Tomato |
Haiku Tunnel (2001) |
"Anyone who has been a temporary office drone should find laughs and points of identification within this wry little comedy of manners." |
Misha Berson |
Splat 1/4 |
Hair High (2006) |
"Demonstrates the problem with taking a singular animated style -- best seen in witty, small doses -- and extending it to a 78-minute feature that taxes one's patience." |
Tom Keogh |
Tomato 3.5/4 |
Hairspray (2007) |
"With its zesty dancing, strong performances, goofball details and sweet message of acceptance for all, Hairspray might just be this summer's happiest hit." |
Moira MacDonald |
Tomato 3/4 |
Half Nelson (2006) |
"In the endlessly surprising Half Nelson, all those upbeat, Hollywood clichés about well-meaning outsiders making a difference are turned on their heads." |
Tom Keogh |
Splat .5/4 |
Half Past Dead (2002) |
"When Seagal appeared in an orange prison jumpsuit, I wanted to stand up in the theater and shout, 'Hey, Kool-Aid!'" |
Mark Rahner |
Splat 2.5/4 |
Hamlet 2 (2008) |
"Hamlet 2 is a likable movie even as it careens around like a wagging tail, but it's just too uneven." |
Moira MacDonald |
Tomato 3/4 |
The Hammer (2008) |
"Working with utterly predictable material, screenwriter Kevin Hench finds plenty of offbeat humor, and Carolla knows how to make it sing." |
Moira MacDonald |
Splat 1.5/4 |
Hancock (2008) |
"The final third seems all shot in a strange blue light that makes even the gorgeous Theron look consumptive, and is, in a nutshell, no fun at all. Aren't Fourth of July movies supposed to be fun? No fireworks this time, Will." |
Moira MacDonald |
Tomato 3/4 |
The Hangover (2009) |
"The Hangover should be a huge hit this summer for laugh-starved audiences; happily, it delivers." |
Moira MacDonald |
Tomato 2.5/4 |
Hannah Montana The Movie (2009) |
"Hannah Montana: The Movie is an excuse for some generically catchy songs and a showcase for Miley Cyrus' charmingly chipmunk-cheeked smile; and on that level, it works well enough." |
Moira MacDonald |
Tomato 2.5/4 |
Hannah Takes the Stairs (2007) |
"When it works, it works like a charm." |
Jeff Shannon |
Tomato |
Hannibal (2001) |
"Isn't in the same class as the original, but as sequels go, it's no Porky's 2, either." |
Mark Rahner |
Splat 1.5/4 |
Hannibal Rising (2007) |
"If they were going to show how he got to be the brilliant, charming, exquisitely cultured, uh, vicious cannibal psychopath -- couldn't they have come up with something more interesting?" |
Mark Rahner |
Splat 2/4 |
The Happening (2008) |
"The screenplay is a mess, filled with unfunny moments of intended humor and funny moments of unintended humor." |
Moira MacDonald |
Tomato 3/4 |
Happenstance (2001) |
"Each little action, as we see, causes something bigger to happen, resulting in not exactly a tidal wave, but a happy sense of cinematic pleasure." |
Moira MacDonald |
Tomato 2.5/4 |
Happily N'Ever After (2007) |
"Essentially a brash comedy taking one idea as far as it can go, Happily N'Ever After is spare on emotional development but generous with smart-aleck shtick." |
Tom Keogh |
Tomato 3/4 |
Happiness of the Katakuris (2002) |
"It's weirdly -- and often wonderfully -- entertaining." |
Moira MacDonald |
Tomato |
Happy Accidents (2001) |
"A perfectly pleasant date movie, with enough charm to move it past the slow spots." |
Moira MacDonald |
Tomato 3/4 |
Happy Endings (2005) |
"An intricate ensemble comedy about sex, lies and reproduction, has some messy spots, but overall it's a warm, quirky story about people who seem spiky and real." |
Moira MacDonald |
Splat 2/4 |
Happy Feet (2006) |
"An ambitious, sporadically intriguing, occasionally hilarious but weird pastiche of grab-bag references to pop-culture history." |
Tom Keogh |
Tomato 2.5/4 |
Happy Times (2002) |
"Occasionally funny and consistently odd, and it works reasonably well as a star vehicle for Zhao." |
John Hartl |
Tomato 3/4 |
Happy-Go-Lucky (2008) |
"Happy-Go-Lucky doesn't provide many insights (even Poppy seems ultimately unsure about whether happiness can be a permanent condition), but it does provide a little joy -- and that's worth celebrating, at the movies and elsewhere." |
Moira MacDonald |
Tomato 3/4 |
Hard Candy (2005) |
"... a film that gives you something to think about, raising questions that linger long after the theater lights have brightened." |
Moira MacDonald |
Tomato 3/4 |
Hard Goodbyes: My Father (2003) |
"About nothing so much as a soulful kid's first encounter with the most literal and poetic meanings of the word 'gone.'" |
Tom Keogh |
Splat 2/4 |
The Hard Word (2003) |
"Much of The Hard Word feels like hard time." |
John Hartl |
Splat |
Hardball (2001) |
"Just dreadful." |
Moira MacDonald |
