Tomato 3/4 |
A Scanner Darkly (2006) |
"Though chunks of the novel are missing, the film is, for the most part, a creatively and metaphorically successful synthesis of Dick's dreamlike themes and real-world concerns." |
Duane Dudek |
Tomato |
A.I. Artificial Intelligence (2001) |
"Spielberg crafts a haunting opening and an elegantly ironic ending." |
Duane Dudek |
Tomato 3/4 |
About a Boy (2002) |
"A safe harbor for anyone needing relief from the season's cruder offerings." |
Duane Dudek |
Tomato 4/4 |
About Schmidt (2002) |
"It has a redemptive quality that is sentimental without being saccharine, and Nicholson's reflective and interior performance stings like the saline in a single tear." |
Duane Dudek |
Tomato 3/4 |
Across the Universe (2007) |
"I never realized what a lush cast of characters populate Fab Four records. Or how giddy it would be to see Max, Jude, Jo-Jo, Prudence and Sadie come to life." |
Graham Killeen |
Tomato 3/4 |
Adam (2009) |
"Delicate and understated performances by Rose Byrne -- and especially a remarkable Hugh Dancy as the quirky Asberger's sufferer -- give the unlikely romance a quiet, realistic tone." |
Cathy Jakicic |
Tomato 3/4 |
Adaptation (2002) |
"If the ending is somewhat deflating, the convoluted mind game that precedes it is crazy genius." |
Duane Dudek |
Tomato 3/4 |
Adoration (2009) |
"Adoration is rich with political themes about ethnicity, a complex story about family history, a thoughtful young protagonist and a fascinating look at the way we communicate through the latest social-networking tools." |
Steve Ramos |
Tomato 2.5/4 |
Adventureland (2009) |
"Mottola gets a surprising amount of mileage out of a formula that is running on fumes, his dialogue is sharp, and the lo-fi, indie-film quality of the piece feels consistent with the spirit of the rundown theme park, or vice versa." |
Duane Dudek |
Tomato 2.5/4 |
After the Sunset (2004) |
"If you've ever wondered what really is important to an aging jewel thief, After the Sunset at least answers that question amusingly." |
Sue Pierman |
Tomato 3/4 |
After The Wedding (2007) |
"After the Wedding has a dignity of purpose that is made to feel authentic by the performances." |
Duane Dudek |
Tomato 2.5/4 |
Against the Ropes (2003) |
"It's an interesting, character-driven film, the story of a woman who has a fight on her hands when it comes to her chosen career." |
Sue Pierman |
Tomato 2.5/4 |
Agent Cody Banks (2003) |
"Unlike last year's unimaginative and boring Big Fat Liar, Cody Banks is enjoyable and clever." |
Sue Pierman |
Tomato 2.5/4 |
Agent Cody Banks 2: Destination London (2004) |
"Director Kevin Allen, who has more acting than directing credits under his belt, does an admirable job of keeping the pace fast enough that kids are entertained and parents aren't checking their watches every five minutes." |
Sue Pierman |
Tomato 3/4 |
The Agronomist (2004) |
"A compassionate and powerful tribute to a crusader doing battle with 'no weapon other than his microphone and a thirst for truth.'" |
Duane Dudek |
Tomato 3/4 |
Akeelah and the Bee (2006) |
"... makes a powerful impression." |
Cathy Jakicic |
Tomato 2.5/4 |
Alex Rider: Operation Stormbreaker (2006) |
"An entertaining popcorn movie featuring a veritable who's who of game British actors (and a trio of equally game American performers) who keep the proceedings lively even with a too-predictable plot." |
Mack Bates |
Tomato 2.5/4 |
Alexander (2004) |
"A passionate, character-driven work of sinew and gristle." |
Duane Dudek |
Tomato 3/4 |
Alfie (2004) |
"From the perspective of pure entertainment, Alfie is never boring and always easy on the eyes." |
Mack Bates |
Tomato |
Ali (2001) |
"Raging Bull is artistically superior, but the fight scenes in Ali are just as visceral and more technically accomplished." |
Duane Dudek |
Tomato |
All the Pretty Horses (2000) |
"It's got gumption, by golly." |
Duane Dudek |
Tomato 3/4 |
All the Real Girls (2003) |
"A slice of regional poetry intrinsic to lives overlooked by, under-lived in comparison to, and outside the mainstream." |
Duane Dudek |
Tomato |
Almost Famous (2000) |
"Will have the ring of truth to anyone who was there. Anyone else should enjoy the ride." |
Duane Dudek |
Tomato |
Along Came a Spider (2001) |
