Tomato B |
Eagle Eye (2008) |
"[Director Caruso] has done a masterful job of maintaining suspense, keeping the stunts mind-blowing and dressing the visuals in the bleak hues and gritty style of a '70s paranoid thriller." |
William Arnold |
Splat C+ |
Eagle Vs. Shark (2007) |
"It becomes apparent early on that excessive teenage eccentricity and terminal self-delusion isn't quite as cute in the adult male and absent father." |
Sean Axmaker |
- |
Earth (1999) |
Click here to see the review. |
|
Tomato B |
East Is East (1999) |
Click here to see the review. |
William Arnold |
Tomato B+ |
East-West (1999) |
Click here to see the review. |
William Arnold |
Tomato B+ |
Eastern Promises (2007) |
"The restraint of both director and actor makes this steely gangster drama reverberate long after it ends." |
Sean Axmaker |
Splat C- |
Easy (2003) |
"... tries to coast on this surface of quirks and cute details, but Weinstock's perfunctory direction stumbles over her attempts at humor and sabotages her performers." |
Sean Axmaker |
Splat C- |
Eating Out (2005) |
"... a feature-length sitcom with gay double entendres." |
Sean Axmaker |
Tomato B |
Eden (2006) |
"Like Beauty and the Beast, Eden is a fairy tale about impossible love, but this beast, instead of a noble soul, has an insatiable appetite." |
Bill White |
Tomato A |
The Edge of Heaven (2008) |
"Akin doesn't hide the fatal destinies of major characters... but it's the lives of the survivors and how they choose to carry on that carry these crisscrossing stories." |
Sean Axmaker |
Tomato B |
Edge of Seventeen (1998) |
Click here to see the review. |
Paula Nechak |
Tomato B |
The Edukators (2005) |
"It's a rare film that gets smarter as it goes along..." |
Sean Axmaker |
Tomato B |
An Egyptian Story (1982) |
"... his All That Jazz, in which he defends his life to a fantasy courtroom while under the knife during open-heart surgery." |
Sean Axmaker |
Tomato B |
Eight Below (2006) |
"Director Frank Marshall otherwise manages to tell his story with a minimum of nonsense." |
William Arnold |
Tomato B |
Eight Legged Freaks (2002) |
"... a B-movie-and-proud-of-it thrill ride, probably the best of its kind since Tremors." |
Sean Axmaker |
Tomato B- |
Election (1999) |
Click here to see the review. |
William Arnold |
Tomato B |
Elegy (2008) |
"An absorbing but somber drama." |
William Arnold |
Splat C- |
Elektra (2005) |
"A poorly written collection of comic-book movie cliches that offers nothing new to the genre, generates very little in the way of action thrills and plays like a self-important, humorless rip-off of Kill Bill." |
William Arnold |
Tomato B |
Elephant (2003) |
"Even though it is, in many ways, a hugely unsatisfying film ... American audiences are also likely to find it an absorbing and chilling little movie that sneaks up to deliver a considerable emotional wallop." |
William Arnold |
Tomato B |
Elf (2003) |
"Ferrell, in his first leading role, peppers every scene with manic outbursts and joyous exclamations..." |
Sean Axmaker |
Splat C+ |
Elizabeth: The Golden Age (2007) |
"... the intrigue that made the original Elizabeth so gripping is simply an awkward complication here, emphasis on the awkward." |
Sean Axmaker |
Tomato A- |
Elizabethtown (2005) |
"That rare animal, a dialogue-driven comedy -- and a good one at that." |
William Arnold |
Tomato B- |
Ella Enchanted (2004) |
"... there's an unabashed charm in Hathaway's sweet and spunky performance and a rejuvenating energy unleashed in a pair of bright musical numbers." |
Sean Axmaker |
Tomato B+ |
Ellie Parker (2005) |
"While Coffey occasionally grasps for material to build a feature-length work, it is a truthful, funny testimony to the everyday masquerade of Los Angeles' pose of bohemian cool." |
Gianni Truzzi |
Tomato B |
Elling (2002) |
"...hits every cliche we've come to expect, including the assumption that "crazy" people are innocent, childlike and inherently funny." |