Splat 2/4 |
Harold & Kumar Escape from Guantanamo Bay (2008) |
"It's as if the filmmakers were doing something that impaired their concentration and made them lose focus on something they started." |
Mark Rahner |
Tomato 3/4 |
Harold & Kumar Go To White Castle (2004) |
"It's a delightful surprise that Harold and Kumar Go to White Castle is so hilarious for pretty much all the reasons it should be so predictably brainless." |
Ted Fry |
Splat 2.5/4 |
Harrison's Flowers (2002) |
"The picture, despite impeccable intentions, is an oddly mixed bag." |
Moira MacDonald |
Tomato 3.5/4 |
Harry Potter and the Chamber of Secrets (2002) |
"No sequelitis here, kids (and grown-ups) -- this franchise is alive and well." |
Moira MacDonald |
Tomato 3.5/4 |
Harry Potter and the Goblet of Fire (2005) |
"Though the special effects in this film are often breathtaking, the real drama is here is exactly where it should be: in a young man's frightened but resolute eyes." |
Moira MacDonald |
Tomato 3.5/4 |
Harry Potter and the Half-Blood Prince (2009) |
"As its 2-½ hours came to a close, I was happy to be reminded that we aren't yet done with Hogwarts, and that there's much pleasure in a story slowly told." |
Moira MacDonald |
Tomato 3.5/4 |
Harry Potter and the Order of the Phoenix (2007) |
"Continuing the increasingly darker, more adult trend of the series, the film version is swiftly paced, engrossing and often thrilling." |
Moira MacDonald |
Tomato 4/4 |
Harry Potter and the Prisoner of Azkaban (2004) |
"A marvelous adventure." |
Moira MacDonald |
Tomato |
Harry Potter and the Sorcerer's Stone (2001) |
"The movie version of Harry Potter and the Sorcerer's Stone is, as the Brits might put it, quite good." |
Moira MacDonald |
Splat 2.5/4 |
Harsh Times (2006) |
"Ayer makes his directing debut with Harsh Times, which is so relentlessly grim that it occasionally goes over the top and invites derision." |
John Hartl |
Tomato 3/4 |
Hart's War (2002) |
"[S]turdy if uninspired..." |
Moira MacDonald |
Tomato 3/4 |
Harvard Beats Yale 29-29 (2008) |
"Harvard Beats Yale 29-29, a mosaic of storytelling told by former college-level gridiron athletes, pieces together the remarkable story of a fateful 1968 match between the titular Ivy League teams." |
Tom Keogh |
Splat 2/4 |
The Haunted Mansion (2003) |
"The problem here isn't so much the pace as the too-predictable story and the general lack of energy; director Rob Minkoff can't seem to light a fire under his cast." |
Moira MacDonald |
Splat |
The Haunting (1999) |
"The more this new Haunting tries to impress with its state-of-the-art techniques, the more it recalls how much Wise accomplished with eerie lighting effects and mysterious noises on the soundtrack." |
John Hartl |
Splat 2/4 |
The Haunting in Connecticut (2009) |
"Despite well-designed scare shots, the laborious telling of this elaborate ghost story ultimately fizzles under the weight of too much effort." |
Ted Fry |
Tomato 2.5/4 |
Havana Nights (2004) |
"Looks good, sounds good and delivers what most Dirty Dancing fans are likely to expect." |
Jeff Shannon |
Splat 1.5/4 |
Haven (2006) |
"An ineffective experiment about ugly things happening in a beautiful place." |
Ted Fry |
Tomato 3/4 |
He Loves Me, He Loves Me Not (2003) |
"It's both a stylish exploration of a young woman's obsession and a refreshing tweak to the screen persona of that art-house darling, Audrey (Amélie) Tautou." |
Moira MacDonald |
Tomato 3/4 |
He Was a Quiet Man (2007) |
"With the right audience He Was a Quiet Man might well play as black comedy. But Slater, disappearing into his role, brings a note of earnest desperation to his performance that's hard to laugh at, and hard to look away from." |
Moira MacDonald |
Splat 2.5/4 |
He's Just Not That Into You (2009) |
"Is this what we want in our romantic comedies? Is it too much to hope for smart, dimensional female characters who have more to them than marriage lust (see also -- or rather, don't -- Bride Wars)?" |
Moira MacDonald |
Splat 2/4 |
Head in the Clouds (2004) |
"It sometimes appears to have been designed deliberately as an encyclopedia of clichés." |
John Hartl |
Splat 1.5/4 |
Head of State (2003) |
"It's mostly just bland and occasionally embarrassing." |
Moira MacDonald |
Tomato 2.5/4 |
Head-On (2005) |
"A riveting love story that never flinches from the unsettling reality of a specific social issue or the universal joys that two people can bring to each other's lives, no matter how hard they try to bring agony to their own." |
Ted Fry |
Tomato 3/4 |
Heading South (2006) |
"An unsettling drama by the director of two other remarkable films about class illusions, Human Resources and Time Out." |
Tom Keogh |