"A nail biter so meticulous in its plotting and so intoxicating in its marathon-like pacing that once it's over, you feel as psychologically taxed, yet emotionally relieved." |
Mack Bates |
Tomato 2.5/4 |
Along Came Polly (2004) |
"It's only Stiller's skillful execution that keeps the pratfalls from being monotonous." |
Sue Pierman |
Tomato 3/4 |
Alpha Dog (2007) |
"A frightening, tangled tapestry of youth as its worst." |
Sue Pierman |
Tomato 2.5/4 |
Alvin and the Chipmunks (2007) |
"It's all about good, clean fun, both for kids absorbed in the cuddly creatures (especially when they sing) and for their parents, unexpectedly hooked by the nostalgia they evoke." |
Sue Pierman |
Tomato 3.5/4 |
Amandla: A Revolution in Four-Part Harmony (2003) |
"A remarkable and persuasive argument on behalf of music as a political weapon." |
Duane Dudek |
Tomato 3/4 |
Amazing Grace (2007) |
"The film ultimately tells a powerful and little-known historical tale." |
Meg Jones |
Tomato 3/4 |
America The Beautiful (2008) |
"[Director] Roberts has a point of view, yes, but he also has a curiosity that drives him and the movie. Lucky are those who go along for the ride." |
Kathy Flanigan |
Tomato 3/4 |
America's Heart and Soul (2004) |
"The only way these pristine images could be more vivid is if they were in the large-screen IMAX format." |
Duane Dudek |
Tomato |
American Beauty (1999) |
"Near-perfect." |
Duane Dudek |
Tomato 3/4 |
American Gangster (2007) |
"A cultivated and more temperate version of Scarface." |
Duane Dudek |
Tomato 3/4 |
American Hardcore (2006) |
"Rachman's concert footage confirms that the music was unique: bruising, chaotic and blisteringly electric." |
Paul Kosidowski |
Tomato |
American Pie 2 (2001) |
"The bittersweet subtext of young people grappling with adulthood, and the recurring appearance of Eugene Levy as Biggs' hilariously 'with it' and oafishly understanding father, helps elevate it from the pack." |
Duane Dudek |
Tomato 3.5/4 |
American Splendor (2003) |
"Berman and Pulcini, documentary filmmakers making their narrative debut, have made a work as unvarnished as their subject." |
Duane Dudek |
Tomato 3/4 |
American Teen (2008) |
"Presented with humor but not at the expense of its subjects, American Teen was the toast of this year's Sundance Film Festival." |
Mack Bates |
Tomato 2.5/4 |
The Amityville Horror (2005) |
"Its more potent quality is as a portrait -- well, crayon drawing, actually -- of the tendency of the traumatized male psyche toward violence." |
Duane Dudek |
Tomato 3/4 |
An Education (2009) |
"Scherfig and Hornby craft a portrait of an era whose innocence is overstated without resorting to sepia tinged nostalgia. The result is a snapshot of how we become who we become, as a vibrant and affectionate act of memory." |
Duane Dudek |
Tomato 3/4 |
Analyze That (2002) |
"Yes, the script has holes you could drive a truck through, but Crystal and De Niro's verbal pingpong makes it all worthwhile." |
Sue Pierman |
Tomato |
Analyze This (1998) |
"Comically dexterous!" |
Duane Dudek |
Tomato 2.5/4 |
And Now Ladies and Gentlemen (2003) |
"May not be entirely successful, but there are worse ways to spend an afternoon." |
Paul Doro |
Tomato 3.5/4 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"Phantom is more than a photographed stage play: It is an exercise in cinema, abetted by several new songs and first-rate orchestral backing." |
James Auer |
Tomato 3/4 |
Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
"A memorable account of an artist's life, achievements and sacrifices." |
James Auer |
Tomato |
Angel Eyes (2001) |
"An unusual yet satisfying offering." |
Sue Pierman |
Tomato 3/4 |
Angels & Demons (2009) |
"Like The Da Vinci Code, Angels & Demons is a smoke-and-mirrors shadow play of half-truths, a synthesis of pseudo-history and pseudo-science. But this time, the Apollo 13 director achieves liftoff." |
Duane Dudek |
Tomato 3/4 |
Animation Show - Volume 1 (2003) |
Click here to see the review. |
|
Tomato 3.5/4 |
Anita O'Day - The Life Of A Jazz Singer (2008) |
"Wow -- now this is how you make a jazz documentary" |
Tom Horgen |
Tomato |
The Anniversary Party (2001) |
"The relationships have the ebb and flow of astute observation and inspired improvisation." |
Duane Dudek |
Tomato 3/4 |
The Ant Bully (2006) |
"It would be wrong to dismiss The Ant Bully as just another bug movie." |
Sue Pierman |