Sean Axmaker |
Tomato B+ |
Elsa & Fred (2008) |
"Who would have guessed that, in this age of excess and one-upmanship, when bigger is always better, the year's most romantic screen kiss would last a mere two seconds." |
Bill White |
Tomato B- |
The Emperor and the Assassin (1999) |
Click here to see the review. |
Paula Nechak |
Tomato B |
The Emperor's Club (2002) |
"[Kline's] utterly convincing -- and deeply appealing -- as a noble teacher who embraces a strict moral code, and as a flawed human being who can't quite live up to it." |
William Arnold |
Tomato B- |
The Emperor's New Clothes (2002) |
"Holm ... embodies the character with an effortlessly regal charisma." |
William Arnold |
Tomato |
The Emperor's New Groove (2000) |
"A mildly amusing, though surprisingly thin, helping of holiday fun." |
Robert Denerstein |
Splat D- |
Empire (2002) |
"The thing looks like a made-for-home-video quickie." |
William Arnold |
Tomato B |
Employee of the Month (2006) |
"Employee of the Month knows it has a flimsy premise but it simply doesn't care. It's an agreeable comedy that makes its priorities clear: It wants to be funny at the expense of almost everything else." |
Manny Lewis |
Splat C+ |
Enchanted (2007) |
"Given the possibilities it's not particularly inventive, but it is nice to see a comedy so affectionate with the conventions it spoofs." |
Sean Axmaker |
Tomato B+ |
Encounters At the End of the World (2007) |
"... an engaging and generous profile of the fascinating folks who have chosen to live at the end of the world." |
Sean Axmaker |
Tomato B- |
End of Days (1999) |
"If you don't think about it too hard, it's kind of fun." |
William Arnold |
Tomato B- |
The End of the Affair (1999) |
Click here to see the review. |
William Arnold |
Splat C |
End of the Century: The Story of the Ramones (2004) |
"There is little in this film to interest those who are not groupies of the Ramones." |
Bill White |
Splat C |
Endurance (1999) |
"The Olympics sequences are almost completely devoid of drama, and the script never quite makes it clear exactly why he's regarded as being such a special athlete." |
William Arnold |
Tomato |
The Endurance: Shackleton's Legendary Antarctic Expedition (2001) |
"Even knowing the happy outcome, Butler masterfully keeps us on the edge of our seats." |
William Arnold |
Splat C+ |
Enduring Love (2004) |
"There's something flat and obscure about this well-acted stalker movie/" |
Paula Nechak |
Tomato B |
Enemy at the Gates (2001) |
"The film is worth the price of admission for its visual aspects alone." |
William Arnold |
Splat C- |
Enigma (2002) |
"A movie that is not so much awful as mediocre, disconnected and ultimately incomprehensible." |
William Arnold |
Splat D |
Enough (2002) |
"Where, oh where, is the Jennifer Lopez who showed us a new kind of old-fashioned screen heroine in Out of Sight?" |
Paula Nechak |
Tomato B+ |
Enron: The Smartest Guys in the Room (2005) |
"A thorough, insightful, easy-to-grasp and subtly enraging documentary on the subject." |
William Arnold |
Splat C |
Entrapment (1999) |
"It is strangely paced (especially in the beginning), always confusing to follow, and extremely awkward as a romance." |
William Arnold |
Splat D- |
Envy (2004) |
"Stiller and Black have the chemistry of fingernails-on-blackboard and the movie is disastrously unfunny." |
William Arnold |
Splat C |
Equilibrium (2002) |
"... a preachy parable stylized with a touch of John Woo bullet ballet." |
Sean Axmaker |
Splat C+ |
Eragon (2006) |
"We've reached the point in fantasy films at which the CGI-creatures are a lot more interesting and believable than the humans." |
William Arnold |
Tomato B+ |
Erin Brockovich (2000) |
"[Roberts' character is] foul-mouthed, trashy, a legal pit bull ... and she's wonderful." |
William Arnold |
Splat C+ |
Eros (2005) |
"All texture and sublimated longing." |
Sean Axmaker |
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