Tomato 3/5 |
P.S. (2004) |
"Linney directs her scenes from within them, holding our attention and keeping the focus on her confusion, her pain and her hope." |
Roger Moore |
Splat 2/5 |
P.S. I Love You (2007) |
"This weeper that can't wring out tears." |
Roger Moore |
Splat 1/5 |
P2 (2007) |
"[A] miscast, misdirected botch of a can't-miss plot." |
Roger Moore |
Splat 1/5 |
The Pacifier (2005) |
"The director of Bringing Down the House and the writer and co-creator of Reno 911! fail to find anything funny outside of the diaper pail." |
Roger Moore |
Splat 2/5 |
Paid in Full (2002) |
"It's actually too sincere -- the crime movie equivalent of a chick flick." |
Jay Boyar |
Tomato 5/5 |
The Painted Veil (2006) |
Click here to see the review. |
Roger Moore |
Splat 2/5 |
Palindromes (2005) |
"Subversive by reputation, Solondz is an acquired taste on his best day, and he's just all over the place with this one. Unpleasantly so." |
Roger Moore |
Tomato 5/5 |
Pan's Labyrinth (2006) |
"A violent fantasy set during the Spanish Civil War, this magical film from Guillermo del Toro manages that intellectual high-mindedness, even as it resonates on a primal, mythic level." |
Roger Moore |
Tomato 3/5 |
Pandorum (2009) |
"It's a tight, minimalist Alien-esque "something is loose and hunting people on our space ship" picture that is as claustrophobic as you'd expect, if not quite as paranoid as you might hope." |
Roger Moore |
Tomato 4/5 |
Panic Room (2002) |
"A remarkably straightforward and effective thriller." |
Jay Boyar |
Splat 1/5 |
Paparazzi (2004) |
"Laughably heavy-handed and violent." |
Roger Moore |
Tomato 3/5 |
Paper Clips (2004) |
"You have to be a pretty cynical not to be a little moved." |
Roger Moore |
Tomato 3/5 |
Paper Heart (2009) |
"Paper Heart gets by on easygoing charm, rather like Yi herself, whose low-fi comedy is built upon us rooting for her, perhaps hoping that surely there's more magnetism to her than this." |
Roger Moore |
Tomato 5/5 |
Paper Moon (1973) |
Click here to see the review. |
Roger Moore |
Splat 2/5 |
Paprika (2007) |
"With a conventional invade-dreams/bend-reality plot, it's a bit of a bore." |
Roger Moore |
Tomato 5/5 |
Paradise Now (2005) |
"... it says more about Middle Eastern politics from the Palestinian side than any movie, period." |
Roger Moore |
Tomato 3/5 |
Paranormal Activity (2009) |
"This is more fun than most studio horror films that drop into theaters most weekends. Is it scarier? Only occasionally." |
Roger Moore |
Tomato 4/5 |
Paris 36 (2008) |
"An utterly charming and sentimental French melodrama with music, a nostalgic look backstage and back in history." |
Roger Moore |
Tomato 4/5 |
Paris, Je T'aime (2007) |
"A little uneven in style, tone and quality. But the picture that emerges of Paris is romantic, cosmopolitan and hopeful." |
Roger Moore |
Splat 3/5 |
The Passion of the Christ (2004) |
"Bloody to the point of gruesome, moving without being inspiring." |
Roger Moore |
Splat |
Passionada (2003) |
"Lacks exactly what its title promises, passion, and any real Portuguese flavor." |
Roger Moore |
Tomato 3/5 |
Pathfinder (2007) |
"The design, the limited, primitive color palette and the breathless, primal violence make Pathfinder work about as well as any movie with this director and this cast and villains who speak Norwegian was going to work." |
Roger Moore |
Tomato |
The Patriot (2000) |
"Emmerich choreographs the action with breathtaking precision." |
|
Tomato |
The Patriot (2000) |
"Every moment leads naturally to the next, and the overall effect is thrilling." |
|
Splat 2/5 |
Paul Blart: Mall Cop (2009) |
"The thin comic appeal of Kevin James is laid on a bit thicker in Paul Blart: Mall Cop, his first solo star vehicle for the big screen." |
Roger Moore |
Splat |
Pay It Forward (2000) |
"The result is about as organic as a pink Hostess Snowball." |
Jay Boyar |
Tomato 3/5 |
Paycheck (2003) |
"Affleck gives a sleek, economical performance as Jennings." |
Jay Boyar |
Splat 2/5 |
