Splat 1.5/4 |
The Pacifier (2005) |
"The Pacifier is one of those movies that jams together two ideas that in the end don't work." |
Lisa Kennedy |
Splat 2.5/4 |
The Painted Veil (2006) |
"The filmmakers are mindful of the challenges inherent in filming Maugham's novel. But The Painted Veil never fully finesses the novel's 1920s attitudes toward its ethnic others." |
Lisa Kennedy |
Tomato 3/4 |
Palindromes (2005) |
"An intellectually satisfying puzzle." |
Lisa Kennedy |
Tomato 4/4 |
Pan's Labyrinth (2006) |
"Ofelia, you break our hearts. But you also restore our confidence in human decency." |
Lisa Kennedy |
Splat 2/4 |
Panic Room (2002) |
"Director David Fincher and writer David Koepp can't sustain it." |
Steven Rosen |
Tomato 2.5/4 |
Paper Dolls (2006) |
"The transsexuals muddle through, finding their way on the planet in a manner that can only provoke awe, no matter how silly their lifestyle will look to some." |
Michael Booth |
Tomato |
Papillon (1973) |
"A rousing drama of endurance, opportunism and friendship under fire." |
Michael Booth |
Tomato 3/4 |
Paradise Now (2005) |
"[A] sensitive, occasionally didactic film." |
Lisa Kennedy |
Splat 2/4 |
Party Monster (2003) |
"In the end, for all the vibrancy, there's not much there there. Maybe that's the point, but I doubt it." |
Lisa Kennedy |
Tomato 3/4 |
The Passion of the Christ (2004) |
"A film of artistic ambition and devotion." |
Lisa Kennedy |
Splat |
Patch Adams (1998) |
"It suffers from excessive heart- warming itis!" |
Steven Rosen |
Splat 1.5/4 |
Pathfinder (2007) |
"Here's hoping Pathfinder II is a straight-to-video- game release." |
Michael Booth |
Splat |
The Patriot (2000) |
"It's not being unpatriotic to wish for a better, more original movie." |
Steven Rosen |
Tomato 2.5/4 |
Paul Blart: Mall Cop (2009) |
"Surprisingly winning." |
Lisa Kennedy |
Splat |
Pay It Forward (2000) |
"Toploaded with manipulative schmaltz, star-turn moments, intentionally unflattering makeup, unbelievable plot twists and just plain twaddle." |
Steven Rosen |
Splat 2/4 |
Paycheck (2003) |
"Ben Affleck is a handsome fellow. No argument there. What he isn't is a particularly compelling leading man." |
Lisa Kennedy |
Splat |
Pearl Harbor (2001) |
"Wins at war but loses at love." |
Steven Rosen |
Tomato 3/4 |
The Perfect Man (2005) |
"Duff has found a formula that works, on TV or on screen, as a loving, loyal and slightly confused high schooler." |
Michael Booth |
Tomato 3/4 |
The Perfect Score (2004) |
"Scribes Marc Hyman, Mark Schwahn and Jon Zack have crafted a snappy romp about right, wrong, and the teasing in-between." |
Lisa Kennedy |
Splat |
The Perfect Storm (2000) |
"It's not perfect -- nor even predominately successful -- with storytelling and character development." |
Steven Rosen |
Splat 1.5/4 |
Perfect Stranger (2007) |
"Perfect Stranger, the new thriller starring Halle Berry and Bruce Willis, is far from perfect and, lame as it is, not quite lousy enough to pan with joy." |
Lisa Kennedy |
Tomato 3/4 |
Perfume: The Story of a Murderer (2006) |
"So rich is the book's language about our scented world, it was difficult to imagine a movie capturing the texture of its remarkable and elusive character. Yet, Tykwer and his crew make pungent work of Grenouille's world." |
Lisa Kennedy |
Tomato 3/4 |
Persepolis (2007) |
"Few movies capture so well the fluid, fulsome response of children to their (and our) complex worlds." |
Lisa Kennedy |
Tomato 3.5/4 |
Personal Velocity (2002) |
"These are complex characters." |
Steven Rosen |
Tomato 3/4 |
Peter Pan (2003) |
"Action-fortified, touching and entertaining from its beguiling beginning to its dreamy conclusion." |
Lisa Kennedy |
Tomato 3/4 |
Pieces of April (2003) |
"Too rare pleasure: an honest and sentimental journey." |
Lisa Kennedy |
Tomato 3/4 |
Pineapple Express (2008) |
"While this R-rated comedy is oh so lite, it also builds to some endearingly goofball conclusions about friendship and maybe, just maybe, responsibility. Though there's a hazy quality to the latter." |
Lisa Kennedy |
Tomato 2.5/4 |
Pink Panther (2006) |
