Splat |
A.I. Artificial Intelligence (2001) |
"For Spielberg to take on a downer of a story like A.I. is like Santa Claus taking charge of the IRS." |
Jay Boyar |
Splat 2/5 |
Abandon (2002) |
"Wretched, thrill-free thriller." |
Jay Boyar |
Tomato 4/5 |
About a Boy (2002) |
"A lot of the credit for the film's winning tone must go to Grant, who hasn't lost a bit of the dry humor that first made audiences on both sides of the Atlantic love him." |
Jay Boyar |
Tomato 4/5 |
About Schmidt (2002) |
"A thought-provoking and often-funny drama about isolation." |
Jay Boyar |
Tomato 5/5 |
Adaptation (2002) |
"One-of-a-kind near-masterpiece." |
Jay Boyar |
Tomato |
The Adventures of Rocky and Bullwinkle (2000) |
"True to the smart-and-zany, shamelessly punning spirit of Jay Ward's hilarious characters." |
Jay Boyar |
Splat 1/5 |
Agent Cody Banks 2: Destination London (2004) |
"Even by kiddie-flick standards, this one, directed by Kevin Allen, is astonishingly lame." |
Jay Boyar |
Tomato 4/5 |
The Agronomist (2004) |
"A thoroughly fascinating look at a man with a mind that is subtle, sensitive and alert to life's nuances." |
Jay Boyar |
Tomato 4/5 |
Aileen: The Life and Death of a Serial Killer (2003) |
"A haunting exploration of a ruined and wasted life." |
Jay Boyar |
Tomato 3/5 |
Alfie (2004) |
"The supporting cast of females (and Epps) is fun to watch, and the film boasts three original songs by Mick Jagger and Dave Stewart." |
Jay Boyar |
Tomato |
Ali (2001) |
"Mann ... makes a valiant attempt. And with the loose-limbed Will Smith in the title role, he gets surprisingly far." |
Jay Boyar |
Splat 1/5 |
All About the Benjamins (2002) |
"As violent, profane and exploitative as the most offensive action flick you've ever seen." |
Jay Boyar |
Tomato 4/5 |
All or Nothing (2002) |
"An unsentimental, but nevertheless touching and sincere, reflection on the meaning of family and the fragility of love." |
Jay Boyar |
Splat |
All the Pretty Horses (2000) |
"To be a really good movie, All the Pretty Horses would have had to have been almost twice as long. The way it is, it leaves too much out." |
Jay Boyar |
Splat |
Along Came a Spider (2001) |
"Along Came a Spider is watchable, but that's about all." |
Jay Boyar |
Splat 3/5 |
Along Came Polly (2004) |
"Practically everyone here is a collection of tics, gimmicks and mannerisms." |
Jay Boyar |
Tomato |
Amelie (2001) |
"Tautou is gloriously alive in the title role." |
Jay Boyar |
Splat 2/5 |
America's Heart and Soul (2004) |
"Disheartening & Soulless is really a better title for this empty exercise in boosterism." |
Jay Boyar |
Tomato |
America's Sweethearts (2001) |
"A terrific romantic comedy about narcissism, insincerity, lunacy and glamour." |
Jay Boyar |
Splat |
American Pie (1999) |
"A sloppy mess!" |
Jay Boyar |
Splat |
American Psycho (2000) |
"Although I've heard both the film and the book described as dark satire, not much here resembles wit." |
Jay Boyar |
Tomato 5/5 |
American Splendor (2003) |
"If Harvey Pekar is a brilliant oddity so is the movie that tells his story." |
Jay Boyar |
Splat 1/5 |
Anacondas: The Hunt for the Blood Orchid (2004) |
"After watching this film you feel that you've aged a thousand years." |
Jay Boyar |
Splat 2/5 |
Analyze That (2002) |
"Plays like the sort of phone-it-in sequel that's patched together mainly to further enrich the people who made the original." |
Jay Boyar |
Splat 2/5 |
Anchorman: The Legend of Ron Burgundy (2004) |
"Most of it isn't even as funny as those supposedly humorous features that local news broadcasts sometimes end with." |
Jay Boyar |
Splat 1/5 |
And Now Ladies and Gentlemen (2003) |
"The movie is overcrowded with ideas, any one of which might have made a fun premise. Put them all together and the result is just plain silly." |
