A.I. Artificial Intelligence (2001)

"A movie to be knocked, chewed and gummed, but not dismissed."

About Schmidt (2002)

"Flamboyant in some movies and artfully restrained in others, 65-year-old Jack Nicholson could be looking at his 12th Oscar nomination by proving that he's now, more than ever, choosing his roles with the precision of the insurance actuary."

Accepted (2006)

"Accepted is trying to be a new species of Animal House, but at least that 1978 comedy had no pretensions of being more than a boisterous spoof of college life."

Across the Sea of Time (1995)

"Employing 3-D and PSE sound, then projected on a screen that suggests a small skyscraper, the new show at West Side Manhattan's Sony IMAX theater is, visually speaking, nothing but a clear day... but it definitely put me in scat-mode."

Adam (2009)

"Adam is a cut above most romances and boasts a intriguing conclusion. One comes away with a sense of hope, leavened by realism."

Adaptation (2002)

"Too smart to ignore but a little too smugly superior to like, this could be a movie that ends up slapping its target audience in the face by shooting itself in the foot."

Adoration (2009)

"Moody, provocative and intellectually ambitious, Adoration is primed to elicit impassioned discussion among audiences."

The Adventures of Pinocchio (1996)

"It's the woodsy children's movie Walt Disney didn't want to make: chockablock with mischievous mayhem and light on the sap."

Adventures of Sharkboy and Lava Girl in 3-D (2005)

"There's sad news to report about The Adventures of Sharkboy and Lavagirl in 3-D: Put on the cardboard glasses, and you can still see the movie."

After Hours (1985)

Click here to see the review.

Afterglow (1997)

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Agent Cody Banks (2003)

"[Muniz] has an endearing blend of self-deprecation, innocence and smarts that works well here."

Air Bud (1997)

"Dull but harmless."

The Air I Breathe (2007)

"Each story has its moments, but Air lacks an overarching vision."

The Alamo (2004)

"The movie is a mild compeller for history buffs, and occasionally it's better than that. But the teenage mall rats, on whom box office success largely depends, are more likely to zoom away in Alamo rental cars."

Alex and Emma (2003)

"Meant to be a funny, feel-good love story. Instead, it feels wan and uninspired, despite its likable cast."

Alexander (2004)

"This is Stone's weakest movie of the past 20 years, and it's unlikely to make any kind of blip."

Ali (2001)

"Ali is no disgrace, but it's not much of a performer, especially considering that it is one of the few hyped year-end releases that coulda been a contender."

Alien Resurrection (1997)

"The movie never develops consistent momentum, despite sporadically notable passages."

All About Steve (2009)

"Why would such talented actors as Bullock, Cooper, Thomas Haden Church and Ken Jeong sign on for something so dreadful?"

All The King's Men (2006)

"All the King's Men aspires to be a profound commentary on political corruption, but it's more of a vehicle for scenery-chewing by Sean Penn."

All the Real Girls (2003)

"Girls isn't fabulous, but you do feel its characters really have connected."

Along Came Polly (2004)

"Trouble is, it isn't just Polly who comes along: Lots of extraneous matter does, too."

Alvin and the Chipmunks (2007)

"Sure, rodents are hot this year. But unlike Ratatouille's chef prodigy Remy, these mischief makers bring nothing new to the table."

The Amazing Panda Adventure (1995)

"Pandas are many things. Adorable fuzzballs. Voracious eaters. Vanishing species. But, as actors, they are black and white and dull all over, which The Amazing Panda Adventure demonstrates all too well."