I Am Legend (2007)

"[Smith's] powerful performance is not enough to save the movie -- initially a potent meditation on loneliness and an absorbing doomsday action movie -- from taking a wrong turn and never getting back on track."

I Dreamed of Africa (2000)

"While Basinger admirably invests her role with deep passion and looks splendid in her Kenya khakis, the true story she stars in is disappointingly tame and dramatically inert."

I Hate Valentine's Day (2009)

"Nia Vardalos wrote, directed and stars in this clunky, unfunny and plodding mess. She doesn't write dialogue, she writes shtick. Her direction seems awkward and amateurish, her acting is more like mugging."

I Hope They Serve Beer in Hell (2009)

"The movie plays out like a watered-down and far less comical version of The Hangover, without the likable characters and the crazy fun."

I Love You, Beth Cooper (2009)

"The characters lack charm and dimension, falling into stereotypical molds. Joyless scenarios bounce between scenes of driving around town and predictable party mayhem."

I Now Pronounce You Chuck And Larry (2007)

"With a tacked-on PC message and leaden attempts at humor, I Now Pronounce You Chuck and Larry is a movie that gives marriage, homosexuality, friendship, firefighters, children and nearly everything else a bad name."

I Spy (2002)

"I cry for I Spy -- or I would if this latest and laziest imaginable of all vintage-TV spinoffs were capable of engendering an emotional response of any kind."

I'm Not Rappaport (1996)

"This is good stuff. Unfortunately, director Herb Gardner is a little too fond of writer Herb Gardner's script, which just keeps going and going and going -- until even two old pros such as Walter and Ossie have worn out their welcome."

I'm Not There (2007)

"Despite its inventive setup, it lacks a coherent narrative."

I, Robot (2004)

"Performances, plot and pacing are as mechanical as the hard-wired cast."

Ice Age: Dawn of the Dinosaurs (2009)

"Rather than evolving, Ice Age: Dawn of the Dinosaurs treads on familiar and infertile ground."

The Ice Harvest (2005)

"Given that pedigree, it's all the more disappointing that this movie falls flat."

Identity (2003)

"With moments of mind-bending creepiness, the film has potential, but eventually it devolves into merely a head-scratcher."

If Lucy Fell (1996)

"Sadly, the story is nowhere as original as the details and performances."

The Illusionist (2006)

"The alluring and absorbing Illusionist proves that a film need not be mindless fluff or ridiculously far-fetched to qualify as escapist entertainment."

Imagine That (2009)

"It's too bad there's little to distinguish this predictable tale from any other comedy about an overly busy father who finally connects with his child."

Impostor (2001)

"Unless there are zoning ordinances to protect your community from the dullest science fiction, Impostor is opening today at a theater near you."

In America (2003)

"A classic story of losing and finding faith told with heart, humor and emotional heft."

In Good Company (2004)

"This one's not brilliant, but it has some of [About a Boy's] easygoing charms."

In Love and War (1996)

"In Love and War is at its best photographing stationary objects, such as architecture, trees and bedridden soldiers -- not exactly what one hopes for from a movie portraying such a vital force as Ernest Hemingway."

In the Bedroom (2001)

"Succeeds with performances that get some of their power from imaginative casting."

In the Cut (2003)

"[A] story-hungry murder mystery that flubs its whodunit fundamentals."

In the Loop (2009)

"If you can get past its relentless quality, In the Loop is a blisteringly funny skewering of the venal side of politics."

In the Shadow of the Moon (2007)

"One small documentary for a filmmaker and one giant leap in inspiration for audiences."

In Too Deep (1999)

"It's the kind of summer movie you see only if a power failure has knocked out your air conditioning."