Splat 2/5 |
I am a Sex Addict (2005) |
"That self-indulgent documentary form, the biographical essay film, earns its most onanistic installment ever." |
Roger Moore |
Splat 3/5 |
I Am Legend (2007) |
"This can't-miss concept, in development for decades, was done first and done better in 28 Days Later." |
Roger Moore |
Tomato |
I Am Sam (2002) |
"A movie that shows you its cards and dares you not to fold, to give in and get out that hanky." |
Roger Moore |
Splat 2/5 |
I Am Trying to Break Your Heart (2002) |
"The film doesn't show enough of the creative process or even of what was created for the non-fan to figure out what makes Wilco a big deal." |
Roger Moore |
Tomato 3/5 |
I Capture the Castle (2003) |
"It has just enough charm to be watchable." |
Jay Boyar |
Splat |
I Dreamed of Africa (2000) |
"Watching I Dreamed of Africa is like watching paint dry -- except that the paint never actually does dry." |
Jay Boyar |
Tomato 4/5 |
I Heart Huckabees (2004) |
"A rewarding- frustrating smart-silly comedy of pretentious- modest ambitions." |
Roger Moore |
Splat 1/5 |
I Hope They Serve Beer in Hell (2009) |
"I have no idea if they serve beer in hell. But I have some notion of what might be playing at the Hades AMC 20. It's I Hope They Serve Beer in Hell, probably on a double bill with All About Steve." |
Roger Moore |
Splat 1/5 |
I Know Who Killed Me (2007) |
"The script is shockingly tin-eared and inept." |
Roger Moore |
Splat 1/5 |
I Love You, Beth Cooper (2009) |
"A miscast and misjudged graduation-night comedy, Cooper occasionally -- only occasionally -- wanders into 'harmless.'" |
Roger Moore |
Tomato 4/5 |
I Love You, Man (2009) |
"Unlike Apatow opuses, Hamburg knows not to overstay his welcome. I Love You, Man is a the biff-bam/thank-you-man of "boys need boyfriends" comedies." |
Roger Moore |
Splat 1/5 |
I Now Pronounce You Chuck And Larry (2007) |
"I Now Pronounce You Chuck & Larry is a pretend-to-be-gay firefighter's farce that is entirely too stupid and crude to tote its alleged 'message' about tolerance through the flames to safety." |
Roger Moore |
Tomato 4/5 |
I Served the King of England (2008) |
Click here to see the review. |
Roger Moore |
Splat 2/5 |
I Spy (2002) |
"It won't be long before you'll spy I Spy at a video store near you." |
Jay Boyar |
Splat 2/5 |
I Think I Love My Wife (2007) |
Click here to see the review. |
Roger Moore |
Tomato 4/5 |
I'm Not Scared (2004) |
"The performances are all terrific. Each one suggests an entire story that we can only glimpse." |
Jay Boyar |
Tomato 4/5 |
I'm Not There (2007) |
"It doesn't all work and it runs too long. But every fragment of Dylan's life, every version of him, from the funny to the tippy, rings true." |
Roger Moore |
Tomato 4/5 |
I've Loved You So Long (2008) |
"In a profession that routinely casts aside leading ladies when they hit 40, it's a shame a great one had to take her act to France to remind us that actors, like wines, only improve with age." |
Roger Moore |
Splat 3/5 |
I, Robot (2004) |
"A middling entertainment." |
Roger Moore |
Tomato 5/5 |
Ice Age (2002) |
"Ice Age is full of wonderful throw-away gags, both visual and verbal." |
Jay Boyar |
Splat 2/5 |
Ice Age: Dawn of the Dinosaurs (2009) |
"Some of the jokes work. The story seems concocted by a committee of Blackberries. But the 3D CG animation is quite an improvement from the first two films." |
Roger Moore |
Splat 2/5 |
Ice Age: The Meltdown (2006) |
"You'll take your kids, yes. But don't be surprised if this one leaves them cold as you-know-what." |
Roger Moore |
Splat 2/5 |
The Ice Harvest (2005) |
"[A] woefully miscalculated, distressingly unfunny dark comedy in the Grifters mold." |
Roger Moore |
Tomato 3/5 |
Ice Princess (2005) |
"It doesn't score high in degree of difficulty. But it is technically flawless, and artistically it sticks the landing." |
Roger Moore |
Tomato 4/5 |
Identity (2003) |
"Adds an interesting shot of intelligence to a genre that hasn't seen any in many a year." |
Roger Moore |
Splat 2/5 |
Idlewild (2006) |
"A misguided period-piece musical about gangsters, illegal 'hooch,' 'floozies' and music that is almost entirely unlike jazz." |
Roger Moore |
Splat 3/5 |
Igby Goes Down (2002) |
