Splat |
G-Force (2009) |
"Most depressing about G-Force is the talent wasted in the name of family entertainment." |
Jake Coyle |
- |
G.I. Joe: The Rise of Cobra (2009) |
"No Go: Paramount Won't Show Critics G.I. Joe" |
|
Tomato |
Galaxy Quest (1999) |
"A lot of wacky fun." |
|
Splat |
The Game Plan (2007) |
"It's certainly a goodhearted story, and the movie does offer a little plot twist that deviates from the usual formula. After that, though, The Game Plan quickly reverts to the established playbook for safe, sappy family fare." |
David Germain |
Tomato |
The Garden (2009) |
"Scott Hamilton Kennedy's plucky, powerful storytelling makes this a worthwhile experience." |
Christy Lemire |
Splat |
Garfield: A Tail of Two Kitties (2006) |
"It was the worst of times, it was the worst of times. Sorry, couldn't help it. With a title like Garfield: A Tail of Two Kitties, the bad Dickens puns are irresistible." |
Christy Lemire |
Splat |
Gentlemen Broncos (2009) |
"The movie's a chaotic, infuriating mess that will challenge the most-devoted of the Napoleon Dynamite faithful." |
David Germain |
Tomato |
George A. Romero's Diary of the Dead (2008) |
"The message is muddled, but the zombie master still knows how to make a gripping, graphic, grossly funny horror flick." |
Christy Lemire |
Splat |
Georgia Rule (2007) |
"In the end, it's just another concoction of unbelievable characters doing unbelievable things, and telling us nothing we haven't heard before." |
Christy Lemire |
Splat |
Get Smart (2008) |
"Get Smart, which began its life on TV as a classic sitcom that cleverly satirized Cold War espionage, has been transformed for the big screen into just another standard action picture." |
Christy Lemire |
Splat |
Ghost Town (2008) |
"You can only wander down this comic road for so long. Once you've run through a few sight gags, you have to go somewhere else with this old-fashioned, high-concept premise." |
Christy Lemire |
Splat |
Ghosts of Girlfriends Past (2009) |
"You can count the jokes that work on one hand; the rest is pratfalls and predictability." |
Christy Lemire |
Tomato |
Girlfight (2000) |
"For all the violence on view, Kusama's script insists on a real, wholly unsentimental tenderness." |
Matt Wolf |
Splat |
Glitter (2001) |
"The best parts of this dud are the ones in which she's singing. This is what she does best. This is what she should stick to. Save your money and watch her videos for free on cable music-television networks." |
Christy Lemire |
Splat |
Goal! (2006) |
"There's plenty of fat to cut from Goal!, which would have been a stronger story at a lean, mean 90 minutes." |
David Germain |
Splat |
The Golden Compass (2007) |
"Tickle Me Elmo is more subversive." |
Christy Lemire |
Tomato |
Golden Door (2007) |
"A STRIKINGLY shot tale of Sicilian villagers seeking a better life in America, Golden Door is so minimalist, it's practically a silent film." |
Christy Lemire |
- |
The Golden Girls - The Complete First Season (1985) |
"Estelle Getty: 1923-2008" |
|
Tomato |
Gomorrah (2009) |
"It upends everything you think you know about the mob and mob movies." |
Christy Lemire |
Tomato |
Gone Baby Gone (2007) |
"In his directing debut, Affleck has found his calling, an avenue for using his obvious intelligence while getting out of the way of his own celebrity." |
Christy Lemire |
- |
Gone With the Wind (1939) |
"Fred Crane: 1918-2008" |
|
Splat |
The Good German (2006) |
"Soderbergh, screenwriter Paul Attanasio and their colleagues get much of the mood and atmosphere down, but they fail -- or chose not to try -- to emulate the sense of wily playfulness that made old film-noir characters so rich and engaging." |
David Germain |
Tomato |
Good Hair (2009) |
"Rock sheds new light on this old story through a poignant mix of interviews, investigation and his trademark satire." |
Jesse Washington |
Tomato |
The Good Shepherd (2006) |
"It's the story of the season: Trim about a half-hour and you could turn a good movie into a great one." |
Christy Lemire |
Splat |
A Good Year (2006) |
"It's an ambitious experiment, and not a completely successful one." |
Christy Lemire |
Splat |
The Goods: Live Hard, Sell Hard (2009) |
"It's just repetitive, adolescent and lame." |
Christy Lemire |
Splat |
Gossip (2000) |
"The movie feels longer than its 90 minutes." |
Christy Lemire |
Tomato |
Grace is Gone (2007) |
"It's stirring, even gut-wrenching, on the strength of John Cusack's terrifically restrained performance as a husband in denial over the death of his wife in Iraq." |
David Germain |
Splat |
Gracie (2007) |
"If you competed in high school athletics, you might be able to overlook that Gracie is just another formulaic, if well-intentioned, sports movie." |
Christy Lemire |
Tomato |
Gran Torino (2008) |
"Gran Torino becomes more intriguing as the journey its takes us on evolves and grows darker, albeit with Eastwood's trademark, no-nonsense aesthetic." |
Christy Lemire |
Splat |
Gray Matters (2007) |
"Sitcommy, forced and forgettable." |
Christy Lemire |
Tomato |
The Great Debaters (2007) |
"As in Antwone Fisher, which helped make a star of Derek Luke, Washington draws effortless performances from his young actors, which go a long way in making The Great Debaters more enjoyable than you might expect." |
Christy Lemire |
- |
The Green Hornet (2010) |
"Chow May Drop Out of Green Hornet Completely" |
|
Splat C |
Gridiron Gang (2006) |
"... utterly predictable ..." |
Christy Lemire |
Tomato 3/4 |
Grindhouse (2007) |
"If you've got a taste for blood and three hours to kill, Grindhouse is for you." |
Christy Lemire |
Splat |
The Groomsmen (2006) |
"You have to suffer through a lot of down time in The Groomsmen to get to the good stuff." |
David Germain |
Splat |
The Grudge 2 (2006) |
"There are a couple of good jumps here and there, but we've seen this all before. And the creepy, dead girl, having been infinitely parodied (especially in Scary Movie 4), doesn't seem quite so creepy anymore." |
Christy Lemire |
Splat |
The Guardian (2006) |
"Kevin Costner and Ashton Kutcher’s The Guardian drags on like a slow boat ride to Anchorage, its standard-issue heroics and flavorless dialogue gone stale long before the movie arrives at the big, valorous finish." |
David Germain |
Splat |
A Guide to Recognizing Your Saints (2006) |
"Guide is rich in nostalgia but it goes nowhere." |
Christy Lemire |
Tomato |
Gun Shy (2000) |
"He (Eric Blakeney) shows real promise with clever dialogue and plotting, and especially with creating a gallery of intriguing characters." |
Bob Thomas |