"It's not quite on the high comedic plane of 'Do you have a license for that moon-key?' But AM-bourg-airs will do. Just ask the kids." |
Michael Booth |
Splat 2/4 |
Pirates of the Caribbean: At World's End (2007) |
"The overloaded sequel exhausts without ever satisfying. Cluttered and clattering, busy with jokes that never bob to the surface of funny, it puts the 'oy!' in ships ahoy." |
Lisa Kennedy |
Tomato 2.5/4 |
Pirates of the Caribbean: Dead Man's Chest (2006) |
"The second Pirates of the Caribbean movie is a sweet umbrella drink leaving no hangover, two hours and 20 minutes of escapism that once again makes the movies safe for guilt-free fun." |
Michael Booth |
Tomato 3/4 |
Pirates of the Caribbean: The Curse of the Black Pearl (2003) |
"Pirates of the Caribbean may have taken its nutso inspiration from a theme-park ride. But it has become, without a doubt, its own wild ride." |
Lisa Kennedy |
Tomato 3.5/4 |
Planet B-Boy (2008) |
"An exuberant study of the ways competition and collaboration can team up when it comes to the creativity of these guys." |
Lisa Kennedy |
Splat |
Planet of the Apes (2001) |
"As is all too familiar with modern adventure movies, it gets trapped in formula - big action scenes that offer few surprises, a predictable story arc, dialogue peppered with cliched bon mots and obligatory big ideas that are spoken rather than dramatized." |
Steven Rosen |
Splat |
Play it to the Bone (1999) |
"Remember Raging Bull? This is just bull." |
Steven Rosen |
Tomato |
Pleasantville (1998) |
"A showcase for wondrous special effects!" |
Steven Rosen |
Tomato |
The Pledge (2001) |
"Penn as director shows how he can turn an ordinary movie scene -- how many times have we seen a jailhouse interrogation? -- into something inventively, thrillingly singular." |
Steven Rosen |
Tomato |
Pollock (2000) |
"Harris' Oscar-nominated performance is quite moving, making Pollock a better movie than the predictability of its story arc would indicate." |
Steven Rosen |
Tomato 3.5/4 |
Ponyo (2009) |
"A bright tale of wonder and connection, Ponyo is a reminder that a G rating needn't be a "little kid" designation." |
Lisa Kennedy |
Splat 1/4 |
Porn Theater (2003) |
"Porn Theatre is exactly that, no surprises." |
Michael Booth |
Splat 2.5/4 |
Poseidon (2006) |
"While the ship's survivors are driven to live, Poseidon is never character-driven enough to make us care." |
Lisa Kennedy |
Tomato 3/4 |
A Prairie Home Companion (2006) |
"If A Prairie Home Companion is director Robert Altman's swan song, it's a tune with plenty of sweet, rootsy grace notes." |
Lisa Kennedy |
Tomato 4/4 |
Precious: Based on the Novel PUSH by Sapphire (2009) |
"Mo'Nique plunges headfirst into a moral abyss that makes her frightening." |
Lisa Kennedy |
Splat 2/4 |
Premonition (2007) |
"Movies obsessed with keeping us guessing can miss out on providing reasons to keep us caring." |
Lisa Kennedy |
Tomato 3.5/4 |
The Prestige (2006) |
"Christopher Nolan's directing skills are in evidence with The Prestige, which follows the long feud of Victorian-era illusionists." |
Michael Booth |
Tomato 3/4 |
Pretty Persuasion (2005) |
"Pretty Persuasion is a nasty piece of work. Yet it offers some unvarnished and amusing thoughts about American contradictions." |
Lisa Kennedy |
Tomato 3/4 |
Pride (2007) |
"Pride has a sly, sexy way of overcoming inherent filmmaking clichés and winning over its audience." |
Michael Booth |
Tomato 3/4 |
Pride and Glory (2008) |
"Well-paced, well-acted, Pride and Glory is much richer than routine." |
Lisa Kennedy |
Tomato 3/4 |
Pride and Prejudice (2005) |
"Knightley is the best thing about this enjoyable adaptation, immediately owning the wardrobe and the words and the weather as if she were born to the manner -- and manor." |
Michael Booth |
Splat 2/4 |
Prime (2005) |
"Not quite a romantic comedy, Prime is a hybrid of conflicting tones." |
Lisa Kennedy |
Tomato |
Primer (2004) |
"Mind-bending thrillers like Primer are terrific viewing with your teenagers. Maybe if you're nice, they'll explain the ending to you." |
Michael Booth |