Tomato 3/5 |
Alvin and the Chipmunks (2007) |
"Thanks to Alvin and the Chipmunks, the Fab Fur make a comeback any pre-K kid would love." |
Roger Moore |
Tomato 4/5 |
Amazing Grace (2007) |
"Amazing Grace arrives Hollywood-slick, a polished British period piece. It manipulates, but then again, so does the song that gives it its title. Movies, like hymns and history, should give us a good cry." |
Roger Moore |
Tomato 3/5 |
Amelia (2009) |
"Amelia earns a pass, corny as it sometimes is. The lady earned her wings, and Swank, especially, more than does right by both the woman and the legend." |
Roger Moore |
Tomato |
Amelie (2001) |
"Tautou is gloriously alive in the title role." |
Jay Boyar |
Splat 2/5 |
America's Heart and Soul (2004) |
"Disheartening & Soulless is really a better title for this empty exercise in boosterism." |
Jay Boyar |
Tomato |
America's Sweethearts (2001) |
"A terrific romantic comedy about narcissism, insincerity, lunacy and glamour." |
Jay Boyar |
Splat 1/5 |
An American Carol (2008) |
"It's a polemic, a screed, a combination comic rant and sentimental flag-waver that doesn't work as either." |
Roger Moore |
Splat 2/5 |
American Dreamz (2006) |
"American Dreamz isn't mean enough or funny enough." |
Roger Moore |
Tomato 4/5 |
American Gangster (2007) |
"It's not just Oscar bait for its two dazzling leading men. It's a fascinating look at the Land of Opportunity as seen through the eyes of its most amoral opportunists." |
Roger Moore |
Splat 1/5 |
An American Haunting (2006) |
Click here to see the review. |
Roger Moore |
Splat |
American Outlaws (2001) |
"Aspires to be a Young Guns for the Eminem generation. They deserve better." |
Roger Moore |
Splat |
American Pie (1999) |
"A sloppy mess!" |
Jay Boyar |
Splat |
American Pie 2 (2001) |
"It is enough to make one lament for misspent youth, for the teenagers who will buy tickets to PG-13 rated fare only to sneak into this rehash." |
Roger Moore |
Splat |
American Psycho (2000) |
"Although I've heard both the film and the book described as dark satire, not much here resembles wit." |
Jay Boyar |
Tomato 5/5 |
American Splendor (2003) |
"If Harvey Pekar is a brilliant oddity so is the movie that tells his story." |
Jay Boyar |
Tomato 4/5 |
American Teen (2008) |
"The whirl of hormones, high hopes and hysterical drama that is high school earns its close-up in American Teen, a smart and revealing look at the Class of 2006 in Warsaw, Indiana." |
Roger Moore |
Tomato 3/5 |
The Amityville Horror (2005) |
"The original is still creepy, but this Horror will have fans jumping in their seats and talking back to the screen." |
Roger Moore |
Tomato |
Amores Perros (2001) |
"There aren't many films coming out of Hollywood that work on this many levels." |
Roger Moore |
Tomato 4/5 |
Amreeka (2009) |
"The immigrant experience gets a fresh, post- 9/11 Palestinian spin in Amreeka, a film that has all the familiar ingredients but is such a well-acted, winning re-combination of those that we see them with fresh eyes." |
Roger Moore |
Splat 1/5 |
Anacondas: The Hunt for the Blood Orchid (2004) |
"After watching this film you feel that you've aged a thousand years." |
Jay Boyar |
Splat 2/5 |
Analyze That (2002) |
"Plays like the sort of phone-it-in sequel that's patched together mainly to further enrich the people who made the original." |
Jay Boyar |
Splat 2/5 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Most of it isn't even as funny as those supposedly humorous features that local news broadcasts sometimes end with." |
Jay Boyar |
Splat 1/5 |
And Now Ladies and Gentlemen (2003) |
"The movie is overcrowded with ideas, any one of which might have made a fun premise. Put them all together and the result is just plain silly." |
Jay Boyar |
Splat 2/5 |
Andrew Lloyd Webber's The Phantom of the Opera (2004) |
"It was the '80s. You really had to be there. Preferably with low expectations." |
Roger Moore |
Tomato 4/5 |
Andy Goldsworthy - Rivers and Tides: Working With Time (2003) |
