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Critics / Publications / Citysearch

Other Info

Authors
    • Allison Austin
    • Chris Barsanti
    • Kerry Bashford
    • Jeff Berson
    • Mark Bieschke
    • Christine Blosdale
    • Steven Boone
    • Ross Brooks
    • Jordana Brown
    • Andrea Burtness
    • Susan Chenelle
    • Darren D'Addario
    • Matt Diehl
    • Amy Douthett
    • Erika Dykstra
    • Bilge Ebiri
    • Mike Emery
    • Jason Esplin
    • Andrew Essex
    • Ellen Fagg
    • Brian Farnham
    • J. C. Farrow
    • Dan Fazio
    • Brian Frank
    • Eyal Goldshmid
    • Steven Grimm
    • Jim Harrington
    • Justin Hartung
    • Lucas Hilderbrand
    • Liz Hottel
    • Steven Jenkins
    • Arne Johnson
    • Maura Johnston
    • Anthony Kaufman
    • Jason Kaufman
    • Dave Kehr
    • Amber Keinan
    • Brett Kelly
    • Lawrence Levi
    • Stuart Levine
    • Ephraim Mallery
    • Rose Martelli
    • Lloyd Miller
    • Erika Milvy
    • Amanda Morrison
    • Michele McCole Moss
    • Sean O'Connell
    • Brian Obermiller
    • Vijay Panjeti
    • Bill Pearis
    • Michael Phillips
    • Laura Phipps
    • Nick Poppy
    • Jackie Potts
    • Sandra Ramani
    • Bryan Reesman
    • Laura Reiley
    • Leah Beth Reisman
    • Chris Scantleberry
    • Erich Scholz
    • Deborah Sroge
    • Jonathan Taylor
    • J.J. Tierney
    • Marc Weidenbaum
    • Ben Williams
    • Philip Wuntch

Citysearch

  
a b c d ( e ) f g h i j k l m n o p q r s t u v w x y z Other   (1-32) of 32 1103 Total
  
Source Table
Rating Title Year Quote Author

Splat
6/10

Eight Legged Freaks (2002)

"The special effects are top-notch, and the scene in which motocross racers are attacked inspires a certain glee, but after the first five or so hicks get devoured, it gets a little old."

Bill Pearis

Tomato

Election (1999)

"Election is a darkly funny, often twisted, and thoroughly enjoyable film."

Sandra Ramani

Splat
4/10

Elephant (2003)

"Ultimately pointless, this lethargic picture seems to be trying to make a statement but succumbs to its own artiness -- including a cast made up mostly of non-actors."

Erich Scholz

Tomato
7/10

Elf (2003)

"Not aspiring to be much more than a simple fish-out-of-water comedy, Elf is sweet and a little hokey -- and has the makings of a holiday classic."

Erich Scholz

Tomato
7/10

Elling (2002)

"Fortunately, Elling never gets too cloying thanks to the actors' perfect comic timing and sweet, genuine chemistry."

Justin Hartung

Splat
5/10

Emerald Cowboy (2003)

"The location camerawork and story are outstanding, but amateurish acting and editing keep this dreamy mess from feeling like a proper movie."

Erich Scholz

Splat
5/10

The Emperor's Club (2002)

"The ill-conceived modern-day ending falls flat where it should deliver a moral punch."

Jordana Brown

Tomato
8/10

The Emperor's New Clothes (2002)

"Ian Holm can pretty much improve any film he's in. Here his enormous acting skills are used to great comedic effect."

Michael Phillips

Splat

The Emperor's New Groove (2000)

"Tries to entertain adults, but may prove confusing to kids."

Laura Reiley

Tomato
7/10

Empire (2002)

"Leguizamo is perfect as the streetwise yet naïve Rosas, and Peter Sarsgaard and Denise Richards are convincing as morally bankrupt Manhattan socialites."

Brian Obermiller

Splat

End of Days (1999)

"End of Days is definitely in the top two or three worst studio films of the year."

Steven Boone

Tomato

The End of the Affair (1999)

"Fiennes' and Moore's performances are strong enough to carry this film through even the slightly preposterous turn that puts the movie on the path to that conclusion."

Steven Boone

Splat

The Endurance: Shackleton's Legendary Antarctic Expedition (2001)

"Butler reaches too hard for profundity and misses the old-fashioned adventure yarn at his story's core."

Arne Johnson

Splat

Enemy at the Gates (2001)

"A tiresome, unconvincing collection of war-movie clichés."

Dave Kehr

Tomato
4/4

Enigma (2002)

"The big-screen equivalent of a page-turner."

Ross Brooks

Tomato
7/10

Enough (2002)

"A surprisingly effective thriller, outdistancing similar hooey like Sleeping with the Enemy and Double Jeopardy by miles."

Bill Pearis

Splat

Entrapment (1999)

"Confusing, convoluted!"

Bill Pearis

Splat
4/10

Equilibrium (2002)

"Combining elements of 1984, Fahrenheit 451 and The Matrix, this ridiculous sci-fi mish-mash sounds appealing, but is nothing more than a poorly designed knockoff."

Erich Scholz

Tomato

Erin Brockovich (2000)

"The unshakable authenticity [Soderbergh] brings to the background goes a long way toward grounding the script's more egregiously crowd-pleasing moments."

Dave Kehr

Tomato

Eureka (2001)

"While director Shinji Aoyama's style is understated, meditative and deliberate, he manages to grab the viewer from the very beginning, and rarely lets go."

Bilge Ebiri

Tomato
6/10

The Event (2003)

"A touching tribute to a community celebrating life in the face of tragedy and death."

Erich Scholz

Splat

An Everlasting Piece (2000)

"Some of the banter between the two leads is lightly entertaining, though none of the humor is sharp enough to relate to the tragic setting in any meaningful way."

Dave Kehr

Splat

Everybody's Famous (2001)

"An odd combination of sentimentality and cynicism."

Dave Kehr

Splat

Everything Put Together (2001)

"None of the actors are given a chance to break through the slow-moving, manipulative script."

Michael Phillips

Tomato
8/10

The Evil Dead (1979)

"Think "The Blair Witch Project," but with the witch holding the camera."

Dan Fazio

Tomato

Evolution (2001)

"A pleasant comedy-adventure."

Dave Kehr

Tomato

Exit Wounds (2001)

"Seagal's resurrection might not last longer than this film, but Wounds manages to be a superior successor to the testosterone flicks of the 1980s."

Sean O'Connell

Splat

The Exorcist: The Version You've Never Seen (2000)

"Remains what it has always been: creepy, sadistic, well-acted nonsense."

Lawrence Levi

Splat
4/10

Extreme Ops (2002)

"Extremely silly is more like it."

Bill Pearis

Tomato
8/10

The Eye (2003)

"Just how scary is it? Even the film's daytime confrontations are enough to cause a severe jolt, but one nocturnal sequence involving a moaning old woman could leave viewers shuddering for days."

Bryan Reesman

Tomato

Eyes Wide Shut (1999)

"Brilliantly illuminates his strengths as a filmmaker while also spotlighting his shortcomings."

Philip Wuntch

Tomato

Eyes Wide Shut (1999)

"It's Kubrick telling a tediously elaborate joke at a party, using his eccentric genius and charisma to keep you captivated against all odds."

Steven Boone

  
a b c d ( e ) f g h i j k l m n o p q r s t u v w x y z Other   (1-32) of 32 1103 Total
  
 
 
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