Splat 2/4 |
Rain (2002) |
"The film can depress you about life itself." |
David Elliott |
Tomato 2.5/4 |
Raise Your Voice (2004) |
"Duff at 17 is so easy to take. She radiates without smugness, like the blessed offspring of Marilyn Monroe and a virile marshmallow." |
David Elliott |
Tomato 2.5/4 |
Raising Victor Vargas (2003) |
"Writer-director Sollett has a honed, at-home cast and a deft, funny sense of eros. The many close-ups establish intimacy, though at times this feels like a case study in sex and urban density." |
David Elliott |
Tomato 4/4 |
Ram Dass Fierce Grace (2002) |
"Rarely, a movie is more than a movie. Go." |
David Elliott |
Tomato |
Rana's Wedding (2002) |
"The film bundles messy history into messy lives, and it breathes." |
David Elliott |
Splat |
Random Hearts (1999) |
"This is 131 minutes of funereal waste." |
David Elliott |
Splat |
Rat Race (2001) |
"Seems designed for kids who won't get about a third of the jokes. Or maybe for the quirky kids who think that Hitler gags require, as a punch line, lesbian bikers." |
David Elliott |
Tomato 3/4 |
Ratatouille (2007) |
"If a bit long for a cartoon feature -- probably a sign that its makers fell in love with it -- Ratatouille is the eighth and one of the best Pixar features." |
David Elliott |
Tomato 4/4 |
Ray (2004) |
"Ray has the sound, drive, heat and wallop of Ray Charles." |
David Elliott |
Tomato 3.5/4 |
Read My Lips (2002) |
"A genuinely adult thriller with a sneaky sexual charge." |
David Elliott |
Tomato |
Ready to Rumble (2000) |
"Ready to Rumble isn't nearly as bad as you'd think it might be." |
Arthur Salm |
Splat 1.5/4 |
The Real Cancun (2003) |
"Strip away the glittery facade and turn down the music, and what's left is very little substance." |
David Elliott |
Tomato 2.5/4 |
Real Women Have Curves (2002) |
"Expect no major discoveries, nor any stylish sizzle, but the film sits with square conviction and touching good sense on the experience of its women." |
David Elliott |
Tomato 2.5/4 |
Rebound (2005) |
"Lawrence and the kids find a common groove, and validate their casting." |
David Elliott |
Tomato |
Recess: School's Out (2001) |
"This is a cute show, no more, but we know how easy it is to get less." |
David Elliott |
Splat 2/4 |
The Reckoning (2004) |
"The story tumbles awkwardly." |
David Elliott |
Tomato 3/4 |
The Recruit (2003) |
"The Recruit manages the commercially savvy trick of being both insolent and patriotic about the CIA." |
David Elliott |
Splat 1/4 |
Red Dragon (2002) |
"The film has very little momentum, nothing freshly imagined." |
David Elliott |
Tomato 3/4 |
Red Lights (2004) |
"Not since Two for the Road (1967) has a married couple in French transit been slapped so sideways along the byways." |
David Elliott |
Splat |
Red Planet (2000) |
"Not boring, not captivating." |
David Elliott |
Splat 1/4 |
Reign Over Me (2007) |
"It's all padded, contrived, gummy with sympathy given or denied." |
David Elliott |
Splat |
Reindeer Games (2000) |
"And so, like a barge crashing a Jacuzzi, do many plot contrivances." |
David Elliott |
Splat 2/4 |
Renaissance (2006) |
"Even more soulless than Tron or The Black Cauldron, Renaissance seems less a vanguard advance than the rococo degeneration of an art movement for trippy nerds." |
David Elliott |
Tomato 3/4 |
Rendition (2007) |
"A movie that has only two major scenes for Streep and one for Arkin has talent to spare." |
David Elliott |
Tomato 3/4 |
Rent (2005) |
"Treasuring what Larson and his young cast did, Columbus has made it vital again, showbizzy but only sometimes corny." |
David Elliott |
Splat |
The Replacements (2000) |
"Achieving the dull veneer of your standard TV movie shot on the backlots of Burbank, The Replacements lets Hackman work at about one-fourth his talent level. That still gives him a big lead over Reeves." |
David Elliott |
Splat |
Requiem for a Dream (2000) |