"The film makes a fatal mistake: It asks us to care about a young man whose only apparent virtue is that he is not quite as unpleasant as some of the people in his life." |
Jay Boyar |
Splat 2/5 |
Igor (2008) |
"There's enough good stuff here that a better 'toon could have been stitched together from the many promising funny parts." |
Roger Moore |
Tomato 4/5 |
The Illusionist (2006) |
"Norton is a magnetic and mysterious center to the piece, boring his eyes through the screen with his intensity." |
Roger Moore |
Tomato 3/5 |
Imaginary Heroes (2004) |
"Failed ambition is still ambition. Imaginary Heroes may overreach, but it challenges us as it does. That's heroic in any filmmaker." |
Roger Moore |
Tomato 4/5 |
Imagine Me & You (2006) |
"A surprisingly old-fashioned romantic comedy, a film of lovely British parks, of antiques auctions and cluttered, lived-in homes and very good-looking 30-or-so's trying to be sophisticated." |
Roger Moore |
Splat 3/5 |
Imagine That (2009) |
"Murphy's goofy, bug-eyed hysterics seem played out and overly familiar." |
Roger Moore |
Tomato |
IMAX - The Magic of Flight (1996) |
"We need to be reminded just how far flight has come in just 100 years, and The Magic of Flight does that nicely." |
Roger Moore |
Tomato 4/5 |
Importance of Being Earnest (2002) |
"The ingenuity that Parker displays in freshening the play is almost in a class with that of Wilde himself." |
Jay Boyar |
Splat |
Impostor (2001) |
"Impostor is a step down for director Gary Fleder." |
Jay Boyar |
Tomato 5/5 |
In America (2003) |
"One of the two or three best movies of the year, In America is easily the most emotionally satisfying." |
Jay Boyar |
Tomato 5/5 |
In Bruges (2008) |
"This dark comedy shifts effortlessly between silly and sobering, and it finally gives Colin Farrell the chance to be as funny as we've long suspected he could be." |
Roger Moore |
Splat 2/5 |
In Good Company (2004) |
"Feels like a movie written by and for marketing types -- Quaid and Marg Helgenberger (as his wife) to appeal to baby boomers, and Grace and Johansson for Generation Y. That's a business strategy, not a movie." |
Roger Moore |
Tomato 4/5 |
In Her Shoes (2005) |
"Try on these Shoes. Even if you don't like the style, you will love where they take you." |
Roger Moore |
Splat 2/5 |
In My Country (2005) |
"Failing to get beyond trite Hollywood romantic conventions, sermonizing caricatures and 'I was just following orders' explanations does a great disservice to history." |
Roger Moore |
Tomato 4/5 |
In Search of a Midnight Kiss (2008) |
"One of those raunchy-funny, smart and bittersweet no-budget movies that restores your faith in indie film." |
Roger Moore |
Tomato |
In the Bedroom (2001) |
"So emotionally pure and rigorous that you're more than willing to go along with it." |
Jay Boyar |
Splat 2/5 |
In the Cut (2003) |
"A puzzling affair of murky motivations and leaps of logic that no amount of Meg Ryan skin and no number of faked orgasms can hide." |
Roger Moore |
Tomato 4/5 |
In the Land of Women (2007) |
"It's a wistfully humorous romantic weeper with emphasis on the humorous." |
Roger Moore |
Splat 2/5 |
In The Mix (2005) |
"Rarely has a movie this harmless turned this tone-deaf in its last reel." |
Roger Moore |
Tomato 4/5 |
In the Realms of the Unreal (2004) |
"A stylistic triumph and a sad but also romantic depiction of an artist in his purest state." |
Roger Moore |
Tomato 5/5 |
In the Shadow of the Moon (2007) |
"When it comes to the Apollo program, nobody relates the saga of men going to the moon quite like the corps of 24 who actually made the trip." |
Roger Moore |
Tomato 5/5 |
In the Valley of Elah (2007) |
"In the Valley of Elah is another in a long line of great Tommy Lee Jones performances." |
Roger Moore |
Tomato 3/5 |
The In-Laws (2003) |
"The new In-Laws never captures the cheesy anarchy of the original, something worth shooting for if you remake a comedy classic. But at least it's funny enough that we can't call it a sacrilege." |
Roger Moore |
Splat 3/5 |
Incident at Loch Ness (2004) |
"[Penn's] oafish 'character' only manages a few guffaws and a handful of chuckles, and his movie is the same." |
Roger Moore |
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