Tomato 3/4 |
A.I. Artificial Intelligence (2001) |
"A.I. is an enthralling piece of filmmaking, and the least flabby Spielberg picture in several years -- until the ending." |
Ian Waldron-Mantgani |
Tomato 3/4 |
About Adam (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
About Schmidt (2002) |
"A strange and fascinating balance of compassion and satire, riotous laughter and quiet drama." |
Ian Waldron-Mantgani |
Tomato 4/4 |
Adaptation (2002) |
"Gets thoughts and sentences rushing down the hallways of the mind, screaming at each other to get past." |
Ian Waldron-Mantgani |
Tomato 3/4 |
The Adventures of Rocky and Bullwinkle (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 7/10 |
Affliction (1997) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
After the Hole (2001) |
"Has similar premise to "Blair Witch 2", but also has better acting and a plot that makes sense" |
Ian Waldron-Mantgani |
Tomato 3/4 |
AKA (2002) |
"The visual style makes us look from left to right, unable to take our eyes from the screen. When we are not getting inside characters' memories or being invited to muse on their ways of looking at the world, we are simply immersed in the film's reality." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Ali (2001) |
"Mann directs the movie with a calm and original approach; Smith gives a surprisingly convincing performance" |
Ian Waldron-Mantgani |
Tomato 3/4 |
Ali G Indahouse: The Movie (2002) |
"It's all about taking the joke too far, and it's fun" |
Ian Waldron-Mantgani |
Tomato 2.5/4 |
All About My Mother (1999) |
"It's too dedicated to madness not to be intriguing, but there's not enough to it to be compelling." |
Ian Waldron-Mantgani |
Tomato 3/4 |
All the Pretty Horses (2000) |
"Unfolds carefully over an expansive canvas, with the same feel of involvement as a well-written epic novel." |
Ian Waldron-Mantgani |
Tomato 3.5/4 |
Almost Famous (2000) |
"Charged with nostalgic poignancy and sweet character portrayals" |
Ian Waldron-Mantgani |
Tomato 3/4 |
Amelie (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
American Beauty (1999) |
"I think it unfolds as a profound masterpiece, then collapses in a muddle of probably unintentional, certainly unnecessary pessimism." |
Ian Waldron-Mantgani |
Tomato 8/10 |
American History X (1998) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 7/10 |
American Pie (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
American Pie 2 (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 8/10 |
American Psycho (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
Amores Perros (2001) |
"Grabs our attention... Innaritu is a clever visual stylist." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Angel Eyes (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 6/10 |
Angela's Ashes (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
Antwone Fisher (2002) |
"Soupy and sentimental, but with an underlying belief in itself that keeps the rhythm constant and just about manages to reach the gut." |
Ian Waldron-Mantgani |
Tomato 8/10 |
Any Given Sunday (1999) |
"Any Given Sunday is content to document, observe and convey. While it does all these things well, a little more passion would not have gone amiss." |
Ian Waldron-Mantgani |
Tomato 3.5/4 |
Asoka (2001) |
"Bold, rich, vibrant and passionate." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Atlantis: The Lost Empire (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Tomato 3/4 |
Austin Powers in Goldmember (2002) |
"No longer funny because of its spoof value, but because it is pantomime of the lamest order. If you don't latch onto it, it's embarrassing, but if you have sympathy for the way Myers creates characters, you may just find it infectious." |
Ian Waldron-Mantgani |
Tomato 3/4 |
Auto Focus (2002) |
"This is not a masterpiece; Schrader wrote a better film about career disintegration and the pathetic sexual lives of insecure men, and that film was "Raging Bull". But the movie is powerful." |
Ian Waldron-Mantgani |
Splat 2.5/4 |
About a Boy (2002) |
"The characters want to live and breathe, but the filmmakers keep trying to smooth off their edges." |
Ian Waldron-Mantgani |
Splat 2.5/4 |
Agent Cody Banks (2003) |
"The movie is bouncy and colourful, and cheesy in a nice way, but it outstays its welcome in the last half hour." |
Ian Waldron-Mantgani |
Splat 2/4 |
All About Lily Chou-Chou (2002) |
"Confusion is one of my least favourite emotions, especially when I have to put up with 146 minutes of it." |
Ian Waldron-Mantgani |
Splat 1.5/4 |
All or Nothing (2002) |
"Lazy, miserable and smug. This is one of the biggest disappointments of the year." |
Ian Waldron-Mantgani |
Splat 1/4 |
Along Came a Spider (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 2/4 |
America's Sweethearts (2001) |
"Inevitably there are some funny moments, and of course this is an endlessly watchable cast. But the movie is just too over-the-top." |
Ian Waldron-Mantgani |
Splat 2/4 |
American Wedding (2003) |
"It's not that the movie is bad, it just feels awkward and not quite right." |
Ian Waldron-Mantgani |
Splat 1.5/4 |
American Women (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 1.5/4 |
Anger Management (2003) |
"It's not funny to watch Sandler being put upon by Nicholson, even though their scenes are acted with a nice rhythm, because we're too frustrated for him." |
Ian Waldron-Mantgani |
Splat 2/4 |
The Animal (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 1.5/4 |
Anita & Me (2002) |
"There's nothing for us to buy into here, and impatience sets in pretty quick. On a fundamental level, it's hard to understand just how Syal hopes for us to identify with her protagonist." |
Ian Waldron-Mantgani |
Splat 2/4 |
Antitrust (2001) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 5/10 |
Apt Pupil (1998) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 2.5/4 |
Ararat (2002) |
"The movie's flaws ring of underconfidence, as if Egoyan intellectualised its parts until he ended up draining them of power." |
Ian Waldron-Mantgani |
Splat |
Armageddon (1998) |
"Where things fall apart are the scenes that try to put in characterisation, and, God help us, comic relief." |
Ian Waldron-Mantgani |
Splat 1/4 |
The Art of War (2000) |
Click here to see the review. |
Ian Waldron-Mantgani |
Splat 5/10 |
Austin Powers: The Spy Who Shagged Me (1999) |
Click here to see the review. |
Ian Waldron-Mantgani |
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