Tomato 3.5/4 |
W. (2008) |
"You'll be disappointed if you expect famed leftist Oliver Stone to apply a coup de grace to this man. Stone is more interested in examining the conditions that put Bush where he is now and made him the political animal he is." |
Lawrence Toppman |
Splat 1.5/4 |
The Wackness (2008) |
"It was applauded at Sundance, where coming-of-age movies are inevitably hailed, but its grungy angst offers nothing we need to see anew." |
Lawrence Toppman |
Splat 0/4 |
Waist Deep (2006) |
"The dialogue by Curtis-Hall and Darin Scott is a degrading string of profanities and inanities, interspersed with sadism and exploitation of women. Their opinion of their target audience should depress moviegoers of any color." |
Lawrence Toppman |
Splat 1.5/4 |
Walk Hard: The Dewey Cox Story (2007) |
"There's a laziness to the entire affair, as if the writers never went further than a first draft and never found anything unfunny enough to trim or remove." |
Lawrence Toppman |
Tomato 3/4 |
Walk on Water (2005) |
"The picture takes a satisfyingly long time revealing secrets." |
Lawrence Toppman |
Tomato 3/4 |
Walk the Line (2005) |
"It should be called Ring of Fire, because it tells of people united by destiny in spite of failed marriages, drug addiction and a decade of unconsummated desire." |
Lawrence Toppman |
Splat |
A Walk to Remember (2002) |
"So few movies explore religion that it's disappointing to see one reduce it to an idea that fits in a sampler." |
Lawrence Toppman |
Tomato 3.5/4 |
WALL-E (2008) |
"Never before have the world's most influential animators been as bold and forthright about their dark vision for humanity as in WALL-E, a potent environmental message wrapped up in an irresistibly cute romance between robots." |
Lawrence Toppman |
Tomato 3/4 |
Wanted (2008) |
"Bloodlust aside, the director has remarkable visual ideas and a fine sense of pacing. He blends slow, fast and normal speeds cleverly, making old tricks look new, and does amazing things with cars." |
Lawrence Toppman |
Tomato 3/4 |
Watchmen (2009) |
"Zack Snyder's sprawling film stays faithful to Moore's tale, cleverly trimming and reshaping it to retain essentials." |
Lawrence Toppman |
Tomato 3/4 |
Water (2006) |
"In an elemental way ... the film always works." |
Lawrence Toppman |
Tomato |
The Way We Laughed (2001) |
"Amelio ... understands the loneliness, suspicion and uncertainty that plague immigrants in a land where they can't get familiar work or speak a familiar tongue." |
Lawrence Toppman |
Tomato 3.5/4 |
We Are Marshall (2006) |
"This sense of triumph, more palpable because it's true, should touch even the crustiest of cynics." |
Lawrence Toppman |
Splat 2/4 |
We Own The Night (2007) |
"The whole thing is so generic, so been-there-before, that I spent most of it asking myself nitpicking questions." |
Lawrence Toppman |
Splat 2.5/4 |
We Were Soldiers (2002) |
"Writer-director Randall Wallace has bitten off more than he or anyone else could chew, and his movie veers like a drunken driver through heavy traffic." |
Lawrence Toppman |
Tomato 3/4 |
The Weather Man (2005) |
"They make us care about his anxieties and make us smile with the recognition that marriage or fatherhood really could turn out this way." |
Lawrence Toppman |
Splat 2.5/4 |
Wedding Crashers (2005) |
"Two hours isn't always too long for a comedy, but it's certainly too long for this comedy." |
Lawrence Toppman |
Splat 1/4 |
The Wedding Date (2005) |
"The film's generic nature extends to everything about it: the unengaging cinematography, haphazard editing, emptily jaunty score, even use of locations." |
Lawrence Toppman |
Splat |
The Wedding Planner (2001) |
"The screenplay has insurmountable problems." |
Lawrence Toppman |
Splat 1.5/4 |
Welcome Home Roscoe Jenkins (2008) |
"It's a cynical attempt to plunder your wallet with broad buffoonery you can see for free on TV." |
Lawrence Toppman |
Splat 2/4 |
Welcome to Mooseport (2004) |
"The outcome of the election is never in doubt in this fluff, and neither is the dramatic face-off." |
Lawrence Toppman |
Tomato |
Whale Rider (2003) |
"You're virtually certain from the start where it'll go. But like a beloved, familiar fairytale, you're happy to take the journey again." |
Lawrence Toppman |
Tomato |
What Lies Beneath (2000) |
"A picture sufficiently shallow that you'll discover everything that lies beneath it well before the end." |
Lawrence Toppman |
Splat |
What Women Want (2000) |
"The script is stereotypical, the direction uninventive, the performances mostly conventional and the musical backdrop unimaginative." |
Lawrence Toppman |
Splat 2.5/4 |
What Would Jesus Buy? (2007) |
