Mad Love (2001)

"The film is beautifully mounted, but, more to the point, the issues are subtly presented, managing to walk a fine line with regard to the question of Joan's madness."

Madame Sata (2003)

"Ramos' hot-tempered turn is riveting, drawing out the charisma in what could easily be a hissable role, and cinematographer Walter Carvalho gives the proceedings a great look."

Madison (2005)

"...unless your specific field of interest happens to be hydroplane boats in small towns, it's unlikely you'll be excited by Madison."

The Majestic (2001)

"The best that can be said about The Majestic is that it may boost Capra's reputation by virtue of comparison."

Malibu's Most Wanted (2003)

"Kennedy and the filmmakers (including a director with the amusing moniker of John Whitesell) ask us to understand that B-Rad is, in his own way, genuine, even though the character's about as believable and subtle as Jar Jar Binks."

The Man from Elysian Fields (2002)

"A sharp, smart and robustly engaging film about a man at the end of his rope and his struggle to avoid hanging himself with it."

The Man Who Cried (2001)

"There's nothing particularly wrong with this whole setup; it's just very by-the-numbers."

The Man Who Wasn't There (2001)

"To call it great fun may be an exaggeration, but there's no reason to stop laughing at the cruel jokes life plays against the Ed Cranes of the world."

Marathon Man (1976)

"Not sure this deserves to be a classic, but certainly a competently made thriller."

Margaret Cho - Assassin (2005)

"standard-issue platitudes about media hype and Republican hypocrisy that you’ve likely heard many times before from many others."

Maria Full of Grace (2004)

""Based on 1,000 True Stories" is the most pompous tag line of the year by far, especially from an American director claiming to speak for all the people of Chile."

Mary Reilly (1996)

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Master and Commander: The Far Side of the World (2003)

"Weir's finest film since the brilliant The Mosquito Coast. Bettany is terrific."

Master of the Flying Guillotine (1975)

"It's refreshing and unusual to see clever strategy trumping ritual honor in a film of this genre, even if one of the tricks seems gratuitously brutal."

The Matrix (1999)

".."

The Matrix Revolutions (2003)

"Silly humans, Matrix is for kids!"

Max Keeble's Big Move (2001)

"Takes too long setting things up and, once the pranks are over, dawdles to its inevitable conclusion about the importance of friends and loving thy neighbor."

Maybe Baby (2001)

"Except for the pat conclusion, which seems to have arrived straight from test-screenings via a robustly fragrant wheelbarrow, Maybe Baby is undeniably touching, and -- hallelujah -- it's funny."

Maze (2001)

"Morrow the actor tries too hard (Morrow will rob Oscar blind!), but he's a stylish director with a steady hand and a shaky eye."

Me, Myself & Irene (2000)

"[The Farrellys'] crudeness awakens the inner 6-year-old in many of us."

Mean Creek (2004)

"Angry kids on an unsupervised boat trip? Constant ominous music? Gee, wonder what's going to happen next."

Mean Machine (2002)

"Given that both movies expect us to root for convicted violent felons over those assigned to protect us from same, we need every bit of sympathy the cons can muster; this time, there isn't much."

The Medallion (2003)

"Relentlessly 'crowd-pleasing.'"

Meet the Feebles (1989)

"Pure ****ing genius. Homicidal puppets with VD just get me every time."

Meet the Spartans (2008)

"Perhaps the most oft-quoted line from 300 is "Tonight, we dine in hell!" Chowing down on a box of Butterfinger Minis during a screening of Meet the Spartans, you will truly understand what that line means."