Splat 1/4 |
I Am Sam (2002) |
"Aims for feel-good uplift, but ends up cloying, contrived and condescending." |
Jonathan Taylor |
Tomato 7/10 |
I Am Trying to Break Your Heart (2002) |
"Offers a nice blend of humor, drama and insight." |
Bryan Reesman |
Splat 5/10 |
I Capture the Castle (2003) |
"This coming-of-age drama, based on the Dodie Smith novel, has the feel of a proper BBC production, but it lacks the energy to compel on the big screen." |
Erich Scholz |
Tomato |
I Remember Me (2001) |
"Well edited, with an informative narration, the film is an important step toward understanding this bizarre disease." |
Michael Phillips |
Splat 5/10 |
I Spy (2002) |
"A thinly veiled excuse for Wilson to play his self-deprecating act against Murphy's well-honed prima donna shtick." |
Dan Fazio |
Splat |
I'll Be Home For Christmas (1998) |
"Jonathan Taylor Thomas is completely out of his element as the smooth-talking operator." |
Steven Boone |
Tomato 10/10 |
I'm Going Home (2002) |
"A miraculous movie, I'm Going Home is so slight, yet overflows with wisdom and emotion." |
Dave Kehr |
Tomato 3/4 |
Ice Age (2002) |
"Although some early characters, like Kristen Johnson's female sloth, were iced, there's still plenty to like." |
Jackie Potts |
Splat 5/10 |
Identity (2003) |
"Like a creaky roller coaster, you feel it could fall apart at any time." |
Erich Scholz |
Splat |
Idle Hands (1999) |
"It gets pretty tiresome pretty fast!" |
J.J. Tierney |
Tomato 8/10 |
Igby Goes Down (2002) |
"Culkin, who's in virtually every scene, shines as a young man who uses sarcastic lies like a shield." |
Ross Brooks |
Tomato 7/10 |
Importance of Being Earnest (2002) |
"Witherspoon puts to rest her valley-girl image, but it's Dench who really steals the show." |
Justin Hartung |
Splat 2/4 |
Impostor (2001) |
"Despite fine performances and some fun moments, Impostor too frequently relies on contrived plot points to reach its revelatory climax." |
Bryan Reesman |
Splat |
The In Crowd (2000) |
"Crowd tries to be suspenseful, but fails to make sense." |
Sean O'Connell |
Splat |
In Dreams (1998) |
"The best Jordan can muster after some early, genuine thrills is a few spooky underwater scenes and some close-ups of graphic violence." |
Darren D'Addario |
Splat |
In the Bedroom (2001) |
"Takes a number of courageous risks but finally falls victim to emotional monotony." |
Dave Kehr |
Splat 4/10 |
In the Cut (2003) |
"There's a good character study here somewhere, but Campion should have slashed the serial-killer plot right out of the picture." |
Bill Pearis |
Tomato |
In the Mood for Love (2001) |
"Shot by shot, it's a stunningly beautiful work, with a range of electric colors provided by the great cinematographer Christopher Doyle." |
Dave Kehr |
Tomato 8/10 |
In This World (2003) |
"Winterbottom ... proves he's one of the most talented, dexterous filmmakers around with this powerful drama." |
Erich Scholz |
Splat |
In Too Deep (1999) |
"In Too Deep never goes quite deep enough." |
Jason Kaufman |
Splat |
In Too Deep (1999) |
"While the film has some interesting shifts in pace, mood and structure, it has nothing new or interesting to say." |
Steven Boone |
Splat 5/10 |
The In-Laws (2003) |
"Moments of madcap hilarity are strung together poorly, making the flick feel like a series of skits rather than a movie." |
Dan Fazio |
Tomato |
The Independent (2001) |
"If you've spent a lot of time watching late-night cable, you'll laugh a lot." |
Bill Pearis |
Tomato |
Innocence (2001) |
"Tingwell and Blake deliver astonishingly lived-in performances." |
Justin Hartung |
Tomato |
The Insider (1999) |
"Every actor -- supporting or major -- is at his best." |
Sandra Ramani |
Tomato 8/10 |
Insomnia (2002) |
"Pacino hasn't been this good in ages, dropping his usual mannerisms to dig deep into his multi-layered character, and Williams makes a chillingly serene psycho." |
Justin Hartung |
Tomato |
Inspector Gadget (1999) |
"Finally, here’s a TV-to-multiplex spinoff that not only matches but perhaps improves upon the original!" |
Bill Pearis |
Splat |
Inspector Gadget (1999) |
"Tiresome!" |
Darren D'Addario |
Tomato |
Instinct (1999) |
"Hopkins is quite good as Powell." |
Darren D'Addario |
Splat |
Instinct (1999) |
"Most of the drama here is in terribly poor taste, with grown men smashing their heads against walls and wetting themselves." |
Jason Kaufman |
Tomato 7/10 |
Interview with the Assassin (2002) |
"As ex-Marine Walter, who may or may not have shot Kennedy, actor Raymond J. Barry is perfectly creepy and believable." |
Michael Phillips |
Tomato |
Intimacy (2001) |
"Chereau's unhinged, probing camerawork, combined with the intensity of Kerry Fox and Mark Rylance's performances, makes for a near-hypnotic experience." |
Bilge Ebiri |
Tomato 9/10 |
Intolerable Cruelty (2003) |
"The Coens have taken their trademark wit, style and rapid-fire dialogue and refined it into a lean mean laugh machine." |
Bill Pearis |
Splat |
The Invisible Circus (2001) |
"Alluring, but ultimately insubstantial." |
Chris Barsanti |
Splat |
Iris (2001) |
"The sketchy story is frustratingly short on details about what made Murdoch so important." |
Jonathan Taylor |
Tomato |
The Iron Giant (1999) |
"The best non-Disney animated film in decades!" |
Bill Pearis |
Tomato |
The Iron Giant (1999) |
"A very offbeat and entertaining family film!" |
Darren D'Addario |
Splat |
The Iron Ladies (2001) |
"Hammers home every cartoonish cliché of recent drag comedies." |
Justin Hartung |
Tomato |
Iron Monkey (1993) |
"With its slapstick tone and cartoonish action, Iron Monkey is probably appropriate for all but the youngest martial artists." |
Bill Pearis |
Tomato 8/10 |
Irreversible (2003) |
"For those who can stomach it, the film is a marvelous -- though brutal -- work of art." |
Michael Phillips |
Splat |
Isn't She Great (2000) |
"Bergman, whose comic timing can be brilliant, is way off his game this time." |
Dave Kehr |
Splat 4/10 |
It Runs in the Family (2003) |
"Overloaded with meandering subplots, greeting-card sentiment and trite filial hangups, It Runs in the Family is as dull and embarrassing as watching someone else's home movies." |
Bill Pearis |
Tomato |
Italian for Beginners (2002) |
"The characters exude a warmth that's infectious." |
Ross Brooks |
Tomato 8/10 |
The Italian Job (2003) |
"Get in the car: This movie is worth the drive." |
Dan Fazio |
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