Splat 2/5 |
G (2002) |
"You should never make a movie about boundless, conspicuous wealth on an indie budget." |
Roger Moore |
Splat 2/5 |
G-Force (2009) |
"The digital hijinx aren't great. And despite a committed voice cast that includes two Oscar winners, the jokes aren't all that either." |
Roger Moore |
Splat 2/5 |
G.I. Joe: The Rise of Cobra (2009) |
"It's dumb. It's digital. It's derivative. This Joe, scripted at a toy-selling TV-cartoon level, is a non-stop shoot-em-up edited to induce seizures." |
Roger Moore |
Splat |
Galaxy Quest (1999) |
"The premise is the best thing about the movie, but it's such a dandy premise that it is almost enough." |
Jay Boyar |
Tomato 3/5 |
The Game Plan (2007) |
"Finally, for Dwayne "The Rock" Johnson, The Game Plan pays off." |
Roger Moore |
Splat 1/5 |
Gamer (2009) |
"This was never going to be much, but it could have been more than this." |
Roger Moore |
Splat 2/5 |
Gangs of New York (2002) |
"A sprawling, rhythmless, exploitatively violent folly, studded with shallow characters." |
Jay Boyar |
Tomato 3/5 |
Gangs of New York (2002) |
"Missteps aside, this is moviemaking of real ambition." |
Roger Moore |
Splat 2/5 |
Garcon Stupide (2006) |
"It's voyeuristic and kinky and maybe a little judgmental." |
Roger Moore |
Tomato 4/5 |
Garden State (2004) |
"Cleverly written, sensitively directed and very well-acted." |
Jay Boyar |
Tomato 3/5 |
Garfield the Movie (2004) |
"Perfectly watchable." |
Jay Boyar |
Splat 2/5 |
Garfield: A Tail of Two Kitties (2006) |
"Just consider A Tail of Two Kitties more endurable, more a movie than Garfield: The Movie, and you won't be too disappointed." |
Roger Moore |
Splat 2/5 |
George A. Romero's Diary of the Dead (2008) |
"Even a legend's got to make a living, sure. But Diary, for all its core audience appeal, feels like a filmmaker lurching slowly down a path he's already worn out." |
Roger Moore |
Splat 2/5 |
George A. Romero's Land of the Dead (2005) |
"The metaphor, that a society that doesn't recognize the evil it is doing might be getting its comeuppance, would have been a cool subtext in a better movie. But this 'Dead' doesn't jolt, shock, scare or amuse. It just staggers along -- very, very slowly." |
Roger Moore |
Splat 2/5 |
Georgia Rule (2007) |
"Well-acted, sometimes amusing but flat-out tone-deaf." |
Roger Moore |
Splat 2/5 |
Get Rich or Die Tryin' (2005) |
"Don't for a second think that we're meeting the next great rap star to become a movie star." |
Roger Moore |
Splat 2/5 |
Get Smart (2008) |
"Surely after the Speed Racer fiasco, Warner Brothers was ready to say 'sayonara' to lame 1960s TV adaptations. But plainly there wasn't time for the studio to, ahem, Get Smart about that." |
Roger Moore |
Splat 2/5 |
Ghost Rider (2007) |
"Ghost Rider is a joke -- a monumentally foolish comic book movie with lots of unintentional laughs, mixed in with the intentional ones." |
Roger Moore |
Splat 1/5 |
Ghost Ship (2002) |
"The script is a clumsy patchwork of The Shining, Alien and anything else the writers could rent (not read, mind you) at Blockbuster." |
Roger Moore |
Tomato 4/5 |
Ghost Town (2008) |
"The terrific thing in this romantic comedy is the way Hollywood's best and brightest lift their games to match the formidable Gervais in witty exchanges." |
Roger Moore |
Tomato |
Ghost World (2001) |
"A darkly funny musing on junior-division misanthropy and, easily, the summer's best film about teen life." |
Jay Boyar |
Splat 1/5 |
Gigli (2003) |
"It's a catastrophic miscalculation of tone, a comatose comedy about mental illness, contract killers and corpse desecration." |
Roger Moore |
Tomato 3/5 |
Gilles' Wife (2006) |
"Gilles' Wife is a disquieting film of frustrating subtlety. But Devos is a compelling presence at the heart of it. She, and the scenery that is her backdrop, make it worth the three espressos you'll need to drink to stay awake through it all." |
Roger Moore |
Tomato 3/5 |
The Girl from Paris (2002) |
"Pokey and maybe a bit too sincere, but it has its own integrity." |
Jay Boyar |
Splat |
The Girl Next Door (2004) |
"The film is like a hooker dressed up as a lady: It wants to pretend it has class." |
Jay Boyar |
Tomato 5/5 |
Girl with a Pearl Earring (2003) |
