Tomato 10/10 |
L.A. Confidential (1997) |
"Hanson cast two actors from Down Under, Crowe and Pearce, in the lead roles of Bud White and Ed Exley, respectively. This decision works wonders for the film; if it had had big name stars in the lead, the viewer would most possibly be distracted by this." |
Matt Easterbrook |
Tomato 7/10 |
The Ladies Man (2000) |
Click here to see the review. |
Matt Easterbrook |
- |
The Land Girls (1998) |
Click here to see the review. |
Matt Easterbrook |
Splat 2/5 |
Lara Croft: Tomb Raider (2001) |
""I was pretty much bored to tears."" |
Matt Easterbrook |
Splat 2.5/5 |
The Last Days of Disco (1998) |
"For the most part it's completely forgettable." |
Matt Easterbrook |
Tomato 4.5/5 |
Last Night (1998) |
"A great movie." |
Matt Easterbrook |
Tomato 4/5 |
The Last Samurai (2003) |
"If there was any justice in the world (and if there were no such thing as The Return Of The King), The Last Samurai would sweep up the technical awards come Oscar time." |
Matt Easterbrook |
Tomato 10/10 |
Lawrence of Arabia (1962) |
"There are great action scenes, and the photography by Lean regular Freddie Young is, I believe, is the best ever put on film." |
Matt Easterbrook |
Tomato 3/5 |
Legally Blonde (2001) |
""This is the first situation I've ever heard of where apparently one's ability to dance half naked on top of a bar is enough to gain them admittance to the bar."" |
Matt Easterbrook |
Tomato 7/10 |
The Legend of 1900 (1998) |
Click here to see the review. |
Matt Easterbrook |
Tomato 8/10 |
The Legend of Bagger Vance (1999) |
Click here to see the review. |
Matt Easterbrook |
Tomato 8/10 |
Les Miserables (1998) |
Click here to see the review. |
Matt Easterbrook |
Tomato 6/10 |
Life (1999) |
Click here to see the review. |
Matt Easterbrook |
Tomato 10/10 |
Life Is Beautiful (1998) |
"The movie is partly set inside a concentration camp, yet it has more to do with Charlie Chaplin than Oskar Schindler, as it uses slapstick pratfalls, social commentary, and gentle satire to create a touching tale of love." |
Matt Easterbrook |
Tomato 8/10 |
A Life Less Ordinary (1997) |
Click here to see the review. |
Matt Easterbrook |
Splat 3/5 |
The Life of Emile Zola (1937) |
"If you sit down to watch The Life of Emile Zola, skip the first third of the movie, because frankly, the beginning blows goats." |
Matt Easterbrook |
Tomato 3.5/5 |
Lilo & Stitch (2002) |
"It would be interesting to see Disney dip into the songbooks of other cultural icons, such as the Beatles, Bob Dylan, or maybe ... shall we say ... Gorillaz?!?!?" |
Matt Easterbrook |
Tomato 3/5 |
The Little Princess (1939) |
No article available. |
Matt Easterbrook |
Tomato 7/10 |
Little Voice (1998) |
Click here to see the review. |
Matt Easterbrook |
Splat 2.5/5 |
Lock, Stock and Two Smoking Barrels (1998) |
"Because the film has to split its running time among so many different characters, all of whom look alike and act alike but have different names, I got rather bored." |
Matt Easterbrook |
Tomato 4.5/5 |
The Lord of the Rings: The Fellowship of the Ring (2001) |
"Anyone with an extra pocket calculator may as well hand it over right now. Call me a freak, call me a geek, but I really enjoyed this movie." |
Matt Easterbrook |
Tomato 4.5 / 5 |
The Lord of the Rings: The Return of the King (2003) |
"Not to be missed -- a wonderful blend of Old Hollywood-style entertainment with modern technical skills, of brain candy and food for the soul. You'll never look at epics the same way again." |
Matt Easterbrook |
Tomato 4.5/5 |
The Lord of the Rings: The Two Towers (2002) |
"I enjoyed it even more than the first movie." |
Matt Easterbrook |
Splat 5/10 |
Loser (2000) |
Click here to see the review. |
Matt Easterbrook |
Tomato 5/5 |
Lost Highway (1997) |
"The Man With No Eyebrows will go down in my books as the single greatest fictitious creation of all time." |
Matt Easterbrook |
Splat 5/10 |
Lost In Space (1998) |
Click here to see the review. |
Matt Easterbrook |
Tomato 4/5 |
Lost in Translation (2003) |
"Lost In Translation is a subtly moving movie that stays with you longer than you expect." |
Matt Easterbrook |
Tomato 5/5 |
The Lost Weekend (1945) |
"More realistic than sentimentalized Hollywood crowd-pleasers like Harvey, and more accessible than complete downers like Leaving Las Vegas, The Lost Weekend is, to me, the definitive film on the subject of alcoholism." |
Matt Easterbrook |
Tomato 8/10 |
Love's Labour's Lost (2000) |
Click here to see the review. |
Matt Easterbrook |
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