Splat |
O (2001) |
"If the plot is largely Shakespearean, the most important nuances get lost along the way." |
Jay Boyar |
Tomato |
O Brother, Where Art Thou? (2000) |
"A roller-coaster ride with a goofy fun-house spirit, it's full of clever pranks." |
Jay Boyar |
Tomato 4/5 |
O'Horten (2009) |
"It's a film whose pleasures come slowly, as we, like the title character, discover the joys he's missed. Best of all, we, like Odd the Norwegian bachelor, figure out it is never too late to start living." |
Roger Moore |
Tomato 4/5 |
Oasis (2004) |
"Perhaps the most harrowing screen romance ever." |
Roger Moore |
Tomato 3/5 |
Observe and Report (2009) |
"In its own demented Pineapple-Foot Fist-Four Letter Word Way, Observe and Report delivers a cynical, angry and funny take on a life of loud, violent desperation." |
Roger Moore |
Splat 1/5 |
Obsessed (2009) |
"Whoever thought remaking Fatal Attraction as a PG-13 thriller was a good idea earns much of the blame for this laughably arch dud." |
Roger Moore |
Splat 3/5 |
Occupation: Dreamland (2005) |
"The occupation may have settled into grim, bloody drudgery. But if we're going to learn anything about the place and our involvement there, films about it can't join suit." |
Roger Moore |
Tomato |
Ocean's Eleven (2001) |
"If you see only one utterly undemanding, totally inconsequential motion picture this season, make it Ocean's Eleven." |
Jay Boyar |
Tomato 4/5 |
Ocean's Thirteen (2007) |
"Its a funny, chummy movie that is every bit as over-plotted, absurd and indulgent as Ocean's Twelve. The big improvement? This time the ham is served on wry." |
Roger Moore |
Splat 2/5 |
Ocean's Twelve (2004) |
"This embarrassing sequel to the 2001 remake of the old Rat Pack romp is bogus on a biblical scale -- a bunch of smug movie stars, goofing on their images, wandering through the wilderness for 40 years. Or what seems like it." |
Roger Moore |
Splat 1.5/4 |
Old Dogs (2009) |
"Trashing Old Dogs is a bit like kicking a puppy. But here goes." |
Roger Moore |
Tomato 4/5 |
Old School (2003) |
"There's no school like this Old School, and this one earns high marks for hilarity." |
Jay Boyar |
Tomato 5/5 |
Oldboy (2005) |
"It's mesmerizing and discomfiting, engaging the viewer on a visceral and an intellectual level." |
Roger Moore |
Splat 2/5 |
Oliver Twist (2005) |
"In Oliver Twist, it's the viewer who is punished." |
Roger Moore |
Tomato 3/5 |
The Omen (2006) |
"It's not pulse-pounding. Not very often, anyway. But it is ominous and smart and more cerebral than your average horror film in these Hostel days." |
Roger Moore |
Splat |
On the Line (2001) |
"It doesn't provide enough drama or comedy or romance to make it appeal to anyone other than the 'N Sync faithful." |
Roger Moore |
Tomato 5/5 |
Once (2007) |
"This lovely tale of a love affair between a Dublin street musician and a flower girl will leave you wistful for more. It's a movie to fall in love with and a movie to fall in love during. It is the most naturalistic musical ever." |
Roger Moore |
Tomato 3/5 |
Once Upon a Time in Mexico (2003) |
"A winking exercise in actors acting cool and the amoral joys of trigger- happiness." |
Roger Moore |
Tomato 3/5 |
Once Upon a Time in the Midlands (2003) |
"The family dynamics are intriguing, and the performances mildly diverting." |
Roger Moore |
Splat |
The One (2001) |
"A joyless affair -- neck-snapping violence, endless blather trying to explain the 'science' behind what is happening and guns, guns and more guns." |
Roger Moore |
Splat 3/5 |
One Hour Photo (2002) |
"Not entirely satisfying as either a creepfest or a character study." |
Roger Moore |
Splat 2/5 |
One Missed Call (2003) |
"Routine horror with a confusingly drawn-out finale." |
Roger Moore |
Splat 2/5 |
One Missed Call (2008) |
"Pity this most mysterious 'Can you hear me now?' of all is spoiled by too many answers to too many questions." |
Roger Moore |
Splat |
One Night at McCool's (2001) |
"An overwritten, overacted, overedited, heck even overorchestrated dark comedy." |
Roger Moore |
Tomato 3/5 |
One Night With The King (2006) |
"Esther's triumph isn't because of divine intervention. It's her humanity and bravery that make her a legend, and make that One Night worth remembering, 2,500 years later." |
Roger Moore |
Tomato 3/5 |
Ong-Bak: The Thai Warrior (2005) |
