Splat C+ |
Baadasssss! (2004) |
"More competent and engaging than the film that inspired it, but it doesn't go much beyond replaying history." |
Mary F. Pols |
Tomato A |
Babel (2006) |
"[Inarritu's] eloquence of delivery is remarkable." |
Mary F. Pols |
Tomato |
Baby Boy (2001) |
"A crowd-pleaser about chronic, multi-generational irresponsibility." |
Mary F. Pols |
Splat 1.5/4 |
Bad Company (2002) |
"It's the 'lite' version of The Sum of All Fears, except that it's neither funny nor thrilling." |
Mary F. Pols |
Tomato 3/4 |
Bad Santa (2003) |
"Those who love this movie are likely to cherish it with the kind of devotion that people feel for the Coen brothers' The Big Lebowski." |
Mary F. Pols |
Tomato 4/4 |
The Ballad of Jack and Rose (2005) |
"Miller takes on a topic few filmmakers would dare to touch -- the corruption of love -- with astonishing compassion, fierce intelligence and a delicate but always sure touch." |
Mary F. Pols |
Tomato |
Bamboozled (2000) |
"At least Lee does bring up a past that everyone, race notwithstanding, ignores at his or her peril." |
Vera H-C Chan |
Tomato |
Bandits (2001) |
"A road movie that takes us on a real journey, one with actual twists and turns and unexpectedly funny moments." |
Mary F. Pols |
Tomato 3/4 |
The Banger Sisters (2002) |
"The combination of Sarandon and Hawn, playing women who are honestly and obviously middle-aged and willing to ponder their pasts with clear eyes, keeps The Banger Sisters afloat." |
Mary F. Pols |
Tomato 3/4 |
Barbershop (2002) |
"Boisterous, heartfelt comedy." |
Mary F. Pols |
Splat .5/4 |
Basic Instinct 2 (2006) |
"Basic Instinct 2 is an obvious attempt to revive a stalled acting career." |
Randy Myers |
Tomato 3.5/4 |
Batman Begins (2005) |
"Bale makes the best Batman to date." |
Mary F. Pols |
Splat 1.5/4 |
Be Cool (2005) |
"The music industry is already such a parody of itself that the movie's caricatures are only about an inch away from the real thing. You could get almost as many laughs watching the Grammys or the MTV Awards." |
Mary F. Pols |
Tomato A- |
The Beat That My Heart Skipped (2005) |
"The movie is that rarity, a remake that uses its source material as a jumping-off point and ultimately cuts deeper and truer than the original." |
Mary F. Pols |
Tomato |
A Beautiful Mind (2001) |
"Throughout this movie we not only see this man go through hell, we feel it, thanks to Crowe's complete immersion in the part." |
Mary F. Pols |
Tomato 3/4 |
Beauty Shop (2005) |
"Funny, warm and relaxingly good-natured, the kind of movie that invites us to check personal woes at the door." |
Mary F. Pols |
Splat 2/4 |
Because I Said So (2007) |
"It's a shame, because pop star Moore continues to prove herself an adept actress." |
Mary F. Pols |
Tomato B- |
Becoming Jane (2007) |
"You have to be patient with the movie, but the payoff is good." |
Mary F. Pols |
Tomato |
Bedazzled (2000) |
"Not half-bad, even if at times it feels like a mere excuse for showing off the many facets of Ms. Hurley's lovely figure." |
Mary F. Pols |
Tomato 2.5/4 |
Bee Season (2005) |
"The directing team never seems to know when to stop showing and just allow the telling to take over." |
Randy Myers |
Tomato A |
Before Sunset (2004) |
"[Linklater's] best, most mature work to date and perhaps the most daringly subtle film of the year." |
Mary F. Pols |
Tomato A- |
Before the Devil Knows You're Dead (2007) |
"Before the Devil Knows You're Dead, the expertly acted story of two brothers and a con gone very wrong, is full of clever little tricks." |
Mary F. Pols |
Tomato |
Behind Enemy Lines (2001) |
"Engaging junk, replete with plenty of flag-waving, one-dimensional villains and big-bang payoffs that will delight action movie fans." |
Mary F. Pols |
Tomato 3.5/4 |
The Believer (2002) |
"Ryan Gosling ... delivers the kind of performance that should make studio heads look up from their manicures, casting directors reach for their cell phones and moviegoers ask each other, 'Who on earth was that?'" |
Mary F. Pols |
Splat D |
Beowulf (2007) |
"It's a full-fledged cinematic assault, as if a black velvet painting of Norse gods had sprung to life and begun heaving spears, arrows and geysers of blood directly at your forehead." |
Mary F. Pols |
