day cattle rustlers." |
|
Splat 6/10 |
Random Hearts (1999) |
"It would help if the leads weren't brittle and stone-faced." |
Maitland McDonagh |
Splat 2.5/4 |
Rank (2006) |
"If even one [rider] were more conspicuously flawed, the film might be more compelling." |
Maitland McDonagh |
Tomato 5/5 |
Rashomon (1950) |
"A monument to Akira Kurosawa's greatness, combining his well-known humanism with an experimental narrative style that has become a hallmark of film history." |
|
Splat 2/5 |
The Raspberry Reich (2004) |
"Very silly, a bit tedious and if you cut out all the sex and sloganeering, the whole thing would run about 15 minutes." |
Ken Fox |
Splat 2/5 |
Rat Race (2001) |
"...a hit-or-miss comedic proposition." |
Steve Simels |
Tomato 3.5/4 |
Ratatouille (2007) |
"A clever, ingeniously animated film filled with many shining moments." |
Ken Fox |
Tomato 3/4 |
Rated X (2000) |
"The film inevitably streamlines and neatens up the Mitchell's spectacularly messy lives. But for anyone who missed the short but influential era of porno chic, it's an eye-opener, a primer on how we got here from there." |
Maitland McDonagh |
Tomato 3/5 |
Ray (2004) |
"Ultimately, the real reason to see the film is for Foxx's world-caliber performance: He doesn't just impersonate Charles, he actually seems to be channeling him." |
Ethan Alter |
Tomato 3/4 |
Re-Animator (1985) |
"While Re-Animator fails as a faithful adaptation of Lovecraft, it is an incredibly demented movie in its own right that combines a plethora of downright disgusting grand guignol with disturbing black humor." |
|
Tomato 3.5/5 |
Read My Lips (2002) |
"Hailed as a clever exercise in neo-Hitchcockianism, this clever and very satisfying picture is more accurately Chabrolian." |
Maitland McDonagh |
Splat |
Ready to Rumble (2000) |
"Way too dumb and clueless." |
Steve Simels |
Tomato 2.5/5 |
The Real Cancun (2003) |
"The unscripted result is undeniably entertaining, though calling it 'reality' is a bit of a stretch." |
Angel Cohn |
Tomato 3/4 |
The Real Dirt on Farmer John (2007) |
"Taggart Siegel's loving portrait of eccentric farmer John Peterson is an epic writ small that focuses on a life lived almost entirely on a Caledonia, Ill., farm yet encompasses six decades of changing American social mores and economic upheavals." |
Maitland McDonagh |
Splat 2/4 |
Real Genius (1985) |
"This disappointing teen comedy from director Martha Coolidge is another entry in the rash of teens-goofing-with-science films." |
|
Tomato 2.5/5 |
Real Women Have Curves (2002) |
"Ana's struggles are dramatized and resolved in true Afterschool Special fashion, but the film is rescued from banality by its uniformly appealing performances." |
Maitland McDonagh |
3/5 |
A Real Young Girl (2001) |
"...evokes a time of turbulent (and often ugly) emotions with disquieting intensity." |
Maitland McDonagh |
Splat 2.5/4 |
Reality Bites (1993) |
"It's often genuinely funny -- but it's still an establishment picture pretending it's not." |
|
Splat 2/4 |
The Reaping (2007) |
"[Director] Hopkins relies far too heavily on sudden loud soundtrack noises to inject some scares into what is essentially a pretty dull affair, and the plague effects are sub par even by the standards of Cecil B. DeMille." |
Ken Fox |
Tomato 5/5 |
Rear Window (1954) |
"One of the film's early ad campaigns read, 'If you do not experience delicious terror when you see Rear Window, then pinch yourself--you are most probably dead.'" |
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