Jay Boyar |
Splat |
Anna and the King (1999) |
"Anna and the King starts off better than it ends up." |
Jay Boyar |
Splat |
Any Given Sunday (1999) |
"Any Given Sunday has the dubious distinction of being the very first football picture to treat the audience like it's the football." |
Jay Boyar |
Splat 2/5 |
Anything Else (2003) |
"The movie rambles, sputters and repeats itself for 108 minutes before staggering to an unsatisfying conclusion." |
Jay Boyar |
Splat 3/5 |
A Scanner Darkly (2006) |
"Linklater's willingness to experiment ... is laudable. But I'm not sure he's reinventing animation here, or even adequately serving that older-than-children animation audience." |
Roger Moore |
Tomato 3/5 |
Abel Raises Cain (2005) |
"If you don't giggle at some of Alan's gags and the reaction our increasingly polarized culture has to them, you're a prime candidate to fall for him next time." |
Roger Moore |
Tomato 4/5 |
About Baghdad (2003) |
Click here to see the review. |
Roger Moore |
Splat 2/5 |
Accepted (2006) |
"Half-witted it may be, but as back-to-school time-killers go, Accepted's right on the edge of acceptable." |
Roger Moore |
Tomato 4/5 |
Across the Universe (2007) |
Click here to see the review. |
Roger Moore |
Tomato |
Adam (2009) |
"Adam is As Good as It Gets with a dash of Rain Man, movie comfort food, but still charms us through the familiar rhythms of its story." |
Roger Moore |
Splat 2/5 |
Adam & Steve (2006) |
"Starting your film with a display of public incontinence isn't the best way to win over the audience." |
Roger Moore |
Splat 1/5 |
Adam Sandler's Eight Crazy Nights (2002) |
"Sets animation back 30 years, musicals back 40 years and Judaism back at least 50." |
Roger Moore |
Tomato 4/5 |
Adoration (2009) |
"A gimmicky, sad and beautifully acted mystery that keeps its secrets even when it loses its grasp of the logical." |
Roger Moore |
Splat 3/5 |
Adventureland (2009) |
"The only adventure here will be for kids too young to know what 'coming of age' means. And they can't get into an R-rated movie." |
Roger Moore |
Tomato |
The Adventures of Felix (2001) |
"Bouajila's winning performance, and the film's timely tolerance, make Felix a movie road trip you'll want to take." |
Roger Moore |
Splat 2/5 |
Adventures of Sharkboy and Lava Girl in 3-D (2005) |
"The movie is unbelievably ugly. The garish colors Rodriguez loves so much wash out in 3-D." |
Roger Moore |
Splat 2/5 |
Aeon Flux (2005) |
"It's not terrible. It's not so bad that it's fun. Aeon Flux doesn't rhyme with 'flux.' It's just watchably bad, which is no reason to watch it at all." |
Roger Moore |
Tomato 4/5 |
After Innocence (2005) |
"A compelling look at a flawed system." |
Roger Moore |
Splat |
After the Sunset (2004) |
"One of the worst heist pictures ever." |
Roger Moore |
Tomato 5/5 |
After The Wedding (2007) |
"Lovely, dense and surprising." |
Roger Moore |
Tomato 3/5 |
Against the Ropes (2003) |
"Given a real character to play, and one within her range, Ryan delivers a real performance, and a really likable one, in this sassy-but-not-edgy boxing picture." |
Roger Moore |
Splat 2/5 |
Agent Cody Banks (2003) |
"Too violent for children and too recycled for adults." |
Roger Moore |
Splat 3/5 |
Air Guitar Nation (2007) |
"It's a limited movie, from the musical palette the performers choose, to the number of players the movie spends time with." |
Roger Moore |
Tomato 3/5 |
Akeelah and the Bee (2006) |
"... a delight to sit through ..." |
Roger Moore |
Splat 2/5 |
The Alamo (2004) |
"They may have gotten the history more or less right. But this is an Alamo that could have used a little more Hollywood." |
Roger Moore |
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