Splat 2.5/4 |
The Da Vinci Code (2006) |
"It is like a cilice itself, confining and constraining the characters, the story and, finally, the audience -- but never drawing blood." |
Duane Dudek |
Splat 2/4 |
Daddy Day Camp (2007) |
"Predictable as any TV sitcom." |
Sue Pierman |
Tomato 2.5/4 |
Daddy Day Care (2003) |
"Kids are the target of Daddy Day Care's broad humor, and the movie hits that mark." |
Sue Pierman |
Tomato 3/4 |
Daft Punk's Electroma (2006) |
"Worth a look if you enjoy pretty images and a simple message wrapped in layers of artifice." |
Tom Horgen |
Tomato 3/4 |
The Damned United (2009) |
"That Clough is still remembered enough to have a film made about him is no surprise. But that he is remembered fondly suggests memory is a dish best served cold." |
Duane Dudek |
Tomato 3/4 |
Dan in Real Life (2007) |
"A wry, smart and perceptive dramedy about family and life's other surprises." |
Mack Bates |
Splat 1.5/4 |
Dance Flick (2009) |
"The Wayans brothers used to know how to do this right." |
Mack Bates |
Tomato |
Dancer in the Dark (1999) |
"Von Trier is poking at subconscious safety nets we turn to for reassurance in ways both pretentious and provocative, depending on the predisposition of the beholder." |
Duane Dudek |
Tomato 3/4 |
The Dancer Upstairs (2003) |
"A haunting and deliberate, complex and occasionally convoluted dance between fanaticism and stoicism." |
Duane Dudek |
Tomato 3/4 |
The Dangerous Lives of Altar Boys (2002) |
"The film overcomes the regular minefield of coming-of-age cliches with potent doses of honesty and sensitivity." |
Paul Doro |
Splat 2/4 |
Danny Deckchair (2004) |
"Too predictable to sustain interest." |
Paul Doro |
Splat 2.5/4 |
Daredevil (2003) |
"Beyond geeks and adolescents, anyone wandering into the multiplex out of the cold might find this Spider-Man/Batman hybrid a little too familiar and bordering on derivative." |
Duane Dudek |
Tomato 3/4 |
The Darjeeling Limited (2007) |
"Filled with the sorts of humane generalities and optimistic possibilities to which only a misanthrope could object." |
Duane Dudek |
Splat 2/4 |
Dark Blue (2003) |
"The use of that verdict as a narrative device more than 10 years later does not feel particularly relevant." |
Duane Dudek |
Tomato 3.5/4 |
The Dark Knight (2008) |
"The Dark Knight is better than you have heard and as good as you had hoped." |
Duane Dudek |
Splat 2.5/4 |
Dark Water (2005) |
"While this umpteenth variation on the 'supernatural-or-psychological?' horror film theme has an interesting pedigree, mature style and muted tone, it goes nowhere special as if running through molasses." |
Duane Dudek |
Splat 1.5/4 |
Darkness Falls (2003) |
"Darkness Falls has some chilling scares and spooky scenes, but not enough of them to keep your interest -- or to reward all the effort the movie puts you through." |
Sue Pierman |
Splat 2/4 |
Daughters of Wisdom (2007) |
"Some individual moments hit home, but the cumulative effect doesn't add up to anything more than a peek at Tibetan culture." |
Michele Kenner |
Tomato 3/4 |
Dave Chappelle's Block Party (2006) |
"The mix of interviews, performances and shtick may make for a loosey-goosey movie, but its 'wish-you-had-been-there' quotient is off the chart." |
Duane Dudek |
Splat 1.5/4 |
Dawn of the Dead (2004) |
"This remake fails to advance the original in any way, shape or form." |
Duane Dudek |
Splat 2/4 |
The Day After Tomorrow (2004) |
"Resembles disaster films of the 1970s, where big-name stars battled flood, fire and capsized luxury liners." |
Duane Dudek |
Tomato 3.5/4 |
Day Night Day Night (2007) |
"It is small of scale, budget and even of intentions. But like any act of the unthinkable, it looms large in the imagination." |
Duane Dudek |
Tomato 2.5/4 |
Day Watch (2007) |
"Blurs the distinction between the pretentious and the profound. Still, the illusion is a viscerally compelling one and begs the question of how Bekmambetov will ever top himself." |
Duane Dudek |
Tomato 3/4 |
Days of Being Wild (1990) |
"Raw and jagged, only hinting at the greatness that would come. But even imperfect Wong Kar-Wai is better than the best of most." |
|
Tomato 3/4 |
Days of Glory (2006) |
"Stands apart for its passion and patriotism in the face of hostility. The spirit of liberté, égalité and fraternité runs high for everyone, even those who have never set foot in France." |
Michele Kenner |
Tomato 2.5/4 |
De-Lovely (2004) |
"When it is most successful, it is successful as a portrait of a marriage that had to be stronger than most because of a life spent dancing backward while wearing high heels." |