"Working from an intelligent, understated screenplay by Olivia Hetreed, director Peter Webber (an acclaimed documentarian) proceeds with a stunning assurance." |
Jay Boyar |
Splat |
Girl, Interrupted (1999) |
"Almost everyone here seems at least a little cartoonlike." |
Jay Boyar |
Tomato |
Gladiator (2000) |
"Action-packed and passionate." |
Jay Boyar |
Tomato |
The Glass House (2001) |
"The film coolly builds from a chilling opening to a sharp, smart finale with efficiency, technical precision and a minimum of fuss." |
Roger Moore |
Tomato 3/5 |
Glastonbury (2007) |
Click here to see the review. |
Roger Moore |
Splat |
Glitter (2001) |
"Carey acts the way Jennifer Lopez sings -- meekly and badly." |
Roger Moore |
Tomato 4/5 |
Gloomy Sunday (2003) |
"Its old-fashioned romanticism is heady, and the relationships among the characters are intriguing." |
Jay Boyar |
Tomato 4/5 |
Glory Road (2006) |
"When a movie this corny still inspires, 'feel good' feels just right. Stay through the credits, when the 'real' coach and players talk, and you'll see the real Glory in this tale." |
Roger Moore |
Splat 2/5 |
Goal! (2006) |
"Disney goes to the sports-movie-formula well once too often with Goal! The Dream Begins, which is essentially The Rookie or The Greatest Game Ever Played on a soccer pitch." |
Roger Moore |
Splat 1/5 |
Gods and Generals (2003) |
"Maxwell, a TV movie director with no ear for dialogue that isn't over the top and no eye for the sort of visual poetry these stories demand, is plainly not up to the job." |
Roger Moore |
Tomato 3/5 |
Godsend (2004) |
"A stylish variation on the age old science-as-boogeyman thriller." |
Roger Moore |
Tomato |
Godzilla 2000 (2000) |
"Take the kids. Watch Godzilla crush Japanese cars, smack Cobra helicopters and burn the mutant alien. It's a tradition and one worth passing on to another generation." |
Roger Moore |
Tomato 4/5 |
Going Upriver: The Long War of John Kerry (2004) |
"Knowing this much about the frankly impressive early years of one candidate certainly casts him in a new light, one beyond the sound bites and attack ads." |
Roger Moore |
Splat 2/5 |
The Golden Boys (2009) |
"Aside from the occasional magical shot or affecting actor moment, it's a film whose poverty betrays most every frame." |
Roger Moore |
Tomato 4/5 |
The Golden Compass (2007) |
""Free will" and "reason" go to war with "dogma" and "blind obedience" in The Golden Compass, the cryptic and striking new film based on the fantasy novels of Philip Pullman." |
Roger Moore |
Splat 3/5 |
Golden Door (2007) |
"Yes, the details are spot-on and realistic in the extreme. But we've seen them before. It's the story Crialese hangs this detail on that's weak." |
Roger Moore |
Tomato 3/4 |
Gone Baby Gone (2007) |
"Lehane's superb plotting serves the director well, and Affleck's unblinking view of the world he seems to know, with an emphasis on ugliness, self-perpetuating despair and the wrong sorts of people having children, serves Lehane's story." |
Roger Moore |
Splat |
Gone in 60 Seconds (2000) |
"This may, in fact, be the junkiest film in history to star three Academy Award winners." |
Jay Boyar |
Tomato 5/5 |
Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) |
"Filmmaker Alex Gibney had access to those who knew the guy, the famous, the infamous and the obscure, and he paints a picture of a serious journalist who saw himself documenting 'the death of the American Dream.'" |
Roger Moore |
Tomato 3/5 |
Good Boy! (2003) |
"It's fun in a kiddie-flick sort of way." |
Jay Boyar |
Tomato 4/5 |
Good Bye, Lenin! (2004) |
"A funny movie that rises above farce to the level of sophisticated satire." |
Roger Moore |
Splat 2/5 |
The Good German (2006) |
"This cast almost makes The Good German watchable. It's just that their screenwriter and director don't do them any favors." |
Roger Moore |
Tomato 3/5 |
The Good Girl (2002) |
"It's soulful and unslick, and that's apparently just what [Aniston] has always needed to grow into a movie career." |
Jay Boyar |
Tomato 3/5 |
Good Hair (2009) |
"Scattered as it sometimes seems, Good Hair is a real eye-opener..." |
Roger Moore |
Splat 2/5 |
Good Luck Chuck (2007) |
"Good Luck Chuck has laugh-out-loud moments, many more if you've never outgrown giggling at somebody saying a naughty word." |
Roger Moore |
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