"These bits of information could have been shocking in about 1940, 1980 and 1990. But by now, Americans who don't know couldn't care less." |
Lawrence Toppman |
Splat |
Where the Money Is (2000) |
"Even the blue-eyed old pro, one of the last actors of his generation still getting leading roles - and the only one with romantic allure at 75 -- can't charm us into buying the whole package." |
Lawrence Toppman |
Splat 2/4 |
Where the Wild Things Are (2009) |
"It's a blurry vision that comes into focus only intermittently." |
Lawrence Toppman |
Splat 2/4 |
White Countess (2005) |
"Though [Merchant-Ivory] hadn't made a first-rate film since The Remains of the Day in 1993, there was always a chance they'd hit one last pitch out of the park. The White Countess, their final pairing, is just a bloop single." |
Lawrence Toppman |
Splat 1.5/4 |
White Noise (2005) |
"Begins intriguingly and lapses into self-contradictory nonsense." |
Lawrence Toppman |
Splat 2/4 |
White Oleander (2002) |
"That all these things should happen in any novel shorter than War and Peace strains credulity. That they happen in 115 rushed, stereotypical minutes of Oleander destroys credulity utterly." |
Lawrence Toppman |
Splat |
The Whole Nine Yards (2000) |
"Perry makes the slapstick humor work with a limber body and good timing, but he can't do much with the stale jokes." |
Lawrence Toppman |
Tomato |
Why Do Fools Fall In Love (1998) |
"Once heard, the song can never be forgotten!" |
Lawrence Toppman |
Splat 1/4 |
Wicker Park (2004) |
"Depends on coincidences so remote and behavior so improbable that they couldn't take place once in a millennium." |
Lawrence Toppman |
Splat 1/4 |
The Wild (2006) |
"I've never seen a less interesting animated film from that studio in 45 years, stretching all the way back to my first viewing of Dumbo in 1961." |
Lawrence Toppman |
Splat |
The Wild Thornberrys Movie (2002) |
"Jeff McGrath and Cathy Malkasian direct by staging one action sequence after another: Trains and rhinos and helicopters and SUVs and elephants become indistinguishable, and the few moments of peace are welcome oases in this skein of chases." |
Lawrence Toppman |
Splat 2.5/4 |
Wild West Comedy Show: 30 Days & 30 Nights - Hollywood to the Heartland (2008) |
"This loosely enjoyable documentary doesn't offer deep insights into the minds of comedians." |
Lawrence Toppman |
Tomato 2.5/4 |
Willard (2003) |
"If you need to find an actor who'll kiss a rat, comb its fur, weepingly take it to bed as a comforting pal or introduce it to the corpse of his mother, you can't do better than Crispin Glover." |
Lawrence Toppman |
Splat |
Windtalkers (2002) |
"A man leaving the screening said the film was better than Saving Private Ryan. He may have meant the Internet short Saving Ryan's Privates. But Windtalkers doesn't beat that one, either." |
Lawrence Toppman |
Tomato |
Winged Migration (2003) |
"A plotless, gorgeous, barely narrated documentary about birds around the planet, and it gives you perspectives you've never experienced before." |
Lawrence Toppman |
Tomato 2.5/4 |
Winter Passing (2006) |
"Performances keep the film afloat and focused whenever it threatens to drift." |
Lawrence Toppman |
Tomato 3.5/4 |
Winter Solstice (2005) |
"A small diamond among so much emotional zirconia." |
Lawrence Toppman |
Tomato 3/4 |
Woman, Thou Art Loosed (2004) |
"If a black, gospel-themed work can catch on with mass audiences, this will be it." |
Lawrence Toppman |
Tomato |
Wonder Boys (2000) |
"Wonder Boys will appeal to people who enjoy a picture with a dark sense of humor." |
Lawrence Toppman |
Splat |
Wonderland (2003) |
"It's theoretically possible to make a fascinating film about a thieving, self-indulgent, freebasing, treacherous scumbag who pimps his girlfriend to a gangster and contributes nothing to society. Wonderland isn't that film." |
Lawrence Toppman |
Tomato |
The World Is Not Enough (1999) |
"Terrific special effects!" |
Lawrence Toppman |
Tomato 3.5/4 |
World Trade Center (2006) |
"Stone and Berloff give us time to meditate on this disaster, finding optimism in its aftermath. No filmmakers will put together the whole puzzle surrounding that dreadful day, but they've handed us a crucial piece." |
Lawrence Toppman |
Tomato 2.5/4 |
The World's Fastest Indian (2005) |
"The World's Fastest Indian brings a simplified, implausible and often untrue version of a story worth hearing, but I recommend it to anyone who needs proof that people past 60 have dreams, skills and/or sex lives." |
Lawrence Toppman |
Tomato 3.5/4 |
The Wrestler (2008) |
"Emotions ooze slowly out of [Rourke's] creased and battered face in Darren Aronofsky's latest heart-wrenching, hard-to-market drama." |
Lawrence Toppman |