Peaceful Warrior (2006) |
Click here to see the review. |
Roger Moore |
Splat |
Pearl Harbor (2001) |
"When no one's fighting, it's mostly a blindingly tedious soap opera, complete with an unexciting love triangle, a pushy musical score, a miraculous feat by a disabled character and an equally miraculous revival of one of the heroes." |
Jay Boyar |
Tomato 3/5 |
Penelope (2008) |
"What Penelope offers is a terrific cast willing to emphasize the charming, a decent fake nose and a message that any parent would love to pass on to a child -- love yourself and the world will love you back." |
Roger Moore |
Tomato 3/5 |
People Say I'm Crazy (2004) |
"An eye-opener in a medical-history sense." |
Roger Moore |
Tomato 4/5 |
The Perfect Crime (2005) |
"This Spanish-language romp is a delightful send-up of retail culture, movie thrillers and the eternal 'ladies' man' facing his just deserts." |
Roger Moore |
Splat 3/5 |
A Perfect Getaway (2009) |
"The exotic setting and characters deserve more riveting situations than this imperfect Getaway gives them." |
Roger Moore |
Splat 2/5 |
The Perfect Holiday (2007) |
"Jovial and junky as all get out, The Perfect Holiday is about what you'd expect from a holiday comedy daring to put 'perfect' in its title. As in anything but." |
Roger Moore |
Splat 2/5 |
The Perfect Man (2005) |
"It's shy about addressing anything that requires a moment's thought -- selfish irresponsible parents, selfishly bratty kids, lying, talking others into lying." |
Roger Moore |
Tomato 4/5 |
The Perfect Score (2004) |
"Surprisingly smart, surprisingly wise, predictably funny and yet unpredictable in general, it punctures stereotypes and taps into 17-year-old angst." |
Roger Moore |
Splat |
The Perfect Storm (2000) |
"It isn't a very good movie." |
Jay Boyar |
Tomato 3/5 |
Perfect Stranger (2007) |
Click here to see the review. |
Roger Moore |
Tomato 4/5 |
Perfume: The Story of a Murderer (2006) |
"Even if that broad interpretation -- that art is worth any human cost, that identity can be put on, like a scent -- leaves you cold, there's a world to immerse yourself in, a killer to be pursued, and an innocent to be feared for." |
Roger Moore |
Tomato 5/5 |
Persepolis (2007) |
"Animated by hand, often in glorious black and white, this French classic has the pathos, wit and intellectual sting of great political filmmaking." |
Roger Moore |
Tomato 3/5 |
Peter Pan (2003) |
"It's not completely joyless, as Spielberg's Hook was. And it is not without its laughs and little pleasures." |
Roger Moore |
Tomato 3/5 |
Phone Booth (2003) |
"The makings of a taut little drama are rendered into a reasonably taut piece by a big name cast and a director who once ruined the Batman franchise." |
Roger Moore |
Tomato 4/5 |
The Pianist (2002) |
"Brody is a sublimely haunting presence at the heart of The Pianist." |
Roger Moore |
Splat 2/5 |
The Piano Teacher (2002) |
"It is depressing, ruthlessly pained and depraved, the movie equivalent of staring into an open wound." |
Roger Moore |
Tomato 5/5 |
Pieces of April (2003) |
"A charmer of mild surprises, heartfelt laughs and genuine humanity." |
Roger Moore |
Splat 2/5 |
Piglet's Big Movie (2003) |
"Has all the charm of cafeteria creamed spinach." |
Jay Boyar |
Tomato 4/5 |
Pineapple Express (2008) |
"This one takes the action comedy to places -- irresponsible, violent, and funny -- that it has never been before." |
Roger Moore |
Splat 2/5 |
Pink Panther (2006) |
"Brilliant Martin, an intellectual comic who started his career slumming in sophomoric slapstick, is entirely too uptight to be genius Sellers' greatest creation." |
Roger Moore |
Splat 2/5 |
The Pink Panther 2 (2009) |
"...somewhat less of a desecration of the memory of Peter Sellers than Martin's first outing as the bumbling French detective." |
Roger Moore |
Splat |
Pinocchio (2002) |
"Instead of hiding Pinocchio from critics, Miramax should have hidden it from everyone." |
Jay Boyar |
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