Tomato 7/10 |
Gangs of New York (2002) |
"Not surprisingly, director Martin Scorsese delivers an ambitious spectacle with jaw-dropping sets and bone-crunching battles." |
Justin Hartung |
Tomato 6/10 |
Gangster No. 1 (2002) |
"A stylish, confused and insanely violent gangster drama from a first-time Brit director." |
Dan Fazio |
Tomato |
The General's Daughter (1999) |
"After Con Air's seizure-inducing parade of quick cuts and explosions, West settles back into a decaffeinated style that untangles this web at a gradual, engrossing pace." |
Jason Kaufman |
Splat |
The General's Daughter (1999) |
"Choppy, disjointed, and overlong!" |
Sandra Ramani |
Splat 4/10 |
Get Carter (2000) |
"Get Carter is a movie conceived around a handful of cool scenes." |
Dan Fazio |
Splat |
Get Over It (2001) |
"The gimmicks knock the already-thin narrative structure slightly off track and the whole thing loses steam halfway through." |
Sean O'Connell |
Splat 2/10 |
Ghost Dog: The Way of the Samurai (1999) |
"Jim Jarmusch has come up with an unusual and unique product. Unfortunately, the film's erratic tone severely detracts from its few positive qualities." |
Dan Fazio |
Tomato 3/5 |
Ghost in the Shell (1995) |
No article available. |
Dan Fazio |
Splat 4/10 |
Ghost Ship (2002) |
"It could have been a fun Twilight Zone-type thriller, but instead of genuine scares, it settles for spooky sets, good special effects and cardboard characters that are predictably killed off one by one." |
Bill Pearis |
Splat 2/10 |
Ghost World (2001) |
"Its comedy is deadened by too-few jokes amid a numbing pace." |
Dan Fazio |
Tomato 5/5 |
Ghostbusters (1984) |
No article available. |
Dan Fazio |
Tomato 9/10 |
Ghosts of the Abyss (2003) |
"Generally, documentaries aren't known for dramatic moments, yet the tension is palpable as an anxious Bill Paxton sinks two and a half miles to the bottom of the sea." |
Ross Brooks |
Tomato |
The Gift (2001) |
"A well-told murder mystery." |
Sean O'Connell |
Splat 4/10 |
Gigli (2003) |
"J.Lo's infamous 'turkey time' line is pretty awful." |
Dan Fazio |
Splat |
Girl, Interrupted (1999) |
"The heavy-handedness becomes impossible to bear." |
Andrew Essex |
Tomato |
Girlfight (2000) |
"A hard-to-resist crowd pleaser." |
Dave Kehr |
Tomato 7/10 |
Girlhood (2003) |
"It's one thing to watch the stylized Hollywood versions of troubled teens in films like Bully and Thirteen; it's another to witness the gritty reality." |
Michael Phillips |
Splat |
Gladiator (2000) |
"For all the added scale and detail ... Ridley Scott's movie lacks human warmth and spontaneity. Instead, Gladiator feels impersonal and overly programmed." |
Dave Kehr |
Splat 3/10 |
The Glass House (2001) |
"Though Sobiesky earnestly conveys a shy but savvy teen dealing with her shattered life, this dramatic thriller quickly topples into bad camp." |
Dan Fazio |
Splat |
Glitter (2001) |
"Succeeds only in being the most unintentionally funny film since Battlefield Earth." |
Bill Pearis |
Tomato |
Go (1999) |
"A breathtaking magic!" |
Darren D'Addario |
Tomato |
Go (1999) |
"Possibly the most sheer fun you'll have at a movie all year, but be warned: Go's narcotic rush proves addictive." |
Matt Diehl |
Tomato 8/10 |
Go Tigers! (2001) |
"Carlson doesn't let his camera flinch, and his film is more captivating and authentic for it." |
Dan Fazio |
Splat |
God, Sex & Apple Pie (2001) |
"Treads too-familiar ground, especially for anyone who has seen Return of the Secaucus 7, The Big Chill or this year's The Anniversary Party." |
Bill Pearis |
Tomato |
Godzilla 2000 (2000) |
"Though campily dubbed by American actors, the film is entertaining in a sweet, naive way." |
Dave Kehr |
Splat |
The Golden Bowl (2001) |
"A distracted, emotionless affair." |
Bilge Ebiri |
Splat |
Gone in 60 Seconds (2000) |
"Too much pointless violence, too many interchangeable characters, too much cutting in the action scenes, too much earsplitting Dolby stereo, and too many stunts punched up by computer graphics." |
Dave Kehr |
Splat 6/10 |
Good Boy! (2003) |
"This flick's poo jokes are of a superior breed than you'd find in a Rob Schneider comedy." |
Bill Pearis |
Tomato 8/10 |
The Good Girl (2002) |
"Chuck and Buck, director Miguel Arteta and writer Mike White have crafted an insightful portrait of inertia, and offer a complex look at the fine line between victim and victimizer." |
Justin Hartung |
Tomato 9/10 |
The Good Thief (2003) |
"Reworking the 1955 French film Bob le Flambeur, director Neil Jordan has crafted a classic of his own." |
Bill Pearis |
Splat |
Gossip (2000) |
"A cast of impossibly attractive actors, extravagant, fantasyland art direction and an insanely contrived plot." |
Dave Kehr |
Splat 1.5/4 |
Gothika (2003) |
"Dwells in its own abysmal dreariness without creating real suspense, relying instead on a stream of easy shocks to convince us that we're watching a scary movie." |
Erich Scholz |
Tomato |
The Green Mile (1999) |
"Unfolds slowly, but Darabont shows a deft sense of pacing." |
Chris Scantleberry |
Splat |
Greenfingers (2001) |
"There's not much to the movie, but what is there is painfully familiar." |
Dave Kehr |
Tomato 9/10 |
The Grey Zone (2002) |
"Painful, horrifying and oppressively tragic, this film should not be missed." |
Michael Phillips |
Splat 4/10 |
Grind (2003) |
"Many of the characters aren't even likable throughout the first half of the movie, and while they evolve positively over time, it is barely enough to win anyone over." |
Bryan Reesman |
Splat |
Gun Shy (2000) |
"Movies this badly botched are seldom released in theaters." |
Dave Kehr |
Tomato 7/10 |
The Guru (2003) |
"Fluffy yet entertaining." |
Ross Brooks |
Splat 4/10 |
A Guy Thing (2003) |
"In the end, this hit-or-miss comedy will stick with you about as long as a rented tux." |
Dan Fazio |
Tomato 8/10 |
The Guys (2002) |
"Though not for everyone, The Guys is a somber trip worth taking." |
Ross Brooks |
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