Tomato 3/4 |
Adam (2009) |
"Delicate and understated performances by Rose Byrne -- and especially a remarkable Hugh Dancy as the quirky Asberger's sufferer -- give the unlikely romance a quiet, realistic tone." |
Cathy Jakicic |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"... makes a powerful impression." |
Cathy Jakicic |
Splat 2.5/4 |
Amelia (2009) |
"Amelia Earhart is known for being an aviation pioneer and, ultimately, a mystery, but the new biopic with Hilary Swank as the groundbreaking pilot has added a surprising new word to the mix: boring." |
Cathy Jakicic |
Tomato 2.5/4 |
Aquamarine (2006) |
"It's a harmless diversion that should keep kids amused and parents relaxed." |
Cathy Jakicic |
Tomato 3/4 |
A Scanner Darkly (2006) |
"Though chunks of the novel are missing, the film is, for the most part, a creatively and metaphorically successful synthesis of Dick's dreamlike themes and real-world concerns." |
Duane Dudek |
Tomato |
A.I. Artificial Intelligence (2001) |
"Spielberg crafts a haunting opening and an elegantly ironic ending." |
Duane Dudek |
Tomato 3/4 |
About a Boy (2002) |
"A safe harbor for anyone needing relief from the season's cruder offerings." |
Duane Dudek |
Tomato 4/4 |
About Schmidt (2002) |
"It has a redemptive quality that is sentimental without being saccharine, and Nicholson's reflective and interior performance stings like the saline in a single tear." |
Duane Dudek |
Tomato 3/4 |
Adaptation (2002) |
"If the ending is somewhat deflating, the convoluted mind game that precedes it is crazy genius." |
Duane Dudek |
Tomato 2.5/4 |
Adventureland (2009) |
"Mottola gets a surprising amount of mileage out of a formula that is running on fumes, his dialogue is sharp, and the lo-fi, indie-film quality of the piece feels consistent with the spirit of the rundown theme park, or vice versa." |
Duane Dudek |
Splat 2/4 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"While the overall message is positive, it is not particularly powerful." |
Duane Dudek |
Tomato 3/4 |
After The Wedding (2007) |
"After the Wedding has a dignity of purpose that is made to feel authentic by the performances." |
Duane Dudek |
Tomato 3/4 |
The Agronomist (2004) |
"A compassionate and powerful tribute to a crusader doing battle with 'no weapon other than his microphone and a thirst for truth.'" |
Duane Dudek |
Splat 2.5/4 |
Aileen: The Life and Death of a Serial Killer (2003) |
"It's clear Theron didn't so much resemble [Wuornos] as she did channel her deeply tormented soul, in a way that Broomfield never manages to do." |
Duane Dudek |
Splat 2.5/4 |
The Alamo (2004) |
"While the PG-13 rating makes it impossible to portray the actual battle realistically, this could otherwise be the most 'accurate' version of The Alamo to date, which isn't saying much." |
Duane Dudek |
Tomato 2.5/4 |
Alexander (2004) |
"A passionate, character-driven work of sinew and gristle." |
Duane Dudek |
Tomato |
Ali (2001) |
"Raging Bull is artistically superior, but the fight scenes in Ali are just as visceral and more technically accomplished." |
Duane Dudek |
Splat 2.5/4 |
All The King's Men (2006) |
"Not even Sean Penn can put All the King's Men back together again." |
Duane Dudek |
Tomato |
All the Pretty Horses (2000) |
"It's got gumption, by golly." |
Duane Dudek |
Tomato 3/4 |
All the Real Girls (2003) |
"A slice of regional poetry intrinsic to lives overlooked by, under-lived in comparison to, and outside the mainstream." |
Duane Dudek |
Tomato |
Almost Famous (2000) |
"Will have the ring of truth to anyone who was there. Anyone else should enjoy the ride." |
Duane Dudek |
Tomato 3.5/4 |
Amandla: A Revolution in Four-Part Harmony (2003) |
"A remarkable and persuasive argument on behalf of music as a political weapon." |
Duane Dudek |
Tomato 3/4 |
America's Heart and Soul (2004) |
"The only way these pristine images could be more vivid is if they were in the large-screen IMAX format." |
Duane Dudek |
Splat |
America's Sweethearts (2001) |
"Often funny but not that engaging." |
Duane Dudek |
Tomato |
American Beauty (1999) |
"Near-perfect." |
Duane Dudek |
Splat 2.5/4 |
American Dreamz (2006) |
