Tomato |
Tadpole (2002) |
"The Sundance Film Festival has become so buzz-obsessed that fans and producers descend upon Utah each January to ferret out The Next Great Thing. 'Tadpole' was one of the films so declared this year, but it's really more of The Next Pretty Good Thing." |
Lawrence Toppman |
Splat 2.5/4 |
Take the Lead (2006) |
"Good-hearted, energetic but preposterous." |
Lawrence Toppman |
Splat 2/4 |
Taking Lives (2004) |
"A-list actors and stylish direction by D.J. Caruso conceal the story's weaknesses for a while ... By the pseudo-shocking end, we're half-entertained by the dedicated cast and half-lulled to sleep by the dull, overfamiliar sounds they make." |
Lawrence Toppman |
Tomato 3/4 |
Taking Woodstock (2009) |
"For a while, Woodstock represented a spirit of peaceful sharing that sometimes makes America great. That's what this native-born writer and immigrant director want us to remember." |
Lawrence Toppman |
Splat |
The Talented Mr. Ripley (1999) |
"Indifferently acted and insufficiently frightening." |
Lawrence Toppman |
Splat |
Talk to Her (2002) |
"This remains minor Almodóvar, despite a few funny jabs at his favorite targets: the church, the media, macho behavior." |
Lawrence Toppman |
Tomato 3.5/4 |
Talk to Me (2007) |
"The storytelling confirms the promise [director] Lemmons showed in the suspenseful Eve's Bayou, one of my favorite movies of the '90s." |
Lawrence Toppman |
Splat 2/4 |
Talladega Nights: The Ballad of Ricky Bobby (2006) |
"‘Mediocre’ is an apt description for any of Will Ferrell's sloppy, casually funny comedies, especially Talladega Nights: The Ballad of Ricky Bobby." |
Lawrence Toppman |
Tomato 3/4 |
Tarnation (2004) |
"The film is in the May program of the Charlotte Film Society, and even the CFS has offered few pictures this compellingly strange." |
Lawrence Toppman |
Tomato |
Tarzan (1999) |
"Mainstream American animation hasn't produced anything this memorable since Aladdin." |
Lawrence Toppman |
Tomato 3.5/4 |
Taxi to the Dark Side (2008) |
"'America -- when she is right, to be kept right. When she is wrong, to be put right.' If that's your idea of patriotism, take time out to see Taxi to the Dark Side." |
Lawrence Toppman |
Splat |
Teaching Mrs. Tingle (1999) |
"Williamson breaks a cardinal rule of good writing: Audiences will play by any rules you choose to establish, but you can't change them in the bottom of the ninth inning." |
Lawrence Toppman |
Splat 2.5/4 |
Team America: World Police (2004) |
"These filmmakers do know what's funny, but they don't know when it stops being funny." |
Lawrence Toppman |
Tomato 3/4 |
Tears of the Sun (2003) |
"Fuqua and his writers, Alex Lasker and Patrick Cirillo, have delivered not only the most satisfying and plausible action movie in months but one that's accidentally timely." |
Lawrence Toppman |
Tomato 3.5/4 |
Tell No One (2008) |
"Sews us tightly into a story that not only challenges the brain but engages the heart." |
Lawrence Toppman |
Splat 2/4 |
Tenacious D in: The Pick of Destiny (2006) |
"It might be too easy, based on all the bong jokes, to suggest the writers couldn't distinguish between 'funny' and 'lame' because they were high. But I'll suggest that, anyway." |
Lawrence Toppman |
Tomato 3.5/4 |
The Terminal (2004) |
"A funny, lovely story that seems true in nearly every particular." |
Lawrence Toppman |
Tomato |
Terminator 3: Rise of the Machines (2003) |
"Mind-blowing stunts, gap-filled plot, excellent Arnold, corny lines. Overall, worthy sequel to fine forebears." |
Lawrence Toppman |
Splat 1/4 |
The Texas Chainsaw Massacre (2003) |
"I don't know if Nispel and Scott Kosar, who make their feature film debuts here, are the worst director and writer in the world, though they might well represent the United States if anyone holds a competition." |
Lawrence Toppman |
Tomato 3.5/4 |
Thank You For Smoking (2006) |
"Fierce, fast and funny, a triumph for Jason Reitman as the director and writer who adapted Christopher Buckley's novel." |
Lawrence Toppman |
Splat 2/4 |
The Clone Wars (2008) |
"It's difficult to say whether the dialogue or the characters are more wooden." |
Lawrence Toppman |
Splat 2.5/4 |
The Day the Earth Stood Still (2008) |
"There was no way to re-make The Day The Earth Stood Still properly today." |
Lawrence Toppman |
Splat 2.5/4 |
The Polar Express (2004) |
"While the 29 pages of [Van Allsburg's] mini-classic would have made a superb half-hour TV special, Zemeckis and writer William Broyles Jr. have created a steroidal monster with a heart about one size too small." |
Lawrence Toppman |
Tomato 3/4 |
Then She Found Me (2008) |
"Both role and movie fit [Hunt] as comfortable as a favorite bathrobe, and she wins us over long before the final tiny twist of the ending." |