Duane Dudek |
Tomato 2.5/4 |
Dear Frankie (2005) |
"More winning than cunning and too neat by half, but it is an undeniably sweet story, lovingly told by first-time director Shona Auerbach." |
Duane Dudek |
Tomato 2.5/4 |
Death at a Funeral (2007) |
"Writer Dean Craig creates a beautifully intricate farce, and it's how the interlocking pieces snap together that provide much of the mirth, rather than the sometimes stale gags along the way." |
Sue Pierman |
Tomato 3/4 |
The Death of Mr. Lazarescu (2006) |
"Mr. Lazarescu's ordeal will stick with you." |
Michele Kenner |
Tomato 3/4 |
Death Race (2008) |
"Offers exactly what action film fans would expect: squealing tires, blazing guns and spectacular crashes. Serviceable storytelling and dialogue that won't make you cover your eyes and shake your head are pleasant surprises." |
Stanley A. Miller II |
Splat 2/4 |
Death to Smoochy (2002) |
"Less funny than it should be and less funny than it thinks it is." |
Duane Dudek |
Splat 1/4 |
Deck the Halls (2006) |
"Deck the Halls, a flabby attempt at false holiday cheer opening in theaters today, resembles an inflatable Santa after vandals have gotten to it." |
Sue Pierman |
Tomato |
Deep Blue Sea (1999) |
"Unpredictable, fast-moving!" |
Duane Dudek |
Tomato 3/4 |
Defiance (2008) |
Click here to see the review. |
Duane Dudek |
Tomato 3/4 |
Definitely, Maybe (2008) |
"While the broad strokes are predictable, the fine details of Definitely, Maybe are a near-constant stream of small, albeit lightweight, delights." |
Cathy Jakicic |
Splat 2/4 |
Deja Vu (2006) |
"Déjá Vu is an exceptionally average action thriller that has too little of both." |
Paul Doro |
Tomato 2/4 |
Delgo (2008) |
"In a season soon to be filled with better-made family movies based on better-known material, the movie's serviceable-enough animation isn't likely to help it stand out." |
Mack Bates |
Tomato 3/4 |
Deliver Us From Eva (2003) |
"Works in large part because you actually care about what happens to the characters." |
Mack Bates |
Tomato 3.5/4 |
Deliver Us From Evil (2006) |
"Although each story is compelling, among the most heart-wrenching may be that of the Japanese-Irish couple who welcomed the new parish priest, who often slept over at their house, and who now feel responsible for letting the wolf in their door." |
Duane Dudek |
Tomato 3/4 |
The Departed (2006) |
"It is probably superior to almost anything released this year and is a disappointment only when compared with Scorsese's previous accomplishments." |
Duane Dudek |
Tomato 3/4 |
Departures (2009) |
"A compassionate and wry character study of a man who, finding himself at a crossroads, is reborn through death." |
Duane Dudek |
Splat 2/4 |
Derailed (2005) |
"Anyone in the mood to play Pin the Tail on the Genre stands a good chance of beating Derailed at its own game before the first reel unspools." |
Duane Dudek |
Tomato 3/4 |
The Descent (2006) |
"In a genre perceived as exploiting women, The Descent empowers them in the sense that their gender has nothing to do with their plight." |
Duane Dudek |
Splat 1/4 |
Deuce Bigalow: European Gigolo (2005) |
"Any goodwill Rob Schneider was able to wring out of his Deuce Bigalow character the first time around has been stomped into the dirt by the constant, overwhelming, disgusting, over-the-top teenage bathroom humor in the sequel." |
Sue Pierman |
Splat |
Deuce Bigalow: Male Gigolo (1999) |
"You may laugh at Deuce Bigalow: Male Gigolo, but you won't be proud of yourself." |
Sue Pierman |
Tomato 3/4 |
The Devil and Daniel Johnston (2006) |
"Since Johnston was prolific and a pack rat, director Jeff Feuerzeig had access to a life's worth of audio recordings, short films and animation dating back to the formative equivalent of the refrigerator art of Johnston's childhood." |
Duane Dudek |
Splat 2.5/4 |
The Devil Wears Prada (2006) |
"For the most part, The Devil Wears Prada is a broadly woven series of truisms and generalities in which fashion itself is an accessory." |
Duane Dudek |
Splat 1/4 |
The Devil's Rejects (2005) |
"Zombie doesn't appear to have any other goals besides assaulting the viewer with gore and callousness." |
Paul Doro |
Splat 2.5/4 |
Diary of a Mad Black Woman (2005) |
"Perry's performance as Madea may have worked onstage, but seems out of place on the screen, even though it's clear he has a great deal of affection for the character." |
Mack Bates |
Tomato |
Dick (1999) |
"The film is such a delight not only because it's clever, but because it so perfectly captures the era." |
Sue Pierman |