Tomato 10/10 |
The Talented Mr. Ripley (1999) |
"Then there is Damon, who struts with force and confidence when pretending to be Dickie, but plays Tom as someone constantly faking a nervous and plain front." |
Ian Waldron-Mantgani |
Tomato 4/4 |
Tape (2001) |
"The screenplay features nothing but talk, but this is one of the most tightly wound films of the year." |
Ian Waldron-Mantgani |
Tomato 10/10 |
Taxi Driver (1976) |
"A movie to educate us about life on darker sides of the soul, or steer us away from living that life. It draws us in with a conviction that makes us feel like we're living it." |
Ian Waldron-Mantgani |
Tomato 6/10 |
Tea With Mussolini (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 2.5/4 |
Ten (2003) |
"Movies like this are important, but significance is not the same thing as quality." |
Ian Waldron-Mantgani |
Tomato 4/4 |
The Terminator (1984) |
"At the end of both movies, I find myself overcome by an extraordinary swell of emotion." |
Ian Waldron-Mantgani |
Tomato 4/4 |
Terminator 2: Judgment Day (1991) |
"At the end of both movies, I find myself overcome by an extraordinary swell of emotion." |
Ian Waldron-Mantgani |
Splat 1/4 |
Terminator 3: Rise of the Machines (2003) |
"What sickness in the filmmakers inspired them to go ahead and make this TV movie sludge instead of doing some kind of stab at creating the feel of a "Terminator" film?" |
Ian Waldron-Mantgani |
Splat 1/4 |
The Texas Chainsaw Massacre (2003) |
"There's a simple philosophy behind a movie like this: Add more squishing, add more screaming, and it'll be better. Or at least it'll make more money." |
Ian Waldron-Mantgani |
Splat 2/4 |
There's Only One Jimmy Grimble (2000) |
"Asks us to root for a gawky little moron and surrounds him with phoney caricatures" |
Ian Waldron-Mantgani |
Splat 2.5/4 |
There's Something About Mary (1998) |
"Is it worth seeing? Well, not if you want something genuinely witty." |
Ian Waldron-Mantgani |
Splat 1.5/4 |
They (2002) |
"Who are 'they'? Well, they're 'they'. They're the unnamed, easily substitutable forces that serve as whatever terror the heroes of horror movies try to avoid. They exist for hushed lines like "They're back!", "They're out there!" and "They're coming!"" |
Ian Waldron-Mantgani |
Tomato 9/10 |
The Thin Red Line (1998) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3.5/4 |
Thirteen Days (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 1/4 |
Thirteen Ghosts (2001) |
"A loud, stupid and incomprehensible piece of junk" |
Ian Waldron-Mantgani |
Splat 1/4 |
Thomas and the Magic Railroad (2000) |
"Nonsensical, cheesy, saccharine drivel, with all the charm of the source material removed, and the low-tech special effects kept in." |
Ian Waldron-Mantgani |
Splat 1/4 |
Thomas Crown Affair, The (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 1/4 |
A Thousand Acres (1997) |
"Enter A Thousand Acres at your own risk." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Three Kings (1999) |
"Uneven patches notwithstanding, it's original, powerful, and very unexpected." |
Ian Waldron-Mantgani |
Splat 3/10 |
Three to Tango (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 0.5/4 |
Thunderpants (2002) |
"This movie should be shown in prisons so that inmates have a good reason to never return." |
Ian Waldron-Mantgani |
Splat 0.5/4 |
The Time Machine (2002) |
"The secrets of time travel will have been discovered, indulged in and rejected as boring before I see this piece of crap again." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Time Out (2002) |
"Reaches an extreme pitch and gets into Vincent's head simply by studying his face." |
Ian Waldron-Mantgani |
Splat 1/4 |
Timecode (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 2.5/4 |
Titan A.E. (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 10/10 |
Titanic (1997) |
"The best film of its genre ever made." |
Ian Waldron-Mantgani |
Splat 1/4 |
Tom's Midnight Garden (1999) |
"The story of a glum, monotone little boy who wanders around a stretch of grass and never looks happy." |
Ian Waldron-Mantgani |
Splat 2/4 |
Topsy-Turvy (1999) |
" It's a confusing mishmash of irrelevance, not least because Mike Leigh, the writer and director, feels the need to jump in and out of hundreds of different locations without ever exploring them." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Touching the Void (2004) |
"There's something amazing about looking in the eyes of the guys telling this story." |
Ian Waldron-Mantgani |
Tomato 9/10 |
Toy Story 2 (1999) |
"Wonderful universal entertainment, a worthy sequel to Toy Story." |
Ian Waldron-Mantgani |
Tomato 3.5/4 |
Traffic (2000) |
"In considering so many angles regarding his subject, Soderbergh and his writers have created a bold act of filmmaking -- passionate drama on a grand canvas." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Training Day (2001) |
"If its content is over-the-top, well, it's still engrossing." |
Ian Waldron-Mantgani |
Splat 2/4 |
The Transporter (2002) |
"Statham employs an accent that I think is supposed to be an attempt at hardass American but sometimes just lapses into unhidden British." |
Ian Waldron-Mantgani |
Tomato 6/10 |
The Trench (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 10/10 |
The Truman Show (1998) |
"It is one of the best films ever made about the dangers of mass-media..." |
Ian Waldron-Mantgani |
Tomato 6/10 |
Tumbleweeds (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 1.5/4 |
Twilight (1998) |
"A frustratingly muddled film." |
Ian Waldron-Mantgani |
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