Splat |
Galaxy Quest (1999) |
"The big ideas fall short too often." |
Lawrence Toppman |
Tomato 3.5/4 |
Gangs of New York (2002) |
"An operatic, sprawling picture that's entertainingly acted, magnificently shot and gripping enough to sustain most of its 170-minute length." |
Lawrence Toppman |
Tomato 3/4 |
Garden State (2004) |
"The writer-director never stops telling us a tale that's true at its core." |
Lawrence Toppman |
Splat 1.5/4 |
Garfield the Movie (2004) |
"One of the year's cheesiest and most embarrassing movies." |
Lawrence Toppman |
Splat |
The General's Daughter (1999) |
"The General's Daughter is a blandly acted, dully written, gratuitously grisly, coincidence-filled potboiler that takes the obvious road whenever it has a choice." |
Lawrence Toppman |
Tomato |
George A. Romero's Land of the Dead (2005) |
"Fans of these insatiable, shuffling carnivores needn't fear; Romero offers enough intestine-pulling, finger-munching gore." |
Lawrence Toppman |
Splat 1.5/4 |
Get Rich or Die Tryin' (2005) |
"Most of the time, the movie plods along like a leg-weary heavyweight in the late rounds, keeping the rhythm of its star." |
Lawrence Toppman |
Splat 1.5/4 |
Ghost Ship (2002) |
"The only surprise is that heavyweights Joel Silver and Robert Zemeckis agreed to produce this; I assume the director has pictures of them cavorting in ladies' underwear." |
Lawrence Toppman |
Tomato 3/4 |
Ghost Town (2008) |
"It's a smooth journey across familiar territory to a safe emotional harbor, always professional and occasionally delightful." |
Lawrence Toppman |
Tomato |
Ghost World (2001) |
"Director Terry Zwigoff, who made the documentary Crumb, understands embittered outsiders who claim to be contemptuous of the world that ignores them." |
|
Splat |
The Gift (2001) |
"[Raimi] and Blanchett can't turn grits into polenta, but they try." |
Lawrence Toppman |
Splat 1.5/4 |
Gigli (2003) |
"[Brest's] dialogue is a soup of cliches, profanities and sex talk most of us heard in high school." |
Lawrence Toppman |
Splat 1.5/4 |
The Girl Next Door (2004) |
"The Girl Next Door is to Risky Business what near-beer is to beer." |
Lawrence Toppman |
Tomato 3/4 |
Girl with a Pearl Earring (2003) |
"Johansson ... tops all her previous work with a performance that's almost wordless but intensely expressive." |
Lawrence Toppman |
Splat |
Girl, Interrupted (1999) |
"You have the main difference between book and movie: One remains pointed and specific, the other broad and generalized." |
Lawrence Toppman |
Splat |
Gladiator (2000) |
"This isn't a movie to challenge convention." |
Lawrence Toppman |
Splat |
Gods and Generals (2003) |
"As dry as a high school history book, solemn as a funeral service, humorless as a Politburo meeting, bloated as a waterlogged corpse and unbalanced as a bout between a debutante and a sumo wrestler." |
Lawrence Toppman |
Splat 1.5/4 |
Godsend (2004) |
"Director Nick Hamm builds up a little atmosphere in the early going, but Mark Bomback's script undermines him at every turn." |
Lawrence Toppman |
Tomato 3.5/4 |
Going Upriver: The Long War of John Kerry (2004) |
"Any open-minded person would have to agree that questions about his valor get settled here." |
Lawrence Toppman |
Tomato |
Gojira (1954) |
"It wasn't until I revisited the first film in the series, which premiered in Japan on Nov. 3, 1954, that I realized how powerful a political statement it makes." |
Lawrence Toppman |
Splat |
The Golden Bowl (2001) |
"Director James Ivory and writer Ruth Prawer Jhabvala, partners for four decades with producer Ismail Merchant, don't bring much fresh air into this claustrophobic story." |
Lawrence Toppman |
Tomato 3/4 |
The Golden Boys (2009) |
"You don't have to be a geezer to grin at these goings-on." |
Lawrence Toppman |
Splat 1.5/4 |
The Golden Compass (2007) |