Splat 2/4 |
Bewitched (2005) |
"Instead of being bewitched, we're bothered and bewildered." |
Mary F. Pols |
Splat C |
Beyond Borders (2003) |
"We're both numb and impatient by the time Beyond Borders draws to an end. In a movie that seeks so hard to inspire, that seems a crying shame." |
Mary F. Pols |
Splat |
Bicentennial Man (1999) |
"It's the Tin Man without much brain." |
Karen Hershenson |
Splat D |
The Big Bounce (2004) |
"Foster is one of the worst actresses seen on screen since Cindy Crawford, to the point where she destroys any chance of the movie redeeming itself." |
Mary F. Pols |
Splat |
Big Eden (2001) |
"Except for its gay characters, Big Eden doesn't deviate from tired romantic comedies about heroes who don't know what's good for them." |
Mary F. Pols |
Tomato B- |
Big Fish (2003) |
"It's got the mawkish soul of a male Beaches ... a claustrophobic and often irritating storytelling style, yet it's powered by the quirky genius of Tim Burton, which can't help but redeem it." |
Mary F. Pols |
Tomato 3.5/4 |
Big Trouble (2002) |
"One of the funnier movies in town." |
Vera H-C Chan |
Tomato |
Birthday Girl (2002) |
"Birthday Girl won't withstand the test of time, but the plot is unpredictable enough and Kidman is strong enough to keep your attention focused." |
Mary F. Pols |
Splat 2/4 |
The Black Dahlia (2006) |
"De Palma doesn't seem to know what to do with these actors." |
Mary F. Pols |
Tomato |
Black Hawk Down (2001) |
"The technical language, weaponry and pounding exchange of gunfire contributes to a gruesome realism without sensationalizing it." |
Vera H-C Chan |
Splat |
Black Knight (2001) |
"If the powers-that-be had spent as much time on the script as they did on crafting the fake dung … oops, sorry, messing with a Hollywood formula." |
Vera H-C Chan |
Splat 2.5/4 |
Black Snake Moan (2007) |
"Ricci has guts. Nonetheless, Black Snake Moan turned my stomach." |
Karen Hershenson |
Tomato B |
Blade Runner - The Final Cut (1982) |
"This "new" Blade Runner is still a science fiction classic." |
Mary F. Pols |
Tomato 3/4 |
Blades of Glory (2007) |
"Both fun and edgy. It's crowd friendly comedy that still knows how to push against the borders." |
Mary F. Pols |
Splat |
Bless the Child (2000) |
"If you're interested in movies about extremely talented children with special powers, it's better to just rent The Sixth Sense." |
Mary F. Pols |
Tomato 3.5/4 |
Blind Spot: Hitler's Secretary (2003) |
"Blind Spot has the potential to be a great teaching tool for all of us." |
Mary F. Pols |
Tomato 3.5/4 |
Blood Diamond (2006) |
"Connelly exudes fiery intelligence and integrity, while DiCaprio jumps into their verbal sparring matches with the aplomb of Humphrey Bogart and the sexual charge of the young Paul Newman." |
Mary F. Pols |
Tomato 4/4 |
Bloody Sunday (2002) |
"There is no solace here, no entertainment value, merely a fierce lesson in where filmmaking can take us." |
Mary F. Pols |
Tomato |
Blow (2001) |
"It certainly may be true that Blow doesn't break new cinematic ground, but we've never seen Johnny Depp take on a role quite like this before. That alone is worth the price of admission." |
Mary F. Pols |
Tomato A |
Blue Car (2003) |
"Easily my favorite American independent movie since You Can Count on Me." |
Mary F. Pols |
Splat 1/4 |
Bobby (2006) |
"Estevez doesn't seem to have anything to offer beyond a sweet, unquestioning admiration of RFK and the history homework he obviously did about the trappings of the time." |
Mary F. Pols |
Splat |
Book of Shadows: Blair Witch 2 (2000) |
"If it's slicing and dicing you're after, the butchers at the Berkeley Bowl can give you a much more entertaining show and send you home with a spectacular cut of meat." |
Mary F. Pols |
Tomato B |
Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (2006) |
"A much-anticipated, intermittently hilarious mockumentary." |
Mary F. Pols |
Tomato 3.5/4 |
Born Into Brothels (2004) |
"It brings us to a place we'd never see otherwise, gives us a poignant lesson in the difficulties of saving those who seem doomed, and reminds us how beauty can exist even in the ugliest of places and circumstances." |
Mary F. Pols |
Tomato |
Bounce (2000) |
"Roos keeps his story true and real." |
Mary F. Pols |