Click here to see the review. |
Roger Moore |
Tomato 4/5 |
Open Hearts (2003) |
"Open Hearts is far from inaccessible, but it demands a higher level of concentration than most big-budget movies do. The drama exists in a glance or a nod, or in a slight hesitation in speech." |
Jay Boyar |
Tomato 3/5 |
Open Range (2003) |
"Open Range is too talky, too corny and too long. Yet it gets so much right, from its simple affection for the sight of horses at full gallop to a climactic gunfight that sets a new standard for wit and excitement and right- eous revenge." |
Roger Moore |
Tomato 4/5 |
Open Season (2006) |
"It's not deep and not totally original. But Open Season is whiplash quick with the gags and spot-on with the funny voices." |
Roger Moore |
Tomato 4/5 |
Open Water (2004) |
"Sharks are nature's most efficient killing machines. Open Water, which co-stars sharks, is the summer cinema's most efficient scaring machine." |
Roger Moore |
Splat |
Orange County (2002) |
"It's not as gross or stupid as a lot of teen comedies. Just really thick-witted." |
Jay Boyar |
Tomato |
The Original Kings of Comedy (2000) |
"It may be the clearest and most accurate cinematic expression of what it means to be black and American in the first year of the new millennium." |
Jay Boyar |
Splat |
Original Sin (2001) |
"Watching Banderas and Jolie rolling around ... you find yourself thinking about Melanie and Billy Bob, Zorro and Lara Croft, and, ultimately, Access Hollywood." |
Jay Boyar |
Splat 2/5 |
Orphan (2009) |
"It feels too slow and moody for the Halloween crowd and too absurd and silly for more discriminating horror fans." |
Roger Moore |
Tomato 4/5 |
The Orphanage (2007) |
"The Orphanage is a classically creepy Spanish horror film and a joltingly modern one. It turns down the thermostat on its chill slowly, deliberately. That just makes the big frights all the more heart-stopping." |
Roger Moore |
Tomato 4/5 |
Osama (2003) |
"We've heard so much about the cruelty of the Taliban that we think we've heard it all. But there's something about seeing one small human story played out that is still overwhelming." |
Jay Boyar |
Tomato |
Osmosis Jones (2001) |
"A hilarious, hellzapoppin' hybrid." |
Jay Boyar |
Splat 3/5 |
The Other Boleyn Girl (2008) |
"Whatever its virtues, this is entirely too much melodrama to cram into a feature film. Characters are lost, too much happens off camera, and the whole compacted thing feels like Reader's Digest history." |
Roger Moore |
Splat |
The Other Man (2009) |
"Neeson, in particular, has to rumble through the movie behaving in a way consistent with the ending and comes off as far over the top in the process." |
Roger Moore |
Splat 1/5 |
The Other Side of Heaven (2002) |
"The film's implicit premise is that the faith of the Tonga people is in every way inferior to that of John." |
Jay Boyar |
Tomato |
The Others (2001) |
"The Others is a thoughtfully chilling movie. It is not the action, but the look, sound and feel that make it nerve-racking." |
Roger Moore |
Tomato |
Our Lady of the Assassins (2001) |
"A movie that finds a new way to get at the dichotomy of the violent yet supposedly religious and of the faith-starved yet militantly agnostic." |
Roger Moore |
Tomato |
Our Song (2001) |
"A truly fresh performance can do wonders for a movie, and Our Song has three of them." |
Jay Boyar |
Tomato 5/5 |
Out of Time (2003) |
"It's great to see Franklin back in top form." |
Jay Boyar |
Tomato 4/5 |
Outfoxed (2004) |
"Greenwald's central thesis rings true." |
Roger Moore |
Splat 2/5 |
Outlander (2009) |
"One of the more outlandish B-pictures to come out of the Great Movie Mash-up Machine known as The Weinstein Co." |
Roger Moore |
Tomato 4/5 |
Outrage (2009) |
"Dick takes aim after those who are more than happy to legislate your sex life, just so long as it doesn't curtail their own." |
Roger Moore |
Tomato |
Outside Providence (1999) |
"A lot of the movie has an honest, slice - of - life feel to it, and that really helps." |
Jay Boyar |
Splat 2/5 |
Over Her Dead Body (2008) |
"A wan, sad-eyed romantic comedy." |
Roger Moore |
Tomato 4/5 |
Over the Hedge (2006) |
"Over the Hedge may be 'just' a cartoon. But it's also a biting and funny jab at SUV-MSG Nation." |
Roger Moore |
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