Splat 2/4 |
Factory Girl (2007) |
"Miller does good work when the script gives her anything to work with." |
Lawrence Toppman |
Splat 2/4 |
Fahrenheit 9/11 (2004) |
"[Moore] rakes muck like nobody else, but almost as much of it sticks to him as to his subject." |
Lawrence Toppman |
Tomato |
Faithless (2001) |
"Endre is superb in the role Ullmann would have played 20 years ago." |
Lawrence Toppman |
Splat 2/4 |
The Fall (2008) |
"Gorgeous, inert and dull." |
Lawrence Toppman |
Tomato |
The Family Man (2000) |
"A holiday fable that's not destined for immortality but goes down more easily than most of the pap Hollywood tries to feed us every Christmas." |
Lawrence Toppman |
Splat 2.5/4 |
The Fantastic Four: Rise of the Silver Surfer (2007) |
"When will the people who adapt comic books into films realize that less can be so much more?" |
Lawrence Toppman |
Tomato |
Far From Heaven (2002) |
"A handsome tribute to an era as quaintly distant as tail-fin Chevrolets and A-bomb scares." |
Lawrence Toppman |
Tomato |
The Fast Runner (2002) |
"The 167 minutes go by at reasonable speed after an irrelevant prelude." |
Lawrence Toppman |
Splat 2/4 |
Fat Albert (2004) |
"An inoffensive void through which you sail without effort or interest." |
Lawrence Toppman |
Tomato |
Fat Girl (2001) |
"The relationship between the girls is the most complicated in the picture, a Gordian knot of affection, resentment, envy, jealousy and intellectual sparring." |
Lawrence Toppman |
Splat |
Feast of Love (2007) |
"Director Robert Benton and writer Allison Burnett don't give us time to breathe. Characters meet, fall in love and set out on condensed journeys of self-discovery at top speed, as if their lives consisted entirely of momentous events." |
Lawrence Toppman |
Tomato 3/4 |
Fever Pitch (2005) |
"The script by Lowell Ganz and Babaloo Mandel introduces the usual crises at the usual points, but they're legitimate: Though the two leads love each other, they may really be incompatible and mutually destructive." |
Lawrence Toppman |
Tomato |
Fight Club (1999) |
"Visually surrealistic, acted with integrity." |
Lawrence Toppman |
Tomato |
Fighter Pilot: Operation Red Flag (2005) |
"The movie's main strength is that it conveys what we might feel blasting along at 600 mph, flying under the radar, almost skimming desert rocks." |
Lawrence Toppman |
Tomato |
The Fighting Temptations (2003) |
"The Fighting Temptations soars toward heaven like an eagle whenever folks cut loose with a gospel song. When they open their mouths to speak painfully trite dialogue, the movie thuds to Earth like a ruptured duck." |
Lawrence Toppman |
Tomato 3/4 |
The Final Cut (2004) |
"It's a thoughtful, multi-layered film that falls a bit short of its goals on all fronts." |
Lawrence Toppman |
Splat |
Final Fantasy: The Spirits Within (2001) |
"The film comes from a video game, and no effort was made to develop the main ideas. This may not be a bother when you're jabbing buttons or yanking joysticks, but it's a dead loss onscreen." |
Lawrence Toppman |
Tomato 2.5/4 |
Find Me Guilty (2006) |
"You won't feel uplifted, and you won't have any faith in the American justice system after watching its wheels grind to a halt, then start turning the wrong way. But you won't be bored." |
Lawrence Toppman |
Tomato |
Finding Forrester (2000) |
"It takes us inside the head of a young man whose black friends are suspicious of anyone who studies too hard and whose white colleagues wonder if he can study hard enough. Those two voyages make it worthwhile." |
Lawrence Toppman |
Tomato 4/4 |
Finding Nemo (2003) |
"Pixar's employees, masters of computer-generated animation, capture the look of the ocean like no artists before." |
Lawrence Toppman |
Tomato 3.5/4 |
Finding Neverland (2004) |
"[Depp] gives the most controlled, least mannered performance of his career, staying sweet and rueful while suggesting unseen emotional depths." |
Lawrence Toppman |
Splat 1.5/4 |
Firehouse Dog (2007) |
"Is it impossible to make an exciting, warm-hearted live-action movie for kids that doesn't insult the taste and intelligence of adults who take them to theaters?" |
Lawrence Toppman |
Splat 1.5/4 |
First Daughter (2004) |
"Has any movie this millennium had less reason to exist than First Daughter?" |
Lawrence Toppman |