Lawrence Toppman |
Tomato 3/4 |
There Will Be Blood (2007) |
"Day-Lewis tends to overpower the cast, especially in a scenery-chewing finale you'll find fascinating or unwatchable. (I loved it.)" |
Lawrence Toppman |
Tomato |
The Thin Red Line (1998) |
"A visually enchanting, philosophically murky meditation on war." |
Lawrence Toppman |
Tomato 3/4 |
Things We Lost in the Fire (2007) |
"Yields more satisfaction than complaints." |
Lawrence Toppman |
Tomato 3.5/4 |
Thirteen (2003) |
"Wood, who did indeed look wooden in last year's Simone and Little Secrets, burns her way into your memory here." |
Lawrence Toppman |
Tomato |
Thirteen Days (2000) |
"A vision that will leave you stirred in these days of well-justified cynicism." |
Lawrence Toppman |
Splat |
Thomas Crown Affair, The (1999) |
"Glossy, uninvolving, full of irrelevant but handsome scenes in sailboats and gliders, requiring such suspension of disbelief that I expected Tinker Bell to fly past." |
Lawrence Toppman |
Tomato 3/4 |
Thr3e (2007) |
"It has a triple-twist ending, highly appropriate for a picture whose plot depends on permutations of the number three, and I'll bet at least two of those surprise you." |
Lawrence Toppman |
Splat 1.5/4 |
The Three Burials of Melquiades Estrada (2005) |
"Burials barely has one plot: Grizzled Texas cowhand Pete Perkins (Tommy Lee Jones) wants to give his pal proper internment in Mexico and make his killer pay." |
Lawrence Toppman |
Tomato |
Three Kings (1999) |
"Wahlberg shows he has depths directors have yet to exploit." |
Lawrence Toppman |
Splat |
Three to Tango (1999) |
"Full of gay jokes that were tired back in the day of In and Out." |
Lawrence Toppman |
Tomato 3.5/4 |
Tim Burton's Corpse Bride (2005) |
"Corpse Bride had me at the maggot." |
Lawrence Toppman |
Splat 2.5/4 |
Time Changer (2002) |
"A few nonbelievers may rethink their attitudes when they see the joy the characters take in this creed, but skeptics aren't likely to enter the theater." |
Lawrence Toppman |
Splat |
The Time Machine (2002) |
"They presume their audience won't sit still for a sociology lesson, however entertainingly presented, so they trot out the conventional science-fiction elements of bug-eyed monsters and futuristic women in skimpy clothes." |
Lawrence Toppman |
Splat 1.5/4 |
Timeline (2003) |
"A cartoonish, ludicrous and (unintentionally) hilarious piece of action fluff that wouldn't fool a 10-year-old." |
Lawrence Toppman |
Tomato |
Titan A.E. (2000) |
"If you can stand the insipid story, you might enjoy the bright, sometimes inventive visual effects." |
Lawrence Toppman |
Tomato 4/4 |
Touching the Void (2004) |
"Warms the heart while chilling the bones." |
Lawrence Toppman |
Tomato |
The Town is Quiet (2001) |
"Director Robert Guédiguian, who wrote the script with Jean-Louis Milesi and co-produced his film, delivers a story that's particularly French but also sadly universal." |
Lawrence Toppman |
Tomato |
Traffic (2000) |
"Traffic is about a war we'll never win, a war we may never admit we can't win. It has its share of blood and sweat. But after 2½ smoothly flowing hours, what you remember most are the tears." |
Lawrence Toppman |
Tomato |
Training Day (2001) |
"Denzel Washington delivers his best work as a rogue cop on the streets." |
Lawrence Toppman |
Tomato 3/4 |
Traitor (2008) |
"A thriller that's frequently implausible but almost always thoughtful." |
Lawrence Toppman |
Splat 2/4 |
Transamerica (2005) |
"A studio could have made the same movie if Huffman had been playing a mother rather than a father; writer-director Duncan Tucker has begun with a new idea and then made it as old-hat as possible." |
Lawrence Toppman |
Tomato 3/4 |
Transformers (2007) |
"I came away convinced I'd had the most sheer, loud fun of any blockbuster in a summer that has delivered too little of that quantity." |
Lawrence Toppman |
Splat 2/4 |
Transporter 2 (2005) |
"Plot: Who cares? I was watching Jason Statham do a Jackie Chan number on seven killers with a filled fire hose!" |
Lawrence Toppman |
Tomato |
Treasure Planet (2002) |
"Disney's updated, animated version respects its source material while aiming at kids who grew up with extreme sports and edgy music." |
Lawrence Toppman |
Tomato 3.5/4 |
Tropic Thunder (2008) |
"It mocks big-budget movies with lots of bullets and explosions while delivering a big-budget movie with lots of bullets and explosions." |
Lawrence Toppman |
Splat 2/4 |
Troy (2004) |
"What do you get if you start with the first great narrative of Western civilization, then remove all the psychological complexity and profound characterization?" |
Lawrence Toppman |