Splat 2/5 |
10,000 B.C. (2008) |
"Where's Raquel Welch in that fur bikini?" |
Roger Moore |
Splat |
102 Dalmatians (2000) |
"We're talking dog. Bad dog." |
Jay Boyar |
Tomato 4/5 |
The 11th Hour (2007) |
"It's not a movie with a lot of answers, but The 11th Hour does push the debate further down the road." |
Roger Moore |
Tomato 4/5 |
12 (2007) |
"A fascinating, stylish commentary on Russian justice and the universality of prejudice set in that great crucible for great drama in the jury room." |
Roger Moore |
Splat 2/5 |
12 Rounds (2009) |
"12 Rounds is an occasionally exciting but always empty action movie experience." |
Roger Moore |
Tomato 3/5 |
13 Going on 30 (2004) |
"It's nice to know that, Hanks or Garner, male or female, Big is still an idea that works, 16 years after it opened." |
Roger Moore |
Tomato 4/5 |
1408 (2007) |
"Quaint or not, this King adaptation chills, and may have you Googling the next hotel you're scheduled to check into, room by room." |
Roger Moore |
Tomato |
15 Minutes (2001) |
"Herzfeld is smart enough to just let De Niro be De Niro." |
Jay Boyar |
Splat 2/5 |
16 Blocks (2006) |
"[Richard] Donner can direct this sort of thriller in his sleep, but he squanders the movie's sense of urgency for little acting or screen-writing indulgences." |
Roger Moore |
Tomato 3/5 |
17 Again (2009) |
"17 Again is a comically responsible way for Efron to leave his teen roles behind and make his teen audience think about the adult decisions they now face." |
Roger Moore |
Tomato 4/5 |
2 Days In Paris (2007) |
Click here to see the review. |
Roger Moore |
Splat 1/5 |
2 Fast 2 Furious (2003) |
"It's not every movie that would announce its shortcomings right in its title." |
Jay Boyar |
Splat 2.5/4 |
2012 (2009) |
"Are we meant to applaud when skyscrapers topple and ships capsize, with tiny digital faceless bodies plummeting into the void? You make the disaster this real and it’s not entertaining or chilling." |
Roger Moore |
Splat 2/5 |
21 (2008) |
"The new blackjack dramedy 21 stands when it should hit, never doubles down and wimps out to the point that it turns a pretty compelling tale into a bust." |
Roger Moore |
Tomato 4/5 |
21 Grams (2003) |
"Fascinating because of the way the story is told -- and because of the existential issues that it forces you to consider." |
Jay Boyar |
Tomato 4/5 |
24 Hour Party People (2002) |
"Coogan, as the consummate overeducated, overly-erudite opinion leader, is spot-on perfect." |
Roger Moore |
Splat 2/5 |
25th Hour (2002) |
"Lee overloads a featherweight story with pretentious subtext and showy technique." |
Roger Moore |
Tomato 3/5 |
27 Dresses (2008) |
"It's not one for the ages, but this comedy about the 'perpetual bridesmaid' suggests a romantic marriage between star and audience that could last and last." |
Roger Moore |
Tomato |
28 Days (2000) |
"28 Days isn't good enough or smart enough. But, doggone it, people just might like it." |
Jay Boyar |
Tomato 4/5 |
28 Days Later (2003) |
"Derivative but horrifically effective." |
Roger Moore |
Splat 2/5 |
28 Weeks Later (2007) |
"A frenetic killing machine -- illogical, telling in its grasp of human nature and utterly incapable of embracing the humanity it wants to show us." |
Roger Moore |
Tomato 3/5 |
30 Days of Night (2007) |
"30 Days hangs on a pretty cool conceit." |
Roger Moore |
Tomato 4/5 |
300 (2007) |
"A full-blooded, testosterone-spiked shot glass that you down in one ferocious sitting." |
Roger Moore |
Splat |
3000 Miles to Graceland (2001) |
"With junk like this, only fools rush in." |
Jay Boyar |
Splat 3/5 |
3:10 to Yuma (2007) |
"A period-perfect, witty, well-played and exciting Western is all but ruined in the final minutes by someone the screenwriters, a star who insisted on image-flattering changes, a director feeling his Walk the Line oats." |
Roger Moore |
Splat 2/5 |
40 Days and 40 Nights (2002) |
"The joke is yanked, inflated, stretched and strung out over the film's 93 minutes." |
Roger Moore |
Tomato 4/5 |
The 40-Year-Old Virgin (2005) |
"It's a little long, a lot lowbrow. But The 40-Year-Old Virgin is a stitch. See it if you could use a laugh." |
Roger Moore |
Tomato 3/5 |
5 Sides of a Coin (2005) |
"A decent enough intro to the music many of us spend our time avoiding." |
Roger Moore |
Tomato 3/5 |
50 First Dates (2004) |
"Surprisingly sweet." |
Jay Boyar |
Tomato 4/5 |
500 Days of Summer (2009) |
"It isn't Hugh and Andie or Meg and whomever, but (500) Days offers hope that Hollywood can pass that romance baton to somebody other than the crude crew of the Kappa Alpha Apatow frat house." |
Roger Moore |
Tomato |
The 6th Day (2000) |
"Some of the action scenes here are among the best of the season." |
Jay Boyar |
Tomato 3/5 |
8 Mile (2002) |
"8 Mile is worth a look if only to watch Eminem on the big screen. Even when a film's a bit lame, it's always fun to be there when a star is being born." |
Jay Boyar |
Tomato 3/5 |
8 Women (2002) |
"For pure camp, intentional or otherwise, this is right up there with The Rocky Horror Picture Show." |
Roger Moore |
Splat 1/5 |
88 Minutes (2008) |
"Markedly un-thrilling." |
Roger Moore |
Splat 2/5 |
9 (2009) |
"A perfect example of a thin idea stuffed and stuffed with filler until it loses much of its charm." |
Roger Moore |
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