Tomato 3/4 |
Flags of Our Fathers (2006) |
"Flags of Our Fathers honors the men of the so-called Greatest Generation while reminding us that mythology always involves a lie or two." |
Lawrence Toppman |
Splat |
Flawless (2007) |
"Banal or bogus." |
Lawrence Toppman |
Tomato 3.5/4 |
Flow: For Love of Water (2008) |
"Not all documentaries are solution-oriented, but this is." |
Lawrence Toppman |
Splat |
Flushed Away (2006) |
"...Brilliantly designed, frantically paced, sadly soulless and immediately forgettable." |
Lawrence Toppman |
Splat |
Focus (2001) |
"It's earnest but heavy-handed ... and seems quaintly dated." |
Lawrence Toppman |
Splat 1.5/4 |
Fool's Gold (2008) |
"Of course it's bad. It was always going to be. But it's worse than necessary." |
Lawrence Toppman |
Splat 2.5/4 |
For Your Consideration (2006) |
"Everyone's entitled to a slump, and this is only the first blah film in five for Guest (if we count This is Spinal Tap, which he stars in and wrote with McKean, Shearer and Rob Reiner)." |
Lawrence Toppman |
Tomato 3/4 |
Forgetting Sarah Marshall (2008) |
"Forgetting Sarah Marshall, shorter than Knocked Up and more focused than Superbad, tops all other Apatow productions so far." |
Lawrence Toppman |
Splat 2/4 |
The Forgotten (2004) |
"When gaps in logic started to show, Di Pego and Ruben started another chase scene, using physical chaos to cover mental chaos." |
Lawrence Toppman |
Splat |
Formula 51 (2002) |
"In exactly 89 minutes, most of which passed as slowly as if I'd been sitting naked on an igloo, Formula 51 sank from quirky to jerky to utter turkey." |
Lawrence Toppman |
Splat 2.5/4 |
The Fountain (2006) |
"For the first time, I felt Aronofsky's reach for cosmic concepts exceeded his grasp." |
Lawrence Toppman |
Splat 2/4 |
Four Brothers (2005) |
"Four Brothers immediately joins the Good Idea, Bad Execution club." |
Lawrence Toppman |
Tomato 3/4 |
Four Christmases (2008) |
"Vaughn delivers every line with his usual deadpan glibness, which suits the part. But I smiled as I watched the big-bellied, multi-chinned actor connecting with the porcelain, model-thin Witherspoon." |
Lawrence Toppman |
Splat 2.5/4 |
The Four Feathers (2002) |
"Kapur's contradictory feelings about his material result in a movie that works against itself." |
Lawrence Toppman |
Tomato 3/4 |
Frailty (2002) |
"A well-crafted study in quiet horror." |
Lawrence Toppman |
Tomato |
Freaky Friday (2003) |
"Wryly funny enough for adults and zany enough for little kids." |
Lawrence Toppman |
Splat 1.5/4 |
Freddy vs. Jason (2003) |
"A battle royal so cheesily ludicrous that it ends literally with a wink." |
Lawrence Toppman |
Tomato 3/4 |
Freedom Writers (2007) |
"The students are uniformly affecting: R&B singer Mario, Jason Finn and April Hernandez stand out as teens about to fall permanently into thug life." |
Lawrence Toppman |
Tomato 3/4 |
Freedomland (2005) |
"The film doesn't lose its way emotionally; it's full of great monologues about loss and responsibility." |
Lawrence Toppman |
Tomato |
Frequency (2000) |
"Hoblit's visual sense never deserts him." |
Lawrence Toppman |
Tomato |
Frida (2002) |
"Taymor ... dips into Frida's imagination intriguingly." |
Lawrence Toppman |
Splat 2.5/4 |
Friday Night Lights (2004) |
"A passably made, grittily acted slice of life in Texas that veers not an inch from the norm for this sort of picture." |
Lawrence Toppman |
Splat 2.5/4 |
Friends With Money (2006) |
"Most crucially, we don't learn what brought the four women together; Olivia's so much younger than the others that there's no reason to think they'd ever have befriended her." |
Lawrence Toppman |
Tomato |
From Hell (2001) |
"Depp gives yet another introspective, slightly mopey performance." |
Lawrence Toppman |
Tomato 4/4 |
Frost/Nixon (2008) |
"If Frost/Nixon were merely a beautifully shaped re-creation of a moment in history it would be worth a look. But as a reminder of the world we live in 31 years later, it's as sadly topical as any documentary about the Iraq War." |
Lawrence Toppman |
Tomato |
Frozen River (2008) |
"Hunt has keenly observed the details of impoverished rural life." |
Lawrence Toppman |
Splat 1.5/4 |
Full Frontal (2002) |
"An impenetrable and insufferable ball of pseudo-philosophic twaddle." |
Lawrence Toppman |