Tadpole (2002)

"Although it's short, Tadpole has a long-lasting effect."

Take the Lead (2006)

"Take the Lead is the latest example of a silly and utterly predictable movie where the kids dance in the streets and we pray for a fleet of Humvees to come along and run them out of town."

Taking Lives (2004)

"Jolie needs a role with teeth, not one that merely exploits her bee-stung lips."

Taking Sides (2003)

"We're asked to jump into the combatants' arguments with no background about either one, no reason to care if Skarsgard sweats or Keitel rages."

A Tale Of Two Sisters (2003)

"Plays like a gorgeous painting hanging in a gloomy gallery -- you stand in front of one corner, mesmerized by turquoise wallpaper or a burgundy rug, then a fleeting movement in another corner draws you over."

The Talented Mr. Ripley (1999)

"He [Anthony Minghella] is aided by the intensely bright cinematography of John Seale, a score by Gabriel Yared that mixes hot jazz with classical, and the bold and lively retro-chic costumes of Ann Roth and Gary Jones."

Talk to Me (2007)

"Lemmons, her extraordinary cast and gifted crew deliver laughing, crying and plenty of signifying."

Tango (1998)

Click here to see the review.

Tarnation (2004)

"In making beautiful peace with a difficult past, Caouette has delivered a promising vision of a future."

Team America: World Police (2004)

"The South Park team's sendup of Hollywood action epics and the war on terror is at once admirably furious and sophomorically infuriating."

Tenacious D in: The Pick of Destiny (2006)

"There's nothing heavy about this metal-loving comedy, and there's a lot that is good-hearted."

Terminator 3: Rise of the Machines (2003)

"Terminator 3: Rise of the Machines achieves neither the cult tang of the original nor the spectacular melding of FX to a gripping story that T2 did so well."

Tetro (2009)

"It is interesting. Better, it is quite possibly great."

The Day the Earth Stood Still (2008)

""The Day the Earth Stood Still" doesn't lack heart. It's surprisingly sincere. No, the human quality it could use a bit more of is humor."

The Polar Express (2004)

"Polar Express honors its source, then exceeds it."

There Will Be Blood (2007)

"If [Day-Lewis] does not win the Academy Award for this protean portrayal, it will be because he's won before. Or because his gift, his discipline, is so daunting it can be confounding."

The Thin Red Line (1998)

"The Thin Red Line shows us freedom at its most visceral and unintellectual - and cinematic."

Thirteen (2003)

"[A] jarring and beautiful movie."

This Film is Not Yet Rated (2006)

"Winds up feeling shallow, padded and unrevealing."

Thomas Crown Affair, The (1999)

"Stylish, good-looking and frequently arresting, at least until its plot turns too far-fetched to buy."

The Three Burials of Melquiades Estrada (2005)

"Jones, screenwriter Guillermo Arriaga and a crew blessed with pristine vision have delivered a tale of friendship and ethics worthy of Greek tragedy."

Three Times (2006)

"Can a film be exquisite and, at the same time, less than one hoped for? This question arose as Three Times unfolded."

Till Human Voices Wake Us (2003)

"Voices is more a prose poem than a film, a moody exercise devoid of suspense and interactions that spark us to care."

The Time Machine (2002)

"Bears resemblance to, and shares the weaknesses of, too many recent action-fantasy extravaganzas in which special effects overpower cogent story-telling and visual clarity during the big action sequences."

Titan A.E. (2000)

"From the 'New Coke' school of miscalculations."