"Weitz took a wonderful story about the danger of severing a soul from its otherwise empty body and did that very thing to his source." |
Lawrence Toppman |
Tomato 3/4 |
Golden Door (2007) |
"[Director] Crialese establishes moods beautifully, whether in surreal visions (such as Salvatore swimming in the river of milk flowing in California) or in hardscrabble realities." |
Lawrence Toppman |
Tomato 3.5/4 |
Gone Baby Gone (2007) |
"Ben Affleck, whose taste in projects as an actor has been questionable at best, has directed his first film with a sensibility and intelligence that never let him down. Gone Baby Gone would be an accomplishment with anyone at the helm." |
Lawrence Toppman |
Splat |
Gone in 60 Seconds (2000) |
"The title refers not only to car thefts but to your hearing." |
Lawrence Toppman |
Splat 2.5/4 |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"I was curious to see why we needed a two-hour documentary about the three-hit wonder who cast away his career halfway through life and coasted on celebrity status for 30 years. After seeing Gonzo, I'm still not convinced we do." |
Lawrence Toppman |
Tomato 3.5/4 |
The Good Girl (2002) |
"Doesn't have the daring lunacy of Chuck and Buck... Yet it gets closer to the troubled, lonely soul of its main character." |
Lawrence Toppman |
Tomato 4/4 |
Good Night. And, Good Luck (2005) |
"Straightforward and stirring but not preachy." |
Lawrence Toppman |
Splat 2/4 |
The Good Shepherd (2006) |
"It turtles forward for 160 minutes with unrelenting, humorless solemnity, as if everyone involved were unaware that it has arrived three decades too late to matter." |
Lawrence Toppman |
Splat |
The Good Thief (2003) |
"It's as French as a half-smoked Gauloise and, like a half-smoked Gauloise, it stinks." |
Lawrence Toppman |
Splat 1.5/4 |
A Good Year (2006) |
"Ridley Scott and Russell Crowe attempt light romantic comedy in A Good Year, and the results are as grindingly discordant as a punk band writing a suite of waltzes." |
Lawrence Toppman |
Tomato |
Gosford Park (2001) |
"Qualifies as a solid double, maybe a triple." |
Lawrence Toppman |
Tomato |
The Gospel of John (2003) |
"A handsome, word-for-word interpretation of the fourth and perhaps most spiritual of the New Testament's gospels." |
Lawrence Toppman |
Splat 2/4 |
Gothika (2003) |
"Logic is tossed out the window, chased down the road and abused so roundly that it never comes back." |
Lawrence Toppman |
Splat 2/4 |
Gran Torino (2008) |
"Alas, the preposterous ending fritters away much of the goodwill the film has slowly gained." |
Lawrence Toppman |
Tomato 3/4 |
The Great Debaters (2007) |
"Washington and the young cast carry everything off with unwavering conviction." |
Lawrence Toppman |
Splat 2/4 |
The Great Raid (2005) |
"The dialogue falls back on cliches that were hoary when MacArthur left the Philippines." |
Lawrence Toppman |
Tomato |
The Green Mile (1999) |
"Frank Darabont is the world's greatest director of movies taken from Stephen King prison books." |
Lawrence Toppman |
Tomato 2.5/4 |
Grindhouse (2007) |
"Cool. Stupid. Juiced-up. Feeble. Stripped-down. Self-indulgent. Clever. Sophomoric." |
Lawrence Toppman |
Splat 2/4 |
The Grudge (2004) |
"Between our jumps of fright come lumps of time that take forever to pass." |
Lawrence Toppman |
Tomato 3/4 |
Guerrilla: The Taking of Patty Hearst (2004) |
"British director Robert Stone takes a dispassionate look at this circus, and his retelling of events makes the situation more complicated than I remembered." |
Lawrence Toppman |
Tomato 3/4 |
Guess Who (2005) |
"Director Kevin Rodney Sullivan and writers David Ronn, Jay Scherick and Peter Tolan seed the comedy with reminders that ebony and ivory won't be livin' in perfect harmony, especially if they let the outside world interfere with them." |
Lawrence Toppman |