"Ultimately, it neglects to pin the tail on the donkey that deserves it most: an audience that wouldn't recognize caveat emptor unless it was the name of an American Idol contestant." |
Duane Dudek |
Tomato 3/4 |
American Gangster (2007) |
"A cultivated and more temperate version of Scarface." |
Duane Dudek |
Splat |
American Pie (1999) |
"A calculating and exploitative, brightly shining object designed to draw teenagers like moths to a flame." |
Duane Dudek |
Tomato |
American Pie 2 (2001) |
"The bittersweet subtext of young people grappling with adulthood, and the recurring appearance of Eugene Levy as Biggs' hilariously 'with it' and oafishly understanding father, helps elevate it from the pack." |
Duane Dudek |
Tomato 3.5/4 |
American Splendor (2003) |
"Berman and Pulcini, documentary filmmakers making their narrative debut, have made a work as unvarnished as their subject." |
Duane Dudek |
Splat 2/4 |
American Wedding (2003) |
"The humor is extreme and desperate." |
Duane Dudek |
Tomato 2.5/4 |
The Amityville Horror (2005) |
"Its more potent quality is as a portrait -- well, crayon drawing, actually -- of the tendency of the traumatized male psyche toward violence." |
Duane Dudek |
Tomato 3/4 |
An Education (2009) |
"Scherfig and Hornby craft a portrait of an era whose innocence is overstated without resorting to sepia tinged nostalgia. The result is a snapshot of how we become who we become, as a vibrant and affectionate act of memory." |
Duane Dudek |
Tomato |
Analyze This (1998) |
"Comically dexterous!" |
Duane Dudek |
Splat 2.5/4 |
Anchorman: The Legend of Ron Burgundy (2004) |
"The desperate and frantic slapstick of Anchorman: The Legend of Ron Burgundy is closer to hysteria than hysterical." |
Duane Dudek |
Splat 2.5/4 |
Angel-A (2007) |
"Angel-A is a not very persuasive argument on behalf of heavenly intercession, but its co-star, Rie Rasmussen, will make you believe in intelligent design." |
Duane Dudek |
Splat |
Angela's Ashes (1999) |
"It is an anecdotal, nostalgic, crowd-pleasing coffee-table book of a film, neither shocking nor challenging." |
Duane Dudek |
Tomato 3/4 |
Angels & Demons (2009) |
"Like The Da Vinci Code, Angels & Demons is a smoke-and-mirrors shadow play of half-truths, a synthesis of pseudo-history and pseudo-science. But this time, the Apollo 13 director achieves liftoff." |
Duane Dudek |
Splat 2/4 |
Anger Management (2003) |
"The prefabricated nature of Anger Management, which has jokes but little humor, makes it a comedy the way fish sticks can often be mistaken for seafood." |
Duane Dudek |
Splat |
Anna and the King (1999) |
"The result may look more genuine than what has gone before, but it somehow feels less substantial." |
Duane Dudek |
Tomato |
The Anniversary Party (2001) |
"The relationships have the ebb and flow of astute observation and inspired improvisation." |
Duane Dudek |
Tomato 3/4 |
Antwone Fisher (2002) |
"Less cinematically powerful than quietly and deeply moving, which is powerful in itself." |
Duane Dudek |
Tomato |
Antz (1998) |
"The voice acting is excellent!" |
Duane Dudek |
Tomato 3/4 |
Anvil! The Story of Anvil (2009) |
"Anvil's plight would be funny if it weren't true. Its extent is intimately examined in a film that makes you uncomfortable because it is true." |
Duane Dudek |
Tomato |
Any Given Sunday (1999) |
"Kinetic, cynical, shallow, commercial and entertaining." |
Duane Dudek |
Tomato |
Anywhere But Here (1999) |
"Sarandon and Portman give strong performances about domination and coping." |
Duane Dudek |
Tomato |
Apocalypse Now Redux (2001) |
"Has sinew, conviction and the spontaneity of a deck of cards hurled into the air." |
Duane Dudek |
Tomato 3/4 |
Apocalypto (2006) |
"Whatever Gibson's flaws as a man -- and the public has every right to judge him by his actions -- he is no fraud as a filmmaker." |
Duane Dudek |
Splat 2.5/4 |
Appaloosa (2008) |
"There is plenty of plot but not enough story. And the film unfolds in short scenes strung together that beg to be expanded into more detailed examinations of behavior." |
Duane Dudek |
Tomato 2.5/4 |
Apres Vous (2005) |
"The result may be a high-concept soufflé, but its blackly comic tone and Auteuil's caffeinated whippet of a performance help lend it a cockeyed charm." |
Duane Dudek |