"Most of Goldsworthy's work is impermanent, but Rivers and Tides captures, permanently, both the art and the artist, showing us a creative, productive life in the process of being well-lived." |
Roger Moore |
Splat |
Angel Eyes (2001) |
"As that mystery unravels, so does the film, growing less interesting and more conventionally schmaltzy by the minute." |
Roger Moore |
Splat 3/5 |
Angel-A (2007) |
"Besson's black-and-white angel fantasy is a weak homage to Wings of Desire, if that's what he was shooting for." |
Roger Moore |
Tomato 3/5 |
Angels & Demons (2009) |
"It's doesn't quite pay off, but Angels & Demons does a much better job of balancing the blasphemy and blood, heresy and heroics that were Brown's ticket to eternal wealth if not eternal life." |
Roger Moore |
Splat 3/5 |
Anger Management (2003) |
"Throw enough money at a Sandler movie and it will look like a decent film -- except when you let middling hack Peter Segal of Nutty Professor II direct." |
Roger Moore |
Splat |
The Animal (2001) |
"Flat-footed and half-hearted." |
Roger Moore |
Tomato 3/5 |
Animation Show - Volume 1 (2003) |
Click here to see the review. |
Roger Moore |
Splat 3/5 |
The Animation Show 2005 (2005) |
"About half of them aren't worth the effort that plainly went into them." |
Roger Moore |
Splat 2/5 |
The Animation Show 4 (2008) |
"The high points are few and far between in Judge's second Animation Show." |
Roger Moore |
Splat |
Anna and the King (1999) |
"Anna and the King starts off better than it ends up." |
Jay Boyar |
Splat 2/5 |
Annapolis (2006) |
"From the obviously fake shipyard to the repeated violations of what most of us recognize as the 'Code' of the Academy, to the absurd casting of people who couldn't physically hack the Academy's physical requirements, Annapolis fails." |
Roger Moore |
Tomato 3/5 |
The Ant Bully (2006) |
Click here to see the review. |
Roger Moore |
Tomato |
Antitrust (2001) |
"A vast improvement over earlier attempts at this growing genre." |
Roger Moore |
Tomato 3/5 |
Antwone Fisher (2002) |
"A film as modestly underplayed and as unassumingly classy as the star who also directed it." |
Roger Moore |
Tomato 4/5 |
Anvil! The Story of Anvil (2009) |
"Cute if predictable." |
Roger Moore |
Splat |
Any Given Sunday (1999) |
"Any Given Sunday has the dubious distinction of being the very first football picture to treat the audience like it's the football." |
Jay Boyar |
Splat 2/5 |
Anything Else (2003) |
"The movie rambles, sputters and repeats itself for 108 minutes before staggering to an unsatisfying conclusion." |
Jay Boyar |
Tomato |
Apocalypse Now Redux (2001) |
"Packs every bit the wallop it did when it was new." |
Roger Moore |
Tomato 3/5 |
Apocalypto (2006) |
"Mel Gibson's Apocalypto passes the only movie test that's important. It's the 'I'd pay to see that' test." |
Roger Moore |
Tomato 4/5 |
Appaloosa (2008) |
"Ed Harris, working from a Robert Parker novel, has crafted a meticulously detailed, newfangled old-fashioned morality tale of hard men who go soft when a woman comes between them." |
Roger Moore |
Tomato 4/5 |
Apres Vous (2005) |
"Adorable." |
Roger Moore |
Splat 1/5 |
Aqua Teen Hunger Force Colon Movie Film For Theatres (2007) |
"To think we laughed at Boston. Then. They knew a bomb when they saw one." |
Roger Moore |
Tomato 3/5 |
Aquamarine (2006) |
"Aquamarine really is just an adorable movie. And along the way, life lessons about love, friendship, adjusting to bad news and overcoming grief -- are passed along in a not-that-obvious fashion." |
Roger Moore |
Tomato 3/5 |
Arctic Tale (2007) |
"See this in a cool theater on a hot summer day." |
Roger Moore |
Splat 2/5 |
Are We Done Yet? (2007) |
"Are We Done Yet? isn't funny or original enough to recommend. But it's amusing to watch Ice play straight-man to McGinley's perky, needy, too-helpful Chuck." |
Roger Moore |
Splat 1/5 |
Are We There Yet? (2005) |
"Ice Cube has let so many of his hard edges melt off that he can't even manage a decent tantrum here." |
Roger Moore |
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