"Less filmed than assembled by an MTV task force committed to the final obliteration of subtlety." |
David Elliott |
Splat 2/4 |
Reservation Road (2007) |
"There is the squishy tension of a problem drama gone soft." |
David Elliott |
Tomato |
Resurrecting the Champ (2007) |
"Bottom line, the film is excellent. Jackson is the undeniable star, his portrayal poignant and real...The understated Hartnett holds his own." |
Don Norcross |
Splat |
Return to Me (2000) |
"Every shot is squarely predictable, and you'd never guess that cinematographer Laszlo Kovacs has done major work like Paper Moon." |
David Elliott |
Tomato 3/4 |
Return to Never Land (2002) |
"What's pleasing about the movie is how faithful it is to the old charms, and how unpretentiously it gets the old groove going." |
David Elliott |
Splat |
Returner (2002) |
"An action party for bored fifth graders." |
David Elliott |
Tomato 3/4 |
The Revolution Will Not Be Televised (2003) |
"Amazingly immediate, and without any caramel coating of happy talk." |
David Elliott |
Splat |
Rhinoceros Eyes (2004) |
"Smacks of upscale student work with a command of atmospherics but a script mixed in a blender of concept doodles." |
David Elliott |
Splat 2.5/4 |
Riding Alone For Thousands of Miles (2006) |
"The often stunningly raw landscapes and scenes of village life cannot entirely make the film more than exotically accessible, although themes are spelled out, as if by translation." |
David Elliott |
Tomato 3/4 |
Riding Giants (2004) |
"Moving from hero to hero, big waves to bigger ones, the movie pulls you into the adrenaline surge of fixation." |
David Elliott |
Tomato |
Riding in Cars with Boys (2001) |
"The splendid cast keeps Penny Marshall's film ... from heading into a soaped limbo of banality." |
David Elliott |
Tomato 2.5/4 |
The Ring (2002) |
"Much less than the sum of its stylish parts, but for a while there, it'll curl your hair, or your toes, or whatever it is you've got that curls up when you're getting the holy popcorn scared out of you." |
Arthur Salm |
Tomato 3/4 |
The Ringer (2005) |
"Call it small, yes, but it's a special comedy." |
David Elliott |
Tomato 3/4 |
The Road to Guantanamo (2006) |
"The overwhelming sense is of busted justice that would have infuriated even Kafka, and a great nation abusing the innocent for that old devil, expediency." |
David Elliott |
Tomato 4/4 |
Road to Perdition (2002) |
"The best gangster movie since The Godfather." |
David Elliott |
Splat |
Road Trip (2000) |
"With the exception of Tom Green's inspired performance as a mouse-gobbling psycho, Road Trip is surprisingly short on anarchic lunacy." |
Karla Peterson |
Tomato |
Roar: Lions of the Kalahari |
"It's an old TV-nature-show story, but the telling here is crisp, stripped down, unsentimental (save for a cloying score) and startlingly effective." |
David Elliott |
Tomato 3/4 |
Robots (2005) |
"Robots shows its concept wheels very obviously, but it is entertaining, visually spectacular, and in a few moments (like a scene with millions of ball bearings) beautiful." |
David Elliott |
Tomato |
Rock Star (2001) |
"Both fun and foolish, a diversion that starts and stays minor." |
David Elliott |
Tomato 3.5/4 |
Roger Dodger (2002) |
"Kidd's script is rich in smart lines that have stingers in their tails." |
David Elliott |
Splat 0/4 |
Rollerball (2002) |
"A long, violent, expensive and very stupid movie." |
David Elliott |
Splat |
Ronin (1998) |
"Frankenheimer rams the plot through turnstiles of gibberish!" |
David Elliott |
Splat 2.5/4 |
The Rookie (2002) |
"The story is very keen to coddle its emotions and wrap the sports action in old songs." |
David Elliott |
Tomato 2.5/4 |
Rosenstrasse (2004) |
"Von Trotta has made the story lucidly painful, and only a brick would not be moved. But she has also padded it, rather than burrowing tightly into the protest